"And there's the secretary," he said to her. "They'll have asked her who the client was. She'll have told them. And even if she didn't, they'll find out anyway. Took me thirty seconds and one phone call. So now they're going to come looking for you, to ask you who's behind all of this."
She looked blank and put the old photograph on the desk.
"But I don't know who."
"You think they're going to believe that?"
She nodded vaguely and glanced toward the window.
"OK, so what do I do?"
"You get out of here," he said. "That's for damn sure. Too lonely, too isolated. You got a place in the city?"
"Sure," she said. "A loft on lower Broadway."
"You got a car here?"
She nodded. "Sure, in the garage. But I was going to stay here tonight. I've got to find his will, do the paperwork, close things down. I was going to leave tomorrow morning, early."
"Do all that stuff now," he said. "As fast as you can, and get out. I mean it, Jodie. Whoever these people are, they're not playing games."
The look on his face told her more than words. She nodded quickly and stood up.
"OK, the desk. You can give me a hand."
From his high school ROTC until his ill-health demobilization Leon Garber had done almost fifty years of military service of one sort or another. It showed right there in his desk. The upper drawers contained pens and pencils and rulers, all in neat rows. The lower drawers were double height, with concertina files hanging on neat rods. Each was labeled in careful handwriting. Taxes, phone, electricity, heating oil, yardwork, appliance warranties. There was a label with newer handwriting in a different color: LAST WILL AND TESTAMENT. Jodie flicked through the files and ended up lifting the whole concertina out of each drawer. Reacher found a battered leather suitcase in the den closet and they loaded the concertinas straight into it. Forced the lid down tight and snapped it shut. Reacher picked up the old photograph from the desk and looked at it again.
"Did you resent it?" he asked. "The way he thought about me? Family?"
She paused in the doorway and nodded.
"I resented it like crazy," she said. "And one day I'll tell you exactly why."
He just looked at her and she turned and disappeared down the hallway.
"I'll get my things," she called. "Five minutes, OK?"
He stepped over to the bookshelf and tacked the old picture back in its original position. Then he snapped the light off and carried the suitcase out of the room. Stood in the quiet hallway and looked around. It was a pleasant house. It had been expanded in size at some stage in its history. That was clear. There was a central core of rooms that made some kind of sense in terms of layout, and then there were more rooms off the doglegged hallway he was standing in. They branched out from arbitrary little inner lobbies. Too small to be called a warren, too big to be predictable. He wandered through to the living room. The windows overlooked the yard and the river, with the West Point buildings visible at an angle from the fireplace end. The air was still and smelled of old polish. The decor was faded, and had been plain to start with. Neutral wood floors, cream walls, heavy furniture. An ancient TV, no video. Books, pictures, more photographs. Nothing matched. It was an undesigned place, evolved, comfortable. It had been lived in.
Garber must have bought it thirty years ago. Probably when Jodie's mother got pregnant. It was a common move. Married officers with a family often bought a place, often near their first service base or near some other location they imagined was going to be central to their lives, like West Point. They bought the place and usually left it empty while they lived overseas. The point was to have an anchor, somewhere identifiable they knew they would come back to when it was all over. Or somewhere their families could live if the overseas posting was unsuitable, or if their children's education demanded consistency.
Reacher's parents had not taken that route. They had never bought a place. Reacher had never lived in a house. Grim service bungalows and army bunkhouses were where he had lived, and since then, cheap motels. And he was pretty sure he never wanted anything different. He was pretty sure he didn't want to live in a house. The desire just passed him by. The necessary involvement intimidated him. It was a physical weight, exactly like the suitcase in his hand. The bills, the property taxes, the insurance, the warranties, the repairs, the maintenance, the decisions, new roof or new stove, carpeting or rugs, the budgets. The yard work. He stepped over and looked out of the window at the lawn. Yard work summed up the whole futile procedure. First you spend a lot of time and money making the grass grow, just so you can spend a lot of time and money cutting it down again a little while later. You curse about it getting too long, and then you worry about it staying too short and you sprinkle expensive water on it all summer, and expensive chemicals all fall.
