She had been defeated once by Rome and then driven out of Sicily and Sardinia, but came back to more than recoup her losses by new dominions in Spain, and raised up Hannibal to give the Romans sixteen years of terror.
In the end, she lost again a second time, reconciled herself to fate and built again with broken tools a limping life in shrunken territory, succeeding so well that jealous Rome deliberately forced a third war. And then Carthage, with nothing but bare hands and tenacity, built weapons and forced Rome into a two-year war that ended only with complete destruction of the city, the inhabitants throwing themselves into their flaming houses rather than surrender.
"Could people fight so for a city and a way of life as bad as the ancient writers painted it? Hannibal was a better general than any Roman and his soldiers were absolutely faithful to him. Even his bitterest enemies praised him. There was a Carthaginian. It is fashionable to say that he was an atypical Carthaginian, better than the others, a diamond placed in garbage. But then why was he so faithful to Carthage, even to his death after years of exile? They talk of Moloch-"
Foster didn't always listen but sometimes he couldn't help himself and he shuddered and turned sick at the bloody tale of child sacrifice.
But Potterley went on earnestly, "Just the same, it isn't true. It's a twenty-five-hundred-year-old canard started by the Greeks and Romans. They had their own slaves, their crucifixions and torture, their gladiatorial contests. They weren't holy. The Moloch story is what later ages would have called war propaganda, the big lie. I can prove it was a lie. I can prