Standing in the crowded New Orleans airport waiting for her suitcase, surrounded by pushing, impatient travelers, Tracy felt suffocated. She tried to move close to the baggage carousel, but no one would let her through. She was becoming increasingly nervous, dreading what she would have to face in a little while. She kept trying to tell herself that it was all some kind of mistake, but the words kept reverberating in her head: I'm afraid I have bad news for you.... She's dead, Miss Whitney.... I hate to break it to you this way....
When Tracy finally retrieved her suitcase, she got into a taxi and repeated the address the lieutenant had given her: "Seven fifteen South Broad Street, please."
The driver grinned at her in the rearview mirror. "Fuzzville, huh?"
No conversation. Not now. Tracy's mind was too filled with turmoil.
The taxi headed east toward the Lake Ponchartrain Causeway. The driver chattered on. "Come here for the big show, miss?"
She had no idea what he was talking about, but she thought, No. I came here for death. She was aware of the drone of the driver's voice, but she did not hear the words. She sat stiffly an her seat, oblivious to the familiar surroundings that sped past. It was only as they approached the French Quarter that Tracy became conscious of the growing noise. It was the sound of a mob gone mad, rioters yelling some ancient berserk litany.
"Far as I can take you," the driver informed her.
And then Tracy looked up and saw it. It was an incredible sight. There were hundreds of thousands of shouting people, wearing masks, disguised as dragons and giant alligators and pagan gods, filling the streets and sidewalks ahead with a wild cacophony of sound. It was an insane explosion of bodies and music and floats and dancing.
"Better get out before they turn my cab over," the driver said. "Damned Mardi Gras."
Of course. It was February, the time when the whole city celebrated the beginning of Lent. Tracy got out of the cab and stood at the curb, suitcase in hand, and the next moment she was swept up in the screaming, dancing crowd. It was obscene, a black witches' sabbath, a million Furies celebrating the death of her mother. Tracy's suitcase was torn from her hand and disappeared. She was grabbed by a fat man in a devil's mask and kissed. A deer squeezed her breasts, and a giant panda grabbed her from behind and lifted her up. She struggled free and tried to run, but it was impossible. She was hemmed in, trapped, a part of the singing, dancing celebration. She moved with the chanting mob, tears streaming down her face. There was no escape. When she was finally able to break away and flee to a quiet street, she was near hysteria. She stood still for a long time, leaning against a lamppost, taking deep breaths, slowly regaining control of herself. She headed for the police station.
Lieutenant Miller was a middle-aged, harassed-looking man with a weather-beaten face, who seemed genuinely uncomfortable in his role. "Sorry I couldn't meet you at the airport," he told Tracy, "but the whole town's gone nuts. We went through your mother's things, and you're the only one we could find to call."
"Please, Lieutenant, tell me what - what happened to my mother."
"She committed suicide."
A cold chill went through her. "That's - that's impossible! Why would she kill herself? She had everything to live for." Her voice was ragged.
"She left a note addressed to you."
The morgue was cold and indifferent and terrifying. Tracy was led down a long white corridor into a large, sterile, empty room, and suddenly she realized that the room was not empty. It was filled with the dead. Her dead.
A white-coated attendant strolled over to a wall, reached for a handle, and pulled out an oversized drawer. "Wanna take a look?"
No! I don't want to see the empty, lifeless body lying in that box. She wanted to get out of this place. She wanted to go back a few hours in time when the fire belt was ringing. Let it be a real fire alarm, not the telephone, not my mother dead. Tracy moved forward slowly, each step a screaming inside her. Then she was staring down at the lifeless remains of the body that had borne her, nourished her, laughed with her, loved her. She bent over and kissed her mother on the cheek. The cheek was cold and rubbery. "Oh, Mother," Tracy whispered. "Why? Why did you do it?"
"We gotta perform an autopsy," the attendant was saying. "It's the state law with suicides."
The note Doris Whitney left offered no answer.
My darling Tracy,
Please forgive me. I failed, and I couldn't stand being a burden on you. This is the best way. I love you so much.
Mother.
"Oh, my God!"
"There's more. The district attorney served your mother notice that he was going to ask for an indictment against her for fraud, that she was facing a prison sentence. That was the day she really died, I think."
Tracy was seething with a wave of helpless anger. "But all she had to do was tell them the truth - explain what that man did to her."
The old foreman shook his head. "Joe Romano works for a man named Anthony Orsatti. Orsatti runs New Orleans. I found out too late that Romano's done this before with other companies. Even if your mother had taken him to court, it would have been years before it was all untangled, and she didn't have the money to fight him."
"Why didn't she tell me?" It was a cry of anguish, a cry for her mother's anguish.
"Your mother was a proud woman. And what could you do? There's nothing anyone can do."
You're wrong, Tracy thought fiercely. "I want to see Joe Romano. Where can I find him?"
Schmidt said flatly, "Forget about him. You have no idea how powerful he is."