"I'm not worried about fairness or feelings. I'm more concerned with staying alive until noon."
"Don't go to your apartment."
"I'm not stupid. They've already been there. And I'm sure they're watching his apartment."
"Where's his family?"
"His parents live in Naples, Florida. I guess the university will contact them. I don't know. He has a brother in Mobile, and I thought of calling him and trying to explain all this."
She saw a face. He walked among the tourists at the registration desk. He held a folded newspaper and tried to appear at home, just another guest, but his walk was a bit hesitant and his eyes were searching. The face was long and thin with round glasses and a shiny forehead.
"Gavin, listen to me. Write this down. I see a man I've seen before, not long ago. An hour maybe. Six feet two or three, thin, thirty years old, glasses, receding hair, dark in color. He's gone. He's gone."
"Who the hell is it?"
"We haven't met, dammit!"
"Did he see you? Where the hell are you?"
"In a hotel lobby. I don't know if he saw me. I'm gone."
"Darby! Listen to me. Whatever you do, keep in touch with me, okay?"
"I'll try."
The rest room was around the corner. She went to the last stall, locked the door behind her, and stayed there for an hour.
The photographer's name was Croft, and he'd worked for the Post for seven years until his third drug conviction sent him away for nine months. Upon parole, he declared himself to be a free-lance artist, and advertised as such in the yellow pages. The phone seldom rang. He did a little of this work - this slithering around shooting people who did not know they were targets. Many of his clients were divorce lawyers who needed dirt for trial. After two years of free-lancing, he had picked up a few tricks and now considered himself a halfass private investigator. He charged forty bucks an hour when he could get it.
Another client was Gray Grantham, an old friend from his newspaper days who called when he needed dirt. Grantham was a serious, ethical reporter with just a touch of sleaze, and when he needed a dirty trick, he called. He liked Grantham because he was honest about his sleaziness. The rest were so pious.
He was in Grantham's Volvo because it had a phone. It was noon, and he was smoking his lunch, wondering if the smell would linger with all the windows down. He did his best work half-stoned. When you stare at motels for a living, you need to be stoned.
There was a nice breeze coming in from the passenger's side, blowing the smell onto Pennsylvania. He was parked illegally, smoking dope, and not really concerned. He had less than an ounce on him, and his probation officer smoked it too, so what the hell.
The phone booth was a block and a half ahead, on the sidewalk but away from the street. With his telephoto lens, he could almost read the phone book hanging from the rack. Piece of cake. A large woman was inside, filling the booth and talking with her hands. Croft took a drag and watched the mirror for cops. This was a tow-away zone. Traffic was heavy on Pennsylvania.
At twenty after twelve, the woman fought her way out of the booth, and from nowhere a young man with a nice suit appeared and closed the door. Croft got his Nikon and rested the lens on the steering wheel. It was cool and sunny, and the sidewalk bustled with lunch traffic. The shoulders and heads moved quickly by. A gap. Click. A gap. Click. The subject was punching numbers and glancing around. This was their man.
He talked for thirty seconds, and the car phone rang three times and stopped. It was the signal from Grantham at the Post. This was their man, and he was talking. Croft fired away. Get all you can get, Grantham had said. A gap. Click. Click. Heads and shoulders. A gap. Click. Click. His eyes darted around as he talked, but he kept his back to the street. Full face. Click. Croft burned a roll of thirty-six in two minutes, then grabbed another Nikon. He screwed on the lens, and waited for a mob to pass.
He took the last drag and thumped it into the street. This was so easy. Oh sure, it took talent to capture the image in a studio, but this street work was much more fun. There was something felonious about stealing a face with a hidden camera.
The subject was a man of few words. He hung up, looked around, opened the door, looked around, and started toward Croft. Click, click, click. Full face, full figure, walking faster, getting closer, beautiful, beautiful. Croft worked feverishly, then at the last moment laid the Nikon in the seat and looked at Pennsylvania as their man walked by and disappeared in a group of secretaries.
What a fool. When you're on the run, never use the same pay phone twice.
Garcia was shadow boxing. He had a wife and child, he said, and he was scared. There was a career ahead with plenty of money, and if he paid his dues and kept his mouth shut he would be a wealthy man. But he wanted to talk. He rambled on about how he wanted to talk, had something to say and all, but just couldn't make the decision. He didn't trust anyone.
Grantham didn't push. He let him ramble long enough for Croft to do his number. Garcia would eventually spill his guts. He wanted to so badly. He had called three times now, and was growing comfortable with his new friend Grantham, who'd played this game many times and knew how it worked. The first step was to relax and build trust, to treat them with warmth and respect, to talk about right and wrong and moralities. Then they would talk.
The pictures were beautiful. Croft was not his first choice. He was usually so bombed you could tell it in the photography. But Croft was sleazy and discreet, with a working knowledge of journalism, and he happened to be available on short notice. He had picked twelve and blown them to five by seven, and they were outstanding. Right profile. Left profile. Full face into the phone. Full face looking at the camera. Full figure less than twenty feet away. Piece of cake, Croft said.
Garcia was under thirty, a very nice-looking, clean-cut lawyer. Dark, short hair. Dark eyes. Maybe Hispanic, but the skin was not dark. The clothes were expensive. Navy suit, probably wool. No stripes or patterns. Basic white spread collar with a silk tie. Basic black or burgundy wing tips with a sparkling shine. The absence of a briefcase was puzzling. But then, it was lunch, and he probably ran from the office to make the call, then back to the office. The Justice Department was a block away.
Grantham studied the pictures and kept an eye on the door. Sarge was never late. It was dark and the club was filling up. Grantham's was the only white face within three blocks.
Of the tens of thousands of government lawyers in D.C., he had seen a few who knew how to dress, but not many. Especially the younger ones. They started at forty a year and clothes were not important. Clothes were important to Garcia, and he was too young and well dressed to be a government lawyer.
So he was a private one, in a firm for about three or four years now and hitting somewhere around eighty grand. Great. That narrowed it down to fifty thousand lawyers and no doubt expanding by the moment.
The door opened and a cop walked in. Through the smoke and haze, he could tell it was Cleve. This was a respectable joint with no dice or whores, so the presence of a cop was not alarming. He sat in the booth across from Grantham.
"Did you pick this place?" Grantham asked.
"Yeah. You like it?"
"Let's put it like this. We're trying to be inconspicuous, right? I'm here picking up secrets from a White House employee. Pretty heavy stuff. Now tell me, Cleve, do I look inconspicuous sitting here in all my whiteness?"
"I hate to tell you this, Grantham, but you're not nearly as famous as you think. You see those dudes at the bar." They looked at the bar lined with construction workers. "I'd give you my paycheck if any dude there has ever read the Washington Post, heard of Gray Grantham, or gives a damn what happens at the White House."