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The Golden Compass (His Dark Materials #1) Page 12
Author: Philip Pullman

The monkey watches the sparrow; the sparrow watches the monkey.

The monkey reaches out slowly. His little hand is black, his nails perfect horny claws, his movements gentle and inviting. The sparrow can't resist. She hops further, and further, and then, with a little flutter, up on to the monkey's hand.

The monkey lifts her up, and gazes closely at her before standing and swinging back to his human, taking the sparrow daemon with him. The lady bends her scented head to whisper.

And then Tony turns. He can't help it.

“Ratter!” he says, half in alarm, his mouth full.

The sparrow chirps. It must be safe. Tony swallows his mouthful and stares.

“Hello,” says the beautiful lady. “What's your name?”

“Tony.”

“Where do you live, Tony?”

“Clarice Walk.”

“What's in that pie?”

“Beefsteak.”

“Do you like chocolatl?”

“Yeah!”

“As it happens, I've got more chocolatl than I can drink myself. Will you come and help me drink it?”

He's lost already. He was lost the moment his slow-witted daemon hopped onto the monkey's hand. He follows the beautiful young lady and the golden monkey down Denmark Street and along to Hangman's Wharf, and down King George's Steps to a little green door in the side of a tall warehouse. She knocks, the door is opened, they go in, the door is closed. Tony will never come out—at least, by that entrance; and he'll never see his mother again. She, poor drunken thing, will think he's run away, and when she remembers him, she'll think it was her fault, and sob her sorry heart out.

* * *
Little Tony Makarios wasn't the only child to be caught by the lady with the golden monkey. He found a dozen others in the cellar of the warehouse, boys and girls, none older than twelve or so; though since all of them had histories like his, none could be sure of their age. What Tony didn't notice, of course, was the factor that they all had in common. None of the children in that warm and steamy cellar had reached the age of puberty.

The kind lady saw him settled on a bench against the wall, and provided by a silent serving woman with a mug of chocolatl from the saucepan on the iron stove. Tony ate the rest of his pie and drank the sweet hot liquor without taking much notice of his surroundings, and the surroundings took little notice of him: he was too small to be a threat, and too stolid to promise much satisfaction as a victim.

It was another boy who asked the obvious question.

“Hey, lady! What you got us all here for?”

He was a tough-looking wretch with dark chocolatl on his top lip and a gaunt black rat for a daemon. The lady was standing near the door, talking to a stout man with the air of a sea captain, and as she turned to answer, she looked so angelic in the hissing naphtha light that all the children fell silent.

“We want your help,” she said. “You don't mind helping us, do you?”

No one could say a word. They all gazed, suddenly shy. They had never seen a lady like this; she was so gracious and sweet and kind that they felt they hardly deserved their good luck, and whatever she asked, they'd give it gladly so as to stay in her presence a little longer.

She told them that they were going on a voyage. They would be well fed and warmly clothed, and those who wanted to could send messages back to their families to let them know they were safe. Captain Magnusson would take them on board his ship very soon, and then when the tide was right, they'd sail out to sea and set a course for the North.

Soon those few who did want to send a message to what-ever home they had were sitting around the beautiful lady as she wrote a few lines at their dictation and, having let them scratch a clumsy X at the foot of the page, folded it into a scented envelope and wrote the address they told her. Tony would have liked to send something to his mother, but he had a realistic idea of her ability to read it. He plucked at the lady's fox-fur sleeve and whispered that he'd like her to tell his mum where he was going, and all, and she bent her gracious head close enough to his malodorous little body to hear, and stroked his head and promised to pass the message on.

Then the children clustered around to say goodbye. The golden monkey stroked all their daemons, and they all touched the fox fur for luck, or as if they were drawing some strength or hope or goodness out of the lady, and she bade them all farewell and saw them in the care of the bold captain on board a steam launch at the jetty. The sky was dark now, the river a mass of bobbing lights. The lady stood on the jetty and waved till she could see their faces no more.

Then she turned back inside, with the golden monkey nestled in her breast, and threw the little bundle of letters into the furnace before leaving the way she had come.

Children from the slums were easy enough to entice away, but eventually people noticed, and the police were stirred into reluctant action. For a while there were no more bewitchings. But a rumor had been born, and little by little it changed and grew and spread, and when after a while a few children disappeared in Norwich, and then Sheffield, and then Manchester, the people in those places who'd heard of the disappearances elsewhere added the new vanishings to the story and gave it new strength.

And so the legend grew of a mysterious group of enchanters who spirited children away. Some said their leader was a beautiful lady, others said a tall man with red eyes, while a third story told of a youth who laughed and sang to his victims so that they followed him like sheep.

As for where they took these lost children, no two stories agreed. Some said it was to Hell, under the ground, to Fairyland. Others said to a farm where the children were kept and fattened for the table. Others said that the children were kept and sold as slaves to rich Tartars….And so on.

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Philip Pullman's Novels
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