We turned and turned again. Every passage looked just like the one before it. There were no signs, no markers. Either Sharon was navigating by some brilliant feat of memory, or completely at random, trying to throw off any Ditch pirates who might’ve been pursuing us.
“Do you really know where we’re going?” Emma asked him.
“Of course I do!” Sharon barked, bombing around a corner without looking back. Then he stopped, doubled back, and stepped down through a doorway sunk half below street level. Inside was a dank cellar, just five feet high and lit by the merest breath of sallow gray light. We ran hunched along a subterranean corridor, discarded animal bones underfoot, the ceiling brushing our heads, past things I tried not to see—a slumped figure in a corner, sleepers shivering on miserable mats of straw, a boy in rags lying on the ground with a beggar’s pail bangled around one arm. At its far end the passage widened into a room, and in the light of a few grimed windows there knelt a pair of miserable washerwomen, scrubbing laundry in a stinking pool of Ditch water.
Then we mounted more steps and went out, thank God, into a walled courtyard common to the backs of several buildings. In some other reality it might’ve contained a happy patch of grass or a little gazebo, but this was Devil’s Acre, and it was a dump and a pigsty. Waves of fly-blown trash tossed from windows crested against the walls, and in the center, staked crookedly in the mud, was a wooden pen in which a skinny boy stood guarding an even skinnier pig—just one. By a mud-brick wall a woman sat smoking and reading a newspaper while a young girl stood behind her, picking nits from her hair. The woman and girl took no notice as we trooped past, but the boy leaned the tines of a pitchfork at us. When it was clear we had no designs on his pig, he sank into an exhausted squat.
Emma stopped in the middle of the yard to look up at lines of laundry strung between roof gutters. She pointed out again that our bloodstained clothes made us look like participants in a murder, and suggested we should change. Sharon replied that murderers were hardly outlandish here and urged her on, but she hung back, arguing that a wight in the Underground had seen our bloodstained clothes and radioed his comrades about us; they made us too easy to pick out of a crowd. Really, I think it was more that she felt uncomfortable in a blouse now stiff with another person’s blood. I did, too—and if we found our friends again, I didn’t want them to see us like this.
Sharon grudgingly assented. He’d been leading us toward a fence at the edge of the yard but now pivoted and took us into one of the buildings. We climbed two, three, four flights of stairs, until even Addison was wheezing, then followed Sharon through an open door into a small, squalid room. A gash in the ceiling had let in rain and warped the landing like ripples in a pond. Black mold veined the walls. At a table by a smoky window, two women and a girl were sweating over foot-powered sewing machines.
“We need some clothes,” Sharon said, addressing the women in a stentorian basso that shook the thin walls.
Their pale faces looked up. One of the women picked up a sewing needle and gripped it like a weapon. “Please,” she said.
Sharon reached up and pulled back the hood of his cloak a little, so that only the seamstresses could see his face. They gasped, then whimpered and fainted forward onto the table.
“Was that really necessary?” I said.
“Not strictly,” Sharon replied, replacing his hood. “But it was expedient.”
The seamstresses had been assembling simple shirts and dresses from scraps of cloth. The rags they worked with were heaped around the floor, and the results, which had more patches and seams than Frankenstein’s monster, were hung on a line out the window. As Emma reeled them in, my gaze crawled around the room. It was clearly more than just a workspace: the women lived here, too. There was a bed nailed together from scrap wood. I peered into a dented pot that hung in the hearth and saw the makings of starvation soup, fish skin and withered cabbage leaves. Their half-hearted attempts at decorating—a sprig of dried flowers, a horseshoe nailed to the mantel, a framed portrait of Queen Victoria—were somehow sadder than nothing at all.
Despair was tangible here, weighting down everything, the very air. I’d never been confronted with such pure misery. Could peculiars really be living these discarded lives? As Sharon pulled in an armful of shirts through the window, I asked him. He seemed almost offended by the idea. “Peculiars would never allow themselves to be so reduced. These are common slum dwellers, trapped in an endless repetition of the day this loop was made. Normals occupy the Acre’s festering edges—but its heart belongs to us.”
They were normals. Not only that, but loop-trapped normals, like the ones on Cairnholm whom the crueler kids would torment during games of Raid the Village. As much a part of the background scenery as the sea or the cliffs, I told myself. But somehow, looking at the women’s weathered faces buried in rags, I felt no less terrible about stealing from them.
“I’m sure we’ll know the peculiars when we see them,” Emma said, sorting through a pile of dirty blouses.
“One always does,” said Addison. “Subtlety has never been our kind’s strength.”
I slipped out of my bloody shirt and traded it for the least filthy alternative I could find, the kind of garment you’d be issued at a prison camp: collarless and striped, its sleeves of unequal length, patched together from cloth rougher than sandpaper. But it fit me, and with the addition of a simple black coat I found tossed over a chair back, I now looked like someone who might plausibly be from this place.