I gazed at it until I had figured out how to get past it and then I headed around inside the cobbled courtyard. The apartment above the garages was dark and quiet. The garage doors were all closed, but none of them had locks. They were big old-fashioned timber things. They had been installed way back before anybody had thought of stealing cars. Four sets of doors, four garages. The left-hand one held the Cadillac. I had already been in there. So I checked the others, slow and quiet. The second had yet another Lincoln Town Car in it, black, the same as Angel Doll's, the same as the one the bodyguards had used. It was waxed and shiny and its doors were locked.
The third garage was completely empty. Nothing in it at all. It was clean and swept. I could see broom tracks in the dusty oil patches on the floor. There were a few carpet fibers here and there. Whoever had swept up had missed them. They were short and stiff. I couldn't make out the color in the darkness. They looked gray. They looked like they had been pulled out of a rug's burlap backing. They meant nothing to me. So I moved on.
I found what I wanted in the fourth garage. I opened the doors wide and let in just about enough moonlight to see by. The dusty old Saab the maid had used for her marketing was in there, parked head-in close to a workbench. There was a grimy window behind the bench. Gray moonlight on the ocean outside. The bench had a vise screwed to it and was covered in tools. The tools were old. Their handles were wood that had darkened with age and oil. I found a bradawl. It was just a blunt steel spike set into a handle. The handle was bulbous, turned from oak. The spike was maybe two inches long. I put it into the vise, maybe a quarter-inch deep. Tightened the vise hard. Pulled on the handle and bent the spike into a neat right angle. Loosened the vise and checked my work and put it away in my shirt pocket.
Then I found a chisel. It was a woodworking item. It had a half-inch blade and a nice ash handle. It was probably seventy years old. I hunted around and found a carborundum whetstone and a rusty can of sharpening fluid. Dabbed some fluid on the stone and spread it with the tip of the chisel. Worked the steel back and forth until it showed bright. One of the many high schools I went to was an old-fashioned place in Guam where shop was graded by how well you did with the scut work, like sharpening tools. We all scored high. It was the kind of accomplishment we were interested in. That class had the best knives I ever saw. I turned the chisel over and did the other face. I got the edge square and true. It looked like high-grade Pittsburgh steel. I wiped it on my pants. Didn't test the edge on my thumb. I didn't particularly want to bleed. I knew it was razor sharp just by looking at it.
I came out into the courtyard and squatted down in the angle of the walls and loaded my pockets. I had the chisel if things needed to stay quiet, and I had the Glock if it was OK to go noisy. Then I scoped out my priorities. The house first, I decided. There was a strong possibility that I would never get another look at it.
The outer door to the kitchen porch was locked, but the mechanism was crude. It was a token three-lever affair. I put the bent spike of the bradawl in like a key and felt for the tumblers. They were big and obvious. It took me less than a minute to get inside. I stopped again and listened carefully. I didn't want to walk in on the cook. Maybe she was up late, baking a special pie. Or maybe the Irish girl was in there doing something. But there was only silence. I crossed the porch and knelt down in front of the inner door. Same crude lock. Same short time. I backed off a foot and swung the door open. Smelled the kitchen smells. Listened again. The room was cold and deserted. I put the bradawl on the floor in front of me. Put the chisel next to it. Added the Glock and the spare magazines. I didn't want to set the metal detector off. In the still of the night it would have sounded like a siren. I slid the bradawl along the floor, tight against the boards. Pushed it right through the doorway and into the kitchen. Did the same with the chisel. Kept it tight against the floor and rolled it all the way inside. Almost all commercial metal detectors have a dead zone right at the bottom. That's because men's dress shoes are made with a steel shank in the sole. It gives the shoe flexibility and strength. Metal detectors are designed to ignore shoes. It makes sense, because otherwise they would beep every time a guy with decent footwear passed through.
I slid the Glock through the dead zone and followed it with one magazine at a time. Pushed everything as far inside as I could reach. Then I stood up and walked through the door. Closed it quietly behind me. Picked up all my gear and reloaded my pockets. Debated taking my shoes off. It's easier to creep around quietly in socks. But if it comes to it, shoes are great weapons. Kick somebody with your shoes on, and you disable them. With your shoes off, you break a toe. And they take time to put back on. If I had to get out fast, I didn't want to be running around on the rocks barefoot. Or climbing the wall. I decided to keep them on and walk carefully. It was a solidly-built house. Worth the risk. I went to work.
First I searched the kitchen for a flashlight. Didn't find one. Most houses on the end of a long power line spur have outages from time to time, so most people who live in them keep something handy. But the Becks didn't seem to. The best I could find was a box of kitchen matches. I put three in my pocket and struck one on the box. Used the flickering light to look for the big bunch of keys I had left on the table. Those keys would have helped me a lot, but they weren't there. Not on the table, not on some hook near the door, not anywhere. I wasn't very surprised. It would have been too good to be true to find them.
I blew out the match and found my way in the dark to the head of the basement stairs. Crept all the way down and struck another match with my thumbnail at the bottom. Followed the tangle of wires on the ceiling back to the breaker box. There was a flashlight on a shelf right next to it. Classic dumb place to keep a flashlight. If a breaker pops the box is your destination, not your starting point.
The flashlight was a big black Maglite the length of a nightstick. Six D cells inside. We used to use them in the army. They were guaranteed unbreakable, but we found that depended on what you hit with them, and how hard. I lit it up and blew out the match. Spat on the burned stub and put it in my pocket. Used the flashlight to check the breaker box. It had a gray metal door with twenty circuit breakers inside. None of them was labeled gatehouse. It must have been separately supplied, which made sense. No point in running power all the way to the main house and then running some of it all the way back to the lodge. Better to give the lodge its own tap on the incoming power line. I wasn't surprised, but I was vaguely disappointed. It would have been sweet to be able to turn the wall lights off. I shrugged and closed the box and turned around and went to look at the two locked doors I had found that morning.
They weren't locked anymore. First thing you always do before attacking a lock is to check it's not already open. Nothing makes you feel stupider than picking a lock that isn't locked. These weren't. Both doors opened easily with a turn of the handle.
The first room was completely empty. It was more or less a perfect cube, maybe eight feet on a side. I played the flashlight beam all over it. It had rock walls and a cement floor. No windows. It looked like a storeroom. It was immaculately clean and there was nothing in it. Nothing at all. No carpet fibers. Not even trash or dirt. It had been swept and vacuumed, probably earlier that day. It was a little dank and damp. Exactly how you would expect a stone cellar to feel. I could smell the distinctive dusty smell of a vacuum cleaner bag. And there was a trace of something else in the air. A faint, tantalizing odor right at the edge of imperceptibility. It was vaguely familiar. Rich, and papery. Something I should know. I stepped right inside the room and shut off the flashlight. Closed my eyes and stood in the absolute blackness and concentrated. The smell disappeared. It was like my movements had disturbed the air molecules and the one part in a billion I was interested in had diffused itself into the clammy background of underground granite. I tried hard, but I couldn't get it. So I gave it up. It was like memory. To chase it meant to lose it. And I didn't have time to waste.