It wouldn’t last. It would die back down again to a low flicker of uncertainty, but it turns out I was right to believe. It was magic. Just not the kind I thought.
The Puppet That Bites is just a puppet, but…Karou is not just a girl.
That Christmas Eve was my first exposure to scuppies, though I wouldn’t know it for more than two years – two years she let me believe the puppet was hungry, that minx – until a couple of weeks ago, when Kishmish flew on fire into her window and died in her hands.
That was…a shock. Seeing Kishmish die was a shock. Seeing him at all was a shock, and finding out that he’s real – or he was real – and not just some flight of fancy from Karou’s imagination. At a glance he just looked like a crow, but once you focused on him, your brain started to issue error messages: Something wasn’t right, wasn’t normal. And then: Oh, it was his wings. They were bat wings. And his tongue. It was a serpent’s tongue. Interesting, that, and it was just the point of entry.
It wasn’t only Kishmish. Everything in Karou’s sketchbooks was real, and the African trade beads she always wears are actually wishes. ‘Nearly useless wishes,’ that is, since scuppies are the weakest kind. She’s traveling right now, trying to get her hands on more powerful ones, but before she left Prague she gave me a present. I’m looking at them right now.
In the palm of my hand, the size of pearls, no two alike in color or pattern and indistinguishable from African trade beads, are five scuppies. Nearly useless they may be, but even one scuppy would be more magic than I’ve ever held in my hand before, and I have five.
Five tiny secret weapons to add a spice of magic to a certain plan I’m cooking up.
What plan, you ask?
The plan to finally – finally, finally – meet violin boy, and sweep him off his feet.
Me, sweep him off his feet? I know. The laws of the jungle and romance novels would have it the other way around, but I’m not going to wait one more second for that. Milquetoast girls raised on princess stories might sit tight and bat their eyelashes in desperate Morse code – notice me, like me, please – but I am not that girl. Well, to be honest, I’ve been that girl for three months now, and I’ve had enough. What’s happened to me? When Karou talks about butterflies in the belly and invisible lines of energy and all that, I make fun of her for being a hopeless romantic, but DEAR GOD. Butterflies! Invisible lines of energy!
I get it.
I feel liquefied, like a cucumber forgotten in the crisper drawer, and I want to hold myself at arm’s length and carry me to the trash. Who is this sack of slush masquerading as me? It’s intolerable. If Karou can sally forth to track down the most awful people in the world and steal wishes from them, then I can meet a damned boy.
I am a rabid fairy. I am a carnivorous plant. I am Zuzana.
And violin boy’s not going to know what hit him.
2
That Kind of Alien
Here’s what I know:
His name is Mik.
He plays violin in the orchestra of the Marionette Theater of Prague.
If we’re talking facts, that’s it. That’s all I’ve got. But we’re not talking facts. We’re talking whatever I feel like talking, so I will tell you that Mik is one of those people you can look at and totally imagine as a kid. You know how some people were absolutely never children, but just came from a catalog fully grown, while other people you don’t even have to squint to imagine them charging down the stairs on Christmas morning in superhero pajamas? Mik’s the latter. It’s not that he’s ‘boyish,’ though I guess he is a little – but only a little – it’s just that there’s something direct and real and electric and pure that hasn’t been lost, the intense, undiluted emotion of childhood. Most people lose it. They get all tame and cool. You know how some people think cool equals bored, and they act like they’re alien scientists who drew the short straw and ended up assigned to observe this lowly species, humans, and they just lean against walls all the time, sighing and waiting to be called home to Zigborp-12, where all the fascinating geniuses are?
Yeah, well, Mik doesn’t sigh or lean, and his eyes are fully open like something awesome might happen at any time and he doesn’t want to miss it. If he’s an alien, he’s an alien from a gray planet without pizza or music, and he freaking loves it here.
So there’s a non-fact about Mik. He’s that kind of alien. You know, um, as gleaned from casual observation. From a distance. Over several months of stalking watching. (It’s not stalking if you don’t follow them home, right?)
He blushes when he plays the violin. That’s kind of a fact, I guess. He’s fair-skinned, with those pink cheeks that make him look like he’s just come in from the cold, and he’s really soft-looking. Nuzzle-able. He’s not hairless or anything; he’s got sideburns and a goatee. He’s a man, but he’s got, like, cartoon princess skin. Don’t ever tell him I said that, even though I mean it in the best possible way. He’s got the manliest cartoon princess skin.
He’s probably twenty-one or twenty-two, and though he’s not miniature like me, he’s not too tall, either. Maybe five eight? To the nak*d eye, he’s decent kissing height if I wear platforms, though of course a live test will be required before official certification of Kissing Compatibility can be issued.
It will be issued.
Soon.
Or I might implode.
