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The Amber Spyglass (His Dark Materials #3) Page 130
Author: Philip Pullman

“Did you marry him?” said Lyra.

“No. I didn’t marry anyone. I lived with someone—not Alfredo, someone else. I lived with him for four years, nearly. My family was scandalized. But then we decided we’d be happier not living together. So I’m on my own. The man I lived with used to like mountain climbing, and he taught me to climb, and I walk in the mountains and . . . And I’ve got my work. Well, I had my work. So I’m solitary but happy, if you see what I mean.”

“What was the boy called?” said Lyra. “At the party?”

“Tim.”

“What did he look like?”

“Oh . . . Nice. That’s all I remember.”

“When I first saw you, in your Oxford,” Lyra said, “you said one of the reasons you became a scientist was that you wouldn’t have to think about good and evil. Did you think about them when you were a nun?”

“Hmm. No. But I knew what I should think: it was whatever the Church taught me to think. And when I did science, I had to think about other things altogether. So I never had to think about them for myself at all.”

“But do you now?” said Will.

“I think I have to,” Mary said, trying to be accurate.

“When you stopped believing in God,” he went on, “did you stop believing in good and evil?”

“No. But I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone, or that’s an evil one, because it hurts them. People are too complicated to have simple labels.”

“Yes,” said Lyra firmly.

“Did you miss God?” asked Will.

“Yes,” Mary said, “terribly. And I still do. And what I miss most is the sense of being connected to the whole of the universe. I used to feel I was connected to God like that, and because he was there, I was connected to the whole of his creation. But if he’s not there, then . . .”

Far out on the marshes, a bird called with a long, melancholy series of falling tones. Embers settled in the fire; the grass was stirring faintly with the night breeze. Atal seemed to be dozing like a cat, her wheels flat on the grass beside her, her legs folded under her body, eyes half-closed, attention half-there and half-elsewhere. Will was lying on his back, eyes open to the stars.

As for Lyra, she hadn’t moved a muscle since that strange thing had happened, and she held the memory of the sensation inside her. She didn’t know what it was, or what it meant, or where it had come from; so she sat hugging her knees, and tried to stop herself from trembling. Soon, she thought, soon I’ll know.

Mary was tired; she had run out of stories. No doubt she’d think of more tomorrow.

THIRTY-FOUR

THERE IS NOW

Shew you all alive
The world, where every particle of dust breathes forth its joy.

• WILLIAM BLAKE •

Mary couldn’t sleep. Every time she closed her eyes, something made her sway and lurch as if she were at the brink of a precipice, and she snapped awake, tense with fear.

This happened three, four, five times, until she realized that sleep was not going to come; so she got up and dressed quietly, and stepped out of the house and away from the tree with its tentlike branches under which Will and Lyra were sleeping.

The moon was bright and high in the sky. There was a lively wind, and the great landscape was mottled with cloud-shadows, moving, Mary thought, like the migration of some herd of unimaginable beasts. But animals migrated for a purpose; when you saw herds of reindeer moving across the tundra, or wildebeest crossing the savanna, you knew they were going where the food was, or to places where it was good to mate and bear offspring. Their movement had a meaning. These clouds were moving as the result of pure chance, the effect of utterly random events at the level of atoms and molecules; their shadows speeding over the grassland had no meaning at all.

Nevertheless, they looked as if they did. They looked tense and driven with purpose. The whole night did. Mary felt it, too, except that she didn’t know what that purpose was. But unlike her, the clouds seemed to know what they were doing and why, and the wind knew, and the grass knew. The entire world was alive and conscious.

Mary climbed the slope and looked back across the marshes, where the incoming tide laced a brilliant silver through the glistening dark of the mudflats and the reed beds. The cloud-shadows were very clear down there; they looked as if they were fleeing something frightful behind them, or hastening to embrace something wonderful ahead. But what that was, Mary would never know.

She turned toward the grove where her climbing tree stood. It was twenty minutes’ walk away; she could see it clearly, towering high and tossing its great head in a dialogue with the urgent wind. They had things to say, and she couldn’t hear them.

She hurried toward it, moved by the excitement of the night, and desperate to join in. This was the very thing she’d told Will about when he asked if she missed God: it was the sense that the whole universe was alive, and that everything was connected to everything else by threads of meaning. When she’d been a Christian, she had felt connected, too; but when she left the Church, she felt loose and free and light, in a universe without purpose.

And then had come the discovery of the Shadows and her journey into another world, and now this vivid night, and it was plain that everything was throbbing with purpose and meaning, but she was cut off from it. And it was impossible to find a connection, because there was no God.

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Philip Pullman's Novels
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