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The Amber Spyglass (His Dark Materials #3) Page 22
Author: Philip Pullman

Father Gomez nodded. His dæmon, a large and iridescent green-backed beetle, clicked her wing cases.

The President opened a drawer and handed the young priest a folded packet of papers.

“Here is all we know about the woman,” he said, “and the world she comes from, and the place she was last seen. Read it well, my dear Luis, and go with my blessing.”

He had never used the priest’s given name before. Father Gomez felt tears of joy prick his eyes as he kissed the President farewell.

you’re Lyra.”

Then she realized what that meant. She felt dizzy, even in her dream; she felt a great burden settle on her shoulders. And to make it even heavier, sleep was closing in again, and Roger’s face was receding into shadow.

“Well, I . . . I know . . . There’s all kinds of people on our side, like Dr. Malone . . . You know there’s another Oxford, Roger, just like ours? Well, she . . . I found her in . . . She’d help . . . But there’s only one person really who . . .”

It was almost impossible now to see the little boy, and her thoughts were spreading out and wandering away like sheep in a field.

“But we can trust him, Roger, I swear,” she said with a final effort,

SEVEN

MARY, ALONE

… Last
Rose as in Dance the stately Trees, and spred
Thir branches hung with copious Fruit …

• JOHN MILTON •

Almost at the same time, the tempter whom Father Gomez was setting out to follow was being tempted herself.

“Thank you, no, no, that’s all I need, no more, honestly, thank you,” said Dr. Mary Malone to the old couple in the olive grove as they tried to give her more food than she could carry.

They lived here isolated and childless, and they had been afraid of the Specters they’d seen among the silver-gray trees; but when Mary Malone came up the road with her rucksack, the Specters had taken fright and drifted away. The old couple had welcomed Mary into their little vine-sheltered farmhouse, had plied her with wine and cheese and bread and olives, and now didn’t want to let her go.

“I must go on,” said Mary again, “thank you, you’ve been very kind—I can’t carry—oh, all right, another little cheese—thank you—”

They evidently saw her as a talisman against the Specters. She wished she could be. In her week in the world of Cittàgazze, she had seen enough devastation, enough Specter-eaten adults and wild, scavenging children, to have a horror of those ethereal vampires. All she knew was that they did drift away when she approached; but she couldn’t stay with everyone who wanted her to, because she had to move on.

She found room for the last little goat’s cheese wrapped in its vine leaf, smiled and bowed again, and took a last drink from the spring that bubbled up among the gray rocks. Then she clapped her hands gently together as the old couple were doing, and turned firmly away and left.

She looked more decisive than she felt. The last communication with those entities she called shadow particles, and Lyra called Dust, had been on the screen of her computer, and at their instruction she had destroyed that. Now she was at a loss. They’d told her to go through the opening in the Oxford she had lived in, the Oxford of Will’s world, which she’d done—to find herself dizzy and quaking with wonder in this extraordinary other world. Beyond that, her only task was to find the boy and the girl, and then play the serpent, whatever that meant.

So she’d walked and explored and inquired, and found nothing. But now, she thought, as she turned up the little track away from the olive grove, she would have to look for guidance.

Once she was far enough away from the little farmstead to be sure she wouldn’t be disturbed, she sat under the pine trees and opened her rucksack. At the bottom, wrapped in a silk scarf, was a book she’d had for twenty years: a commentary on the Chinese method of divination, the I Ching.

She had taken it with her for two reasons. One was sentimental: her grandfather had given it to her, and she had used it a lot as a schoolgirl. The other was that when Lyra had first found her way to Mary’s laboratory, she had asked: “What’s that?” and pointed to the poster on the door that showed the symbols from the I Ching; and shortly afterward, in her spectacular reading of the computer, Lyra had learned (she claimed) that Dust had many other ways of speaking to human beings, and one of them was the method from China that used those symbols.

So in her swift packing to leave her own world, Mary Malone had taken with her the Book of Changes, as it was called, and the little yarrow stalks with which she read it. And now the time had come to use them.

She spread the silk on the ground and began the process of dividing and counting, dividing and counting and setting aside, which she’d done so often as a passionate, curious teenager, and hardly ever since. She had almost forgotten how to do it, but she soon found the ritual coming back, and with it a sense of that calm and concentrated attention that played such an important part in talking to the Shadows.

Eventually she came to the numbers that indicated the hexagram she was being given, the group of six broken or unbroken lines, and then she looked up the meaning. This was the difficult part, because the Book expressed itself in such an enigmatic style.

She read:

Turning to the summit

For provision of nourishment

Brings good fortune.

Spying about with sharp eyes

Like a tiger with insatiable craving.

That seemed encouraging. She read on, following the commentary through the mazy paths it led her on, until she came to: Keeping still is the mountain; it is a bypath; it means little stones, doors, and openings.

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Philip Pullman's Novels
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