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The Moment of Letting Go Page 52
Author: J.A. Redmerski

“Luke … I just can’t get over what you can do to a canvas. These are”—I reach out as if the painting is a magnet to my fingertips and I want so badly to touch it, but I stop just short—“so lifelike.”

He steps over a large piece of fabric sheeting covered in paint that lies across one section of floor and bends down behind a box underneath a window.

A laptop hangs from his hand when it emerges. He opens it and walks over to me.

“I showed you mine; now you get to show me yours,” he says, wriggling his brows.

I know right away he’s referring to my photography website, which I told him about back at the community center.

Luke sits down in the center of the floor Indian-style, placing the laptop on his lap. I look at the floor and then at my dress, white and bound to show every little speck of paint that might get on it no matter how dry—he realizes right away.

“Oh, I’m sorry,” he says and starts to get up. “I’m used to just coming in here and sitting wherever. I didn’t even think about your dress.”

I stop him before he gets up by sitting down with him, my legs bent beneath me. A light beaming in from two horizontally elongated windows washes over the space. I don’t care about my dress. It’s just a piece of fabric. Luke’s face softens and something passes over his eyes that I can’t make out, but it makes my heart race.

Reaching out for the laptop, I take it from him and prop it on my own lap. The Internet speed isn’t all that great here so it takes a few minutes to bring up my site and for the thumbnails to load, but once everything is there, I turn it at an angle so Luke can see. He scoots over closer to me, his side touching mine, and peers down into the screen. I feel breathless to have him next to me. My palms begin to feel moist and my pulse quickens.

I can’t remember the last time I felt so eager to share my photography with someone other than my mom or Paige. It’s very personal to me; I may display it on my website for all to see, but this is different. Meaningful. And with Luke, already it feels so natural.

Luke looks at every last photograph on my site, enlarging each one to get a closer look at the details.

“And you say I have a gift,” he tells me and I smile in thanks. “You definitely have an eye for a good shot, that’s for sure. Who is this woman? She’s in several photos.”

“That’s my mom.” I point to a close-up of her sitting near the kitchen window waiting for my dad to come home. A shadow is cast across her face by the window blinds, creating a dozen dark lines over her skin. “Dad used to work as a truck driver. For about three years, I think. I was fifteen when I took this one.” I pause, thinking back on the moment. “I just thought it was so out of character for my parents—Mom in this case—to miss Dad and to show it like this. I don’t think she even knew I was aware, or that I even took this photo. But Dad was gone a lot on the road and Mom would always sit in front of that window when she knew he was on his way home and she’d watch for him.” I smile to myself, thinking about it. “And for about three days, before Dad had to leave again, my parents were the happiest people.”

“They weren’t always happy?” he asks.

I look away from the screen and glance over at him with a forced smile; his expression—the intensity of his hazel eyes, his unwavering focus—is filled with interest.

“Whose parents ever are these days?” I laugh lightly.

He shrugs, smiles faintly.

“Did they fight a lot?”

“No, it was nothing like that,” I say. “They just never had much time for themselves. They each worked two jobs when I was growing up. Sometimes my aunt would babysit me until I was old enough to stay at home by myself. I didn’t see my parents as much as they didn’t see each other.”

Luke is quiet for a long moment, a little longer than what I feel is normal.

“Well, believe it or not,” he finally says, “I can relate to that one hundred percent.”

“Really? How so?”

Luke uncrosses his legs and draws his knees up, balancing the weight of his body on his backside, his right hand clasping his left wrist as he wraps his arms about his knees. The muscles in his arms harden like rocks beneath his tanned skin.

“Same story as yours pretty much,” he says. “But we were considered poor.”

“So were we,” I say. “I lived in a trailer park for a long time before my parents were able to get a loan for a house—nothing wrong with trailer parks unless it was that particular one. And welfare wouldn’t help us because my dad made sixteen dollars more a month than what was allowed to qualify—just sixteen dollars. It was really hard. We didn’t starve or go without utilities that I can ever remember, but we didn’t see each other much.”

Luke nods, thinking deeply, it appears.

“Same here. We mostly lived in one-bedroom apartments. Landon and I slept in the living room. Mom was a waitress usually, or sometimes she worked as a cashier in a gas station. My dad was an underpaid mechanic for most of his life until he lost his job to someone fifteen years younger and who’d work for less money. So then my dad joined the wonderful and fulfilling career of cleaning toilets and mopping floors at a junior high school.”

“Oh joy,” I say with sarcasm that matches his.

I start to add to his sarcasm, but I’m stopped in my tracks with his next set of words.

“But not having much money is not such a bad thing. Having been on both sides of the fence, I can without a doubt say that I’d choose no money over no passion or family any day of the week.”

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J.A. Redmerski's Novels
» Behind the Hands That Kill (In the Company of Killers #6)
» The Moment of Letting Go
» The Edge of Always (The Edge of Never #2)
» The Black Wolf (In the Company of Killers #5)
» The Edge of Never (The Edge of Never #1)
» Reviving Izabel (In the Company of Killers #2)
» Killing Sarai (In the Company of Killers #1)
» The Ballad of Aramei (The Darkwoods Trilogy #3)
» Kindred (The Darkwoods Trilogy #2)
» The Mayfair Moon (The Darkwoods Trilogy #1)