I tried to digest all this, trying to picture the trajectory of Daniel’s life. “What was he like?” I pressed.
“Daniel? He was… incredibly smart and kind, but there was a definite intensity to him. It wasn’t anger, exactly. It was more like he’d seen the worst that life could offer, and was determined to make things better. He had a kind of charisma, a conviction that just made you want to follow him. We spent two years in Cambodia with the Peace Corps, and after that he took a job with the United Way while I worked at a free clinic. We bought a little house and talked about having kids, but after a year or so we sort of realized that we weren’t ready for suburbia. So we sold our things, boxed up some personal items and stored them at my parents’, and ended up taking jobs with a human rights organization based in Nairobi. We were there for seven years, and I don’t think he’d ever been happier. He traveled to a dozen different countries getting various projects under way, and he felt like his life had true purpose, that he was making a difference.”
She stared out the window, falling silent for a moment. When she spoke again, her expression was a mixture of regret and wonder. “He was just… so smart and curious about everything. He read all the time. Even though he was young, he was already in line to become the executive director of the organization, and he probably would have made it. But he died when he was only thirty-three.” She shook her head. “After that, Africa just wasn’t the same for me. So I came home.”
As she talked, I tried and failed to reconcile all she had told me with the dusty country boy who’d studied at our dining room table. Yet I knew in my heart that Ruth would have been proud of the way he turned out.
“And you’re remarried?”
“Twelve years now.” She smiled. “Two kids. Or rather, stepchildren. My husband’s an orthopedic surgeon. I live in Nashville.”
“And you drove all the way here to bring me a painting?”
“My parents moved to Myrtle Beach – we were on our way to visit them. Actually, my husband’s waiting for me at a coffee shop downtown, so I should probably get going soon. And I’m sorry to just drop in like this. I know it’s a terrible time. But it didn’t feel right to just throw the painting away, so on a whim, I looked up your wife’s name on the Internet and saw the obituary. I realized that your house would be right on the way when we went to see my parents.”
I had no idea what to expect, but after removing the brown paper, my throat seemed to close in on itself. It was a painting of Ruth – a child’s painting, crudely conceived. The lines weren’t exactly right and her features were rather out of proportion, but he’d been able to capture her smile and her eyes with surprising skill. In this portrait, I could detect the passion and lively amusement that had always defined her; there was also a trace of the enigma that had always transfixed me, no matter how long we were together. I traced my finger over the brushstrokes that formed her lips and cheek.
“Why…,” was all I could say, nearly breathless.
“The answer’s on the back,” she said, her voice gentle. When I leaned the painting forward, I saw the photograph I’d taken of Ruth and Daniel so long ago. It had yellowed with age and was curling at the corners. I tugged it free, staring at it for a long time.
“On the back,” she said, touching my hand.
I turned the photograph over, and there, written in neat penmanship, I saw what he had written.
Ruth Levinson
Third grade teacher.
She believes in me and I can be anything I want when I grow up.
I can even change the world.
All I remember then is that I was overcome, my mind going blank. I have no recollection of what more we talked about, if anything. I do remember, however, that as she was getting ready to leave, she turned to me as she stood in the open doorway.
“I don’t know where he kept it at the group home, but you should know that in college, the painting hung on the wall right over his desk. It was the only personal thing he had in his room. After college, it came with us to Cambodia, then back to the States. He told me he was afraid that something would happen to it if he brought it to Africa, and ended up leaving it behind. But after we got there, he regretted it. He told me then that the painting meant more to him than anything he owned. It wasn’t until I found the photograph in the back that I really understood what he meant. He wasn’t talking about the painting. He was talking about your wife.”
In the car, Ruth is quiet. I know she has more questions about Daniel, but at the time, I had not thought to ask them. This, too, is one of my many regrets, for after that, I never saw Andrea again. Just as Daniel had vanished in 1963, she, too, vanished from my life.
“You hung the portrait above the fireplace,” she finally says. “And then you removed the other paintings from storage and hung them all over the house and stacked them in the rooms.”
“I wanted to see them. I wanted to remember again. I wanted to see you.”
Ruth is silent, but I understand. More than anything, Ruth would have wanted to see Daniel, if only through his wife’s eyes.
Day by day, after I’d read the letter and once the portrait of Ruth was hung, the depression began to lift. I began to eat more regularly. It would take over a year for me to gain back the weight I’d lost, but my life began to settle into a kind of routine. And in that first year after she died, yet another miracle – the third miracle in that otherwise tragic year – occurred that helped me find my way back.
Like Andrea, another unexpected visitor arrived at my doorstep – this time a former student of Ruth’s who came to the house to express her condolences. Her name was Jacqueline, and though I did not remember her, she too wanted to talk. She told me how much Ruth had meant to her as a teacher, and before she left, she showed me a tribute that she’d written in Ruth’s honor that would be published in the local paper. It was both flattering and revealing, and when it was published, it seemed to open the floodgates. Over the next few months, the parade of former students visiting my house swelled. Lindsay and Madeline and Eric and Pete and countless others, most of whom I’d never known existed, showed up at my door at unexpected moments, sharing stories about my wife’s years in the classroom.
Through their words, I came to realize that Ruth had been a key who unlocked the possibilities of so many people’s lives – mine was only the first.
The years after Ruth’s death, I sometimes think, can be divided into four phases. The depression and recovery after Ruth’s passing was the first of those phases; the period in which I tried to move on as best I could was the second. The third phase covered the years following the reporter’s visit in 2005, when the bars went up on the windows. It wasn’t until three years ago, however, that I finally decided what to do with the collection, which led to the fourth and final phase.
