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The Positronic Man (Robot 0.6) Page 18
Author: Isaac Asimov

"Thank you, Sir."

"Of course, the company will tell you that their current generation of robots is 99.9% efficient, or maybe they're claiming 100% efficiency this year. Well, good for them. But a robot like you, Andrew-you're 102% efficient; 110%, maybe. That isn't what they want, at U. S. Robots. They're after perfection, and I suppose they've attained it-their idea of perfection, anyway. The perfect servant. The flawlessly functioning mechanical man. But perfection can be a terrible limitation, Andrew. Don't you agree? What it leads to is a kind of soulless automaton that has no ability to transcend its builders' predetermined notions of its limitations. Not at all like you, Andrew. You aren't soulless, that's obvious to us all by now. And as for limitations-"

"I definitely have limitations, Sir."

"Of course you do. But that's not what I'm talking about, and you know it damned well! You're an artist, Andrew, an artist in wood, and if you're an artist you've got to have a soul somewhere in those positronic pathways of yours. Don't ask me how it got there-I don't know and neither do the people who built you. But it's there. It enables you to make the wonderful things that you make. That's because your pathways are the old-fashioned generalized kind. The obsolete generalized kind. And it's all on account of you, Andrew, that pathways of the kind you have are no longer used. Are you aware of that?"

"Yes, Sir. I think I am, Sir."

"It's because I let Merwin Mansky come out here and get a good look at you. I'm convinced that he and Smythe ordered all generalized-pathways robots pulled out of production the moment they got back to the factory. They must have felt deeply threatened after they saw what you were like. It was the unpredictability that frightened them."

"Frightened, Sir? How could I possibly be frightening to anyone?"

"You frightened Mansky, that much I know. You scared him silly, Andrew. I saw his hand shaking when he passed that little carving you had made to Smythe. Mansky hadn't anticipated any such artistic abilities in an NDR robot. He didn't even think it was possible, I'd bet. And there you were, turning out all those masterpieces. -Do you know how many times over the next five years he called me, trying to wheedle me into shipping you back to the factory so that he could put you under study? Nine times! Nine! I refused every time. And when you did go back to the factory for upgrades, I made a point of going over Mansky's head to Smythe or Jimmy Robertson or one of the other top executives and getting an iron-clad guarantee that Mansky wouldn't be allowed to fool around with your pathways. I always worried that he would do it on the sly, though. Well, Mansky's retired, now, and they aren't making robots with your kind of pathways any more, and I suppose we'll finally have some peace."

Sir had given up his seat in the Regional Legislature by this time. There had been some talk on and off over the years of his running for Regional Coordinator, but the timing of his candidacy had never been right. Sir had felt he wanted to stay on one more term in the Legislature to see certain measures into law, and meanwhile a new Coordinator was elected who seemed to be merely an interim figure at first, holding the job until Sir was ready to take it.

But then the supposed interim man had turned out to be an energetic and forceful Coordinator in his own right, and he had stayed on another term and then another, until Sir began to grow weary of his life of public service and lost interest in running. (Or perhaps had simply admitted that the public would now prefer a younger man for the job.)

Sir had changed with the passage of time in many ways, not just the loss of the fire and conviction that had marked him out for success when he was still a raw new legislator. His hair had thinned and grayed and his face had grown pouchy, and his fierce penetrating eyes no longer saw as clearly. Even his famous mustache was less bristling now, less flamboyant. Whereas Andrew looked rather better than he had when he first joined the family-quite handsome, in fact, in his robotic way.

Time had brought certain other changes to the Martin household, too.

Ma'am had decided, after some thirty years of being Mrs. Gerald Martin, that there might be some more fulfilling role in life than simply being the wife of a distinguished member of the Regional Legislature. She had played the part of Mrs. Gerald Martin loyally and uncomplainingly and very well, all that time. But she had played it long enough.

And so she had regretfully announced her decision to Sir, and they had amicably separated, and Ma'am had gone off to join an art colony somewhere in Europe-perhaps in southern France, perhaps in Italy. Andrew was never quite sure which it was (or what difference, if any, there might be between France and Italy, which were mere names to him) and the postage stamps on her infrequent letters to Sir were of various kinds. Since both France and Italy were provinces of the European Region, and had been for a long time, Andrew had difficulty understanding why they needed their own postage stamps, either. But apparently they insisted on maintaining certain ancient folkways even though the world had passed beyond the epoch of independent and rival nations.

The two girls had finished growing up, too. Miss, who by all reports had become strikingly beautiful, had married and moved to Southern California, and then she had married again and moved to South America, and then had come word of still another marriage and a new home in Australia. But now Miss was living in New York City and had become a poet, and nothing was said about any further new husbands. Andrew suspected that Miss's life had not turned out to be as happy or rewarding as it should have been, and he regretted that. Still, he reminded himself, he had no very clear understanding of what humans meant by "happiness." Perhaps Miss had lived exactly the kind of life that she had wanted to live. He hoped so, anyway.

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Isaac Asimov's Novels
» Prelude to Foundation (Foundation #6)
» The Stars, Like Dust (Galactic Empire #1)
» Robots and Empire (Robot #4)
» The Robots of Dawn (Robot #3)
» The Naked Sun (Robot #2)
» The Caves of Steel (Robot #1)
» The Positronic Man (Robot 0.6)
» Robot Visions (Robot 0.5)
» Robot Dreams (Robot 0.4)
» The Complete Robot (Robot 0.3)
» The Complete Stories
» I, Robot (Robot 0.1)
» Foundation and Earth (Foundation #5)
» Foundation's Edge (Foundation #4)
» Second Foundation (Foundation #3)
» Foundation and Empire (Foundation #2)
» Foundation (Foundation #1)
» Forward the Foundation (Foundation 0.2)
» Pebble in the Sky (Galactic Empire #3)
» The Currents of Space (Galactic Empire #2)