Because let’s just say that the kind of alien I am is the kind from a planet of lipless dinkmonkeys and drooling slugboys, where affection of the facial variety carries a deep risk of grossness. By which I mean…I have not yet elected to bestow the grace of my saliva upon another human being. I have never…kissed anyone. No one knows this, not even Karou. It’s a secret. My previous best friend suspected, and now she’s at the bottom of a well. (Not really. She’s in Poland. I had nothing to do with it.) Until now, kiss candidates have been, at best, untempting. There are boys you look at and want to touch with your mouth, and there are boys you look at and want to wear one of those surgical masks everyone in China had during bird flu. There are a lot more bird-flu boys at large.
But Mik I want to touch with my mouth. His mouth, with my mouth. Maybe his neck, too.
But first things first: Make him aware I exist.
It’s possible that he is already aware, if only in a ‘don’t step on the small girl’ kind of way. We work in the same theater on the weekends. We occasionally pass within reach of each other. Without reaching. His proximity does something weird and unprecedented to me. My heartbeat speeds up, I become unusually aware of my lips, like they’ve been activated for duty, and I flush.
A while back, for fun and evil, Karou and I used to practice our you are my slave come-hither eyes on backpacker boys in Old Town Square, and I have to say I got pretty good at it. You need to imagine you are sending little tractor beams with your eyes, drawing the boy irresistibly toward you. Or fishhooks: grosser, equally effective. It works; try it. You have to really visualize it, the beam going out from your eyes and locking onto theirs, seizing them, compelling them. Next thing you know they’re coming over and the new challenge is getting rid of them. (We found that acting jumpy, with lots of furtive glances over our shoulders and saying in a super-heavy Czech accent, all mysterious and imploring, ‘I beg you, go now, for your own safety, please,’ generally does the trick.)
Once Karou met that toolbag Kaz, our backpacker-boy games came to an end, but that’s okay. I had perfected my you are my slave eyes. I should be set. But around Mik, my powers desert me. Forget come-hither eyes; I lose basic motor function, like my brain focuses all neural activity on my lips and shifts into kiss preparedness mode way too early, to the detriment of things like speech, and walking.
So while I could do the normal thing and try talking to him – ‘Nice fiddling, handsome man’ has been proposed – I don’t trust my mouthparts not to betray me by either stuttering into silence or puckering up. Also, there are always people around in the theater, potential witnesses to humiliation, and that is unacceptable. No, I have to lure him out, like a will-o’-the-wisp, tease him deeper and deeper into the forest until he is lost and doomed. Without the forest or the doom – just the luring. Like a Venus flytrap that says I am a delicious flower come taste me and then snap! Devour. Without the devouring.
Well, maybe a little devouring.
Here we go. I have scuppies in my pocket and lust in my heart.
Tonight’s the night.
3
Treatments for Female Baldness
I text Karou: Tonight’s the night.
Her reply comes at once, which makes me feel like she’s in town, just at her flat or at Poison or something, which she so isn’t. She writes: You will conquer. You are Napoleon. (Pre-Waterloo of course. And cuter.)
Hmm. I text back: So you’re saying I should…attack him?
Karou: Yes. Stun him with your amazingness. He will look back at his life up till now as the pale dream before the goddess. His real life starts TONIGHT.
A little over the top, maybe, but I appreciate the vote of confidence. Where are you, madwoman?
—South Africa. Trying to track down this poacher. Don’t think he wants to be found.
—That sounds…safe?
—And fun! Someone stole my hairbrush out of my hotel room, and left a dead snake hanging from the doorknob. By its mouth.
—WHAT?
—Just another day in Africa. Better see a witch doctor for some all-purpose curse removal. Hope I don’t have to drink blood this time.
—Blood? What kind of…Never mind. Don’t tell me. DON’T.
—Human. Duh.
—I SAID.
—Just kidding. No blood-drinking. I better go. YOU. Have a spectacular time falling in love tonight. Want to switch lives?
This gives me pause for a second, because it’s the closest Karou has come to complaining since the night we stood in front of that doorway in Josefov and watched blue fire burn it to nothing. She was in shock, and in grief, and in fury, but never a hint of self-pity. After she spent just one day of reeling, hugging herself, and staring, we buried Kishmish in Letná Park, and then she kind of slapped the slackness out of her face and forced her eyes into focus and came up with a plan. Which in turn inspired me to come up with one, too, but yeah, mine’s more kissing and less blood-drinking. So there’s that.
I text back: If I say ‘no’ am I a bad friend?
—Never. Just remember every detail. I need fairy tales right now. Rabid ones.
I love her. I write back: I promise. Please be safe. And that’s the end of it, because she doesn’t reply. I picture her disengaging a stretched snake mouth from a doorknob in order to get into a lonely hotel room somewhere in Africa and I feel this mix of disbelief and belief, protectiveness and vicarious sadness, lostness. Guilt. Part of me thinks I should be with her on this crazy chase she’s on, but I know I’m not fit for it. I can’t fight, or speak Zulu or Urdu or whatever, and she’d have to worry about protecting me, and anyway, I did offer. She said no. She said I’m her anchor: I have to connect her to ‘real life,’ stay in school, keep her updated on Wiktor the living mummy, and Professor Anton’s nose hair, and whether Kaz dares show his face at Poison Kitchen.