The hallway they stepped into was also empty, which was good because there was no logical excuse for them to be there, especially stepping out of Ronsard's elevator. John strode to a door, pulled a small recorder out of his pocket and held it to the electronic lock. He pressed a button, and a series of tones sounded. A tiny green light on the lock lit up, there was a faint but audible click, and he opened the door.
They slipped inside and he silently closed the door behind them, then did something to the lock. "What are you doing?"
"Disabling the lock. If we're caught, the fact that the lock isn't working will at least cloud the issue in our favor a bit, but I'd still have to come up with some reason for our being here."
"Boy, you have this planned down to the last detail, don't you?"
"I don't intend to get caught. Come on, move your pretty butt and get to work."
Chapter Twenty-Two
Niema looked around while John sat down at Ronsard's desk and turned on the computer. Another setup, far more elaborate, was hooked up on a desk on the other side of the room, but he ignored that one. She checked the jacks on what must be Cara Smith's desk; there were three separate lines coming into the office, but the phones themselves were only two-line phones. The computer was on a line by itself, then. She looked at the phone on Ronsard's desk; it was identical to the other, with two lines coming in. The first line would be the business line, she guessed; the second, his private number.
There was a closed-circuit television on Ronsard's desk, also, showing the hallway outside. She followed the line on it to the wall, making sure where it connected. She liked to have a room's wiring laid out in her mind, so she knew exactly what she was looking for and at.
Ronsard's phone jack wasn't behind his desk, probably because he didn't want it in the way. She followed the lines again; the jack was behind a long leather sofa that sat against the wall. Carefully she pulled the sofa out, lifting one end to make certain there were no telltale bangs and thumps.
Kneeling down on the floor, she unfolded her evening wrap and removed the black velvet pouch that contained her tools. Laying aside the SIG, she quickly unscrewed the jack, then disconnected the wires and stripped the plastic coating to separate the wires.
The usual wiretap had a receiver or recorder close by. In this instance, that wouldn't do any good because she had no way of retrieving a tape or listening to the calls. The CIA operative in place here didn't have access to Ronsard's office. John had slipped a digital burst receiver to him; he would trigger a signal to retrieve the audio data, which he would then send by his usual route to Langley. Even if he were discovered with the receiver, nothing could be made of it because the information was digitalized. It looked like an ordinary pocket radio; it even worked as a radio.
Quickly she attached the inductive probe tip to only one of the line terminals, which didn't make a complete circuit and hence couldn't be picked up by an electronic sweep. She interfaced the leads to the junction, keeping the leads less than three inches long. The short leads made the phone bridge impossible to pick up by electrical deviations. Next she hooked up two nine-volt batteries as a power source for the receiver/transmitter and began putting everything together in the receptacle.
"Almost finished," she said. She estimated she had been working about twenty minutes. "Are you in yet?"
"Still working," John murmured absently. "The files are password protected."
"Did you try 'Laure'?"
"It was my first shot."
"Nothing in the desk?" She had been aware of him opening and closing drawers, but thought he might be looking for paper files, too.
"No." He was swiftly examining everything on top of the desk, looking for anything that might contain the password.
She screwed the jack plate into place, then repositioned the sofa. "What if it isn't written down?"
"Unless he's a fool, he changes the password on a regular basis. If he changes it, then the current one is written down somewhere. If you're finished there, look for a wall or floor safe."
"Don't tell me you're a safecracker, too."
"Okay, I won't tell you."
Swiftly she checked behind all the paintings hanging on the wall, but there was only wallpaper there. A
huge, thickly woven rug covered the floor and she threw back the edges, but again found nothing. She got out a screwdriver and, moving around the room, examined all the outlets, because sometimes dummy outlets concealed small hiding places. "Nothing," she reported. She gathered her tools and the pistol, slipping them back into the folds of her evening wrap.
John picked up a book and ruffled all the pages, holding it spine up to see if anything fell out. He paused, looking at the well-thumbed book. Niema walked over to look at the book, putting her tools down on top of the desk: A Tale of Two Cities.
John flipped to a page with a down-turned corner. "It's here. Nobody reads this more than once, unless they have to."
"It's a classic," she said, amused.
"I didn't say it wasn't good, but it isn't something you read over and over." He ran his finger down the page, looking for anything that jumped out at him. "Guillotine."
Turning back to the keyboard, he typed in the word. ACCESS DENIED flashed on the screen.
He shrugged and consulted the book again. "Dickens was damn wordy," he grumbled. "This could take all day." He tried "monarchs." ACCESS DENIED.
"Monsters" was rejected, then "enchanter."
The file list opened on "tumbrils."
"How about that," John said softly. "I was just shooting in the dark."