Estate planning is a complicated affair, but essentially, the question boiled down to this: I had to decide what to do with our possessions, or the state would end up deciding for me. Howie Sanders had been pressing Ruth and me for years to make a decision. He asked us whether there were any charities of which I was particularly fond or whether I wanted the paintings to go to a particular museum. Perhaps I wanted to auction them off, with the proceeds earmarked for specific organizations or universities? After the article appeared – and the potential value of the collection became a topic of heated speculation in the art world – he became even more persistent, though by then I was the only one who was there to listen.
It wasn’t until 2008, however, that I finally consented to come to his office.
He had arranged meetings of a confidential nature with curators from various museums: New York’s Metropolitan Museum of Art, the Museum of Modern Art, the North Carolina Museum of Art, and the Whitney, as well as representatives from Duke University, Wake Forest, and the University of North Carolina at Chapel Hill. There were individuals from the Anti-Defamation League and United Jewish Appeal – a couple of my father’s favorite organizations – as well as someone from Sotheby’s. I was ushered into a conference room and introductions were made, and on each of their faces, I could read an avid curiosity as they wondered how Ruth and I – a haberdasher and a schoolteacher – had managed to accumulate such an extensive private modern art collection.
I sat through a series of individual presentations, and in each instance, I was assured that any portion of the collection that I cared to put in their hands would be valued fairly – or, in the case of the auctioneer, maximized. The charities promised to put the money toward any causes that were special to Ruth and me.
I was tired by the time the day ended, and upon my return home, I fell asleep almost immediately in the easy chair in the living room. When I woke, I found myself staring at the painting of Ruth, wondering what she would have wanted me to do.
“But I did not tell you,” Ruth says quietly. It has been a while since she has spoken, and I suspect that she’s trying to conserve my strength. She, too, can feel the end coming.
I force my eyes open, but she is nothing but a blurry image now. “No,” I answer. My voice is ragged and slurry, almost unintelligible. “You never wanted to discuss it.”
She tilts her head to look at me. “I trusted you to make the decision.”
I can remember the moment when I finally made up my mind. It was early evening, a few days after the meetings at Howie’s office. Howie had called an hour earlier, asking if I had any questions or wanted him to follow up with anyone in particular. After I hung up, and with the help of my walker, I made my way to the back porch.
There were two rocking chairs flanking a small table, dusty from disuse. When we were younger, Ruth and I used to sit out here and talk, watching the stars emerge from hiding in the slowly darkening sky. Later, when we were older, these evenings on the back porch became less frequent, because both of us had grown more sensitive to the temperature. The cold of winter and the heat of summer rendered the porch unusable for more than half the year; it was only during the spring and fall that Ruth and I continued to venture out.
But on that night, despite the heat and the thick layer of dust on the chairs, I sat just as we used to. I pondered the meeting and everything that had been said. And it became clear that Ruth had been right: No one really understood.
For a while, I toyed with the idea of bequeathing the entire collection to Andrea Lockerby, if only because she, too, had loved Daniel. But I didn’t really know her, nor had Ruth. Besides, I couldn’t help feeling disappointed that despite the obvious influence that Ruth had had on Daniel’s life, he had never once tried to contact her. This I just could not understand, or entirely forgive, because I knew Ruth’s heart had been irreparably broken.
There was no easy answer, because for us, the art had never been about the money. Like the reporter, these curators and collectors, these experts and salespeople, didn’t understand. With the echo of Ruth’s words in my head, I finally felt the answer begin to take shape.
An hour later, I called Howie at his home. I told him that my intention was to auction the entire collection, and like a good soldier, he did not debate my decision. Nor did he question me when I explained that I wanted the auction held in Greensboro. However, when I told him how I wanted the auction to be handled, he was stunned into silence to the point where I wondered whether he was still connected. Finally, after clearing his throat, he talked with me about the specifics of all that it would entail. I told him that secrecy was the foremost priority.
Over the next few months, the details were arranged. I went to Howie’s office two more times and met with the representatives from Sotheby’s. I met again with the executive directors of various Jewish charities; the sums they would receive obviously depended on the auction itself and how much money the collection would fetch. To that end, appraisers spent weeks cataloging and photographing the entire collection, estimating value, and establishing provenance. Eventually, a catalog was sent for my approval. The estimated value of the collection was mind-boggling even to me, but again it did not matter.
When all the arrangements for the initial and subsequent auctions were completed – it was impossible to sell all the art in a single day – I talked to both Howie and the appropriate representative from Sotheby’s, outlining their responsibilities, and had them sign numerous legal documents, ensuring there could be no alteration to the plan I envisioned. I wanted to prepare for any contingency, and when everything was finally ready, I signed my will in front of four witnesses. I further specified that my will was final and not to be altered or modified under any circumstances.
Back at home, in the aftermath, I sat in the living room and gazed at the painting of Ruth, tired and satisfied. I missed her, maybe more in that instant than I ever had before, but even so, I smiled and said the words that I knew she would have wanted to hear.
“They will understand, Ruth,” I said. “They will finally understand.”
It is afternoon now, and I feel myself shrinking, like a sand castle slowly being washed away with every wave. Beside me, Ruth looks at me with concern.
“You should take a nap again,” she says, her voice tender.
“I’m not tired,” I lie.
Ruth knows that I am lying, but she pretends to believe me, chattering on with a forced insouciance. “I do not think I would have been a good wife to someone else. I think I am sometimes too stubborn.”
“That’s true,” I concede with a smile. “You’re lucky I put up with you.”
She rolls her eyes. “I am trying to be serious, Ira.”
I stare at her, wishing that I could hold her. Soon, I think to myself. Soon, I will join her. It is hard to keep talking, but I force myself to respond.
“If we’d never met, I think I would have known that my life wasn’t complete. And I would have wandered the world in search of you, even if I didn’t know who I was looking for.”