Crazy. But if any house could change his mind, maybe Garber's house might do it. It was so casual, so undemanding. It looked like it had prospered on benign neglect. He could just about imagine living in it. And the view was powerful. The wide Hudson rolling by, reassuring and physical. That old river was going to keep on rolling by, whatever anybody did about the houses and the yards that dotted its banks.
"OK, I'm ready, I guess," Jodie called.
She appeared in the living room doorway. She was carrying a leather garment bag and she had changed out of her black funeral suit. Now she was in a pair of faded Levi's and a powder blue sweatshirt with a small logo Reacher couldn't decipher. She had brushed her hair, and the static had kicked a couple of strands outward. She was smoothing them back with her hand, hooking them behind her ear. The powder blue shirt picked up her eyes and emphasized the pale honey of her skin. The last fifteen years had done her no harm at all.
They walked through to the kitchen and bolted the door to the yard. Turned off all the appliances they could see and screwed the faucets tight shut. Came back out into the hallway and opened the front door.
Chapter 5
REACHER WAS FIRST out through the door, for a number of reasons. Normally he might have let Jodie go out ahead of him, because his generation still carried with it the last vestiges of American good manners, but he had learned to be wary about displaying chivalry until he knew exactly how the woman he was with was going to react. And it was her house, not his, which altered the dynamic anyway, and she would need to use the key to lock the door behind them. So for all those reasons he was the first person to step out to the porch, and so he was the first person the two guys saw.
Waste the big guy and bring me Mrs. Jacob, Hobie had told them. The guy on the left went for a snapshot from a sitting position. He was tensed up and ready, so it took his brain a lot less than a second to process what his optic nerve was feeding it. He felt the front door open, he saw the screen swing out, he saw somebody stepping onto the porch, he saw it was the big guy coming first, and he fired.
The guy on the right was in a dumb position. The screen creaked open right in his face. In itself it was no kind of an obstacle, because tight nylon gauze designed to stop insects is not going to do a lot about stopping bullets, but he was a right-handed guy and the frame of the screen was moving on a direct collision course with his gun hand as it swung around into position. That made him hesitate fractionally and then scramble up and forward around the arc of the frame. He grabbed it backhanded with his left and pulled it into his body and folded himself around it with his right hand swinging up and into position.
By then Reacher was operating unconsciously and instinctively. He was nearly thirty-nine years old, and his memory stretched back through maybe thirty-five of those years to the dimmest early fragments of his childhood, and that memory was filled with absolutely nothing except military service, his father's, his friends' fathers', his own, his friends'. He had never known stability, he had never completed a year in the same school, he had never worked nine to five, Monday to Friday, he had never counted on anything at all except surprise and unpredictability. There was a portion of his brain developed way out of all proportion, like a grotesquely over-trained muscle, which made it seem to him entirely reasonable that he should step out of a door in a quiet New York suburban town and glance down at two men he had last seen two thousand miles away in the Keys crouching and swinging nine-millimeter pistols up in his direction. No shock, no surprise, no gasping freezing fear or panic. No pausing, no hesitation, no inhibitions. Just instant reaction to a purely mechanical problem laid out in front of him like a geometric diagram involving time and space and angles and hard bullets and soft flesh.
The heavy suitcase was in his left hand, swinging forward as he labored with it over the threshold. He did two things at once. First he kept the swing going, using all the new strength in his left shoulder to kick the case onward and outward. Second he windmilled his right arm backward and shoved Jodie in the chest, smashing her back inside the hallway. She staggered back a step and the moving suitcase caught the first bullet. Reacher felt it kick in his hand. He jerked it right to the end of its swing, leaning out into the porch like a hesitant diver over a cold pool, and it hit the left-hand guy a glancing blow in the face. He was half up and half down, crouching, unstable, and the blow from the case rolled him over and backward and out of the picture.