Niccolo said, "And the good guy always wins anyway. There's no excitement."
"Oh, well," said Paul, watching to see if his setup was working properly, "that's the way they make Bards. They got to have the good guy win and make the bad guys lose and things like that. I heard my father talking about it once. He says that without censorship there'd be no telling what the younger generation would come to. He says it's bad enough as it is... There, it's working fine."
Paul brushed his hands against one another and turned away from the Bard. He said, "But listen, I didn't tell you my idea yet. It's the best thing you ever heard, I bet. I came right to you, because I figured you'd come in with me."
"Sure, Paul, sure."
"Okay. You know Mr. Daugherty at school? You know what a funny kind of guy he is. Well, he likes me, kind of."
"I know."
"I was over at his house after school today."
"You were?"
"Sure. He says I'm going to be entering computer school and he wants to encourage me and things like that. He says the world needs more people who can design advanced computer circuits and do proper programing."
"Oh?"
Paul might have caught some of the emptiness behind that monosyllable. He said impatiently, "Programing! I told you a hundred times. That's when you set up problems for the giant computers like Multivac to work on. Mr. Daugherty says it gets harder all the time to find people who can really run computers. He says anyone can keep an eye on the controls and check off answers and put through routine problems. He says the trick is to expand research and figure out ways to ask the right questions, and that's hard.
"Anyway, Nickie, he took me to his place and showed me his collection of old computers. It's kind of a hobby of his to collect old computers. He had tiny computers you had to push with your hand, with little knobs all over it. And he had a hunk of wood he called a slide rule with a little piece of it that went in and out. And some wires with balls on them. He even had a hunk of paper with a kind of thing he called a multiplication table."
Niccolo, who found himself only moderately interested, said, "A paper table?"
"It wasn't really a table like you eat on. It was different. It was to help people compute. Mr. Daugherty tried to explain but he didn't have much time and it was kind of complicated, anyway."
"Why didn't people just use a computer?"
"That was before they had computers," cried Paul.
"Before?"
"Sure. Do you think people always had computers? Didn't you ever hear of cavemen?"
Niccolo said, "How'd they get along without computers?"
"I don't know. Mr. Daugherty says they just had children any old time and did anything that came into their heads whether it would be good for everybody or not. They didn't even know if it was good or not. And farmers grew things with their hands and people had to do all the work in the factories and run all the machines."
"I don't believe you."
"That's what Mr. Daugherty said. He said it was just plain messy and everyone was miserable... Anyway, let me get to my idea, will you?"
"Well, go ahead. Who's stopping you?" said Niccolo, offended.
"All right. Well, the hand computers, the ones with the knobs, had little squiggles on each knob. And the slide rule had squiggles on it. And the
multiplication table was all squiggles. I asked what they were. Mr. Daugherty said they were numbers."
"What?"
"Each different squiggle stood for a different number. For 'one' you made a kind of mark, for 'two' you make another kind of mark, for 'three' another one and so on."
"What for?"
"So you could compute."
"What for? You just tell the computer-"
"Jiminy," cried Paul, his face twisting with anger, "can't you get it through your head? These slide rules and things didn't talk."
"Then how-"
"The answers showed up in squiggles and you had to know what the squiggles meant. Mr. Daugherty says that, in olden days, everybody learned how to make squiggles when they were kids and how to decode them, too. Making squiggles was called 'writing' and decoding them was 'reading.' He says there was a different kind of squiggle for every word and they used to write whole books in squiggles. He said they had some at the museum and I could look at them if I wanted to. He said if I was going to be a real computer and programer I would have to know about the history of computing and that's why he was showing me all these things."
Niccolo frowned. He said, "You mean everybody had to figure out squiggles for every word and remember them?... Is this all real or are you making it up?"
"It's all real. Honest. Look, this is the way you make a 'one.' " He drew his finger through the air in a rapid downstroke. "This way you make 'two,' and this way 'three.' I learned all the numbers up to 'nine.' "
Niccolo watched the curving finger uncomprehendingly. "What's the good of it?"
"You can learn how to make words. I asked Mr. Daugherty how you made the squiggle for 'Paul Loeb' but he didn't know. He said there were people at the museum who would know. He said there were people who had learned how to decode whole books. He said computers could be designed to decode books and used to be used that way but not any more because we have real books now, with magnetic tapes that go through the vocalizer and come out talking, you know."
"Sure."
"So if we go down to the museum, we can get to learn how to make words in squiggles. They'll let us because I'm going to computer school."