home » Young-Adult » Philip Pullman » The Golden Compass (His Dark Materials #1) » The Golden Compass (His Dark Materials #1) Page 86

The Golden Compass (His Dark Materials #1) Page 86
Author: Philip Pullman

He spat a piece of smokeleaf delicately overboard.

“So I'd like to know what we can expect in the way of mayhem and ructions,” he finished.

“There may be fighting,” said Serafina Pekkala. “But you have fought before.”

“Sure, when I'm paid. But the fact is, I thought this was a straightforward transportation contract, and I charged according. And I'm a wondering now, after that little dust-up down there, I'm a wondering how far my transportation responsibility extends. Whether I'm bound to risk my life and my equipment in a war among the bears, for example. Or whether this little child has enemies on Svalbard as hot-tempered as the ones back at Bolvangar. I merely mention all this by way of making conversation.”

“Mr. Scoresby,” said the witch, “I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier.”

“Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not.”

“We have no more choice in that than in whether or not to be born.”

“Oh, I like choice, though,” he said. “I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?”

Serafina Pekkala considered, and then said, “Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us… inconceivable. How could you insult a witch? What would it matter if you did?”

“Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses…Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again.”

“There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves.”

“I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling.”

“lorek Byrnison's quarrel with his king is part of it too,” said the witch. “This child is destined to play a part in that.”

“You speak of destiny,” he said, “as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?”

“We are all subject to the fates. But we must all act as if we are not,” said the witch, “or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life…”

They looked down at Lyra, whose sleeping face (what little of it they could see inside her hood) wore a stubborn little frown.

“I guess part of her knows that,” said the aeronaut. “Looks prepared for it, anyways. How about the little boy? You know she came all this way to save him from those fiends back there? They were playmates, back in Oxford or somewhere. Did you know that?”

“Yes, I did know that. Lyra is carrying something of immense value, and it seems that the fates are using her as a messenger to take it to her father. So she came all this way to find her friend, not knowing that her friend was brought to the North by the fates, in order that she might follow and bring something to her father.”

“That's how you read it, huh?”

For the first time the witch seemed unsure.

“That is how it seems….But we can't read the darkness, Mr. Scoresby. It is more than possible that I might be wrong.”

Search
Philip Pullman's Novels
» The Amber Spyglass (His Dark Materials #3)
» The Golden Compass (His Dark Materials #1)
» The Subtle Knife (His Dark Materials #2)