But his ideas about God - like his ideas about so many things, had changed. They had changed in Africa. In Africa he had discovered that there was not just one God but many, and some were more than cruel - they were insane, and that changed all. Cruelty, after all, was understandable. With insanity, however, there was no arguing.
These wretched musings were interrupted by a harsh, half-superstitious gasp from Hezekiah.
"Mist" Boss Ian! Mist" Boss Geoffrey! Look! She eyes Look she eyes!" Misery's eyes, that gorgeously delicate shade of cornflower blue, had fluttered open. They passed from Ian to Geoffrey and then back to Ian again. For a moment Geoffrey saw only puzzlement in those eyes... and then recognition dawned in them, and he felt gladness roar through his soul.
"Where am I?" she asked, yawning and stretching. "Ian - Geoffrey - are we at sea? Why am I so hungry?" Laughing, crying, Ian bent and hugged her, speaking her name over and over again.
Bewildered but pleased, she hugged him back - and because he knew she was all right, Geoffrey found he could abide their love, now and forever. He would live alone, could live alone, in perfect peace.
Perhaps the gods were not insane after all... at least, not all of them.
He touched Hezekiah on the shoulder. "I think we should leave them alone, old man, don" you?"
"I guess that be right, Mist" Boos Geoffrey," Hezekiah said. He grinned widely, flashing all seven of his gold teeth.
Geoffrey stole one last look at her, and for just a moment those cornflower eyes flashed his way, warming him, filling him. Fulfilling him.
I love you, my darling, he thought. Do you hear me?
Perhaps the answer which came back was only the wistful call of his own mind, but he thought not - it was too clear, too much her own voice.
I hear... and I love you, too.
Geoffrey closed the door and went up to the afterdeck. Instead of throwing himself over the rail, as he might have done, he lit his pipe and smoked a bowl of tobacco slowly, watching the sun go down behind that distant, disappearing cloud on horizon - that cloud which was the coast of Africa.
And then, because he could not stand to do otherwise, Paul Sheldon rolled the last page out of the typewriter and scrawled the most loved and hated phrase in the writer's vocabulary with a pen:
THE END
40
His swollen right hand had not wanted to fill in the missing letters, but he had forced it through the work nonetheless. If he wasn't able to work at least some of the stiffness out of it, he was not going to be able to carry through with this.
When it was done, he put the pen aside. He regarded his work for a moment. He felt as he always did when he finished a book - queerly empty, let down, aware that for each little success he had paid a toll of absurdity.
It was always the same, always the same - like toiling uphill through jungle and breaking out to a clearing at the top after months of hell only to discover nothing more rewarding than a view of a freeway - with a few gas stations and bowling alleys thrown in for good behavior, or something.
Still, it was good to be done - always good to be done. Good to have produced, to have caused a thing to be. In a numb sort of way he understood and appreciated the bravery of the act, of making little lives that weren't, creating the appearance of motion and the illusion of warmth. He understood - now, finally - that he was a bit of a dullard at doing this trick, but it was the only one he knew, and if he always ended up doing it ineptly, he at least never failed to do it with love. He touched the pile of manuscript and smiled a little bit.
His hand left the big pile of paper and stole to the single Marlboro she had put on the windowsill for him. Beside it was a ceramic ashtray with a paddlewheel excursion boat printed on the bottom encircled by the words, SOUVENIR OF HANNIBAL, MISSOURI - HOME OF AMERICA'S STORY TELLER!
In the ashtray was a book of matches, but there was only one match in it - all she had allowed him. One, however, should be enough.
He could hear her moving around upstairs. That was good. He would have plenty of time to make his few little preparations, plenty of warning if she decided to come down before he was quite ready for her.
Here comes the real trick, Annie. Lees see if I can do it. Let's see - can I?
He bent over, ignoring the pain in his legs, and began to work the loose section of baseboard out with his fingers.
41
He called for her five minutes later, and listened to her heavy, somehow toneless tread on the stairs. He had expected to feel terrified when things got to this point, and was relieved to find he felt quite calm. The room was filled with the reek of lighter fluid. It dripped steadily from one side of the board which lay across the arms of the wheelchair.
"Paul, are you really done? she called down the length of hallway.
Paul looked at the pile of paper sitting on the board beside the hateful Royal typewriter. Lighter fluid soaked the stack. "Well," he called back, "I did the best I could, Annie."
"Wow! Oh, great! Gee, I can hardly believe it! After all this time! Just a minute! I'll get the champagne!"
"Fine!" He heard her cross the kitchen linoleum, knowing where each squeak was going to come the instant before it did come. I am hearing all these sounds for the last time, he thought, and that brought a sense of wonder, and wonder broke the calm open like an egg. The fear was inside... but there was something else in there as well. He supposed it was the receding coast of Africa.
The refrigerator door was opened, then banged shut. Here she came across the kitchen again; here she came.
He had not smoked the cigarette, of course; it still lay on the windowsill. It had been the match he wanted. That one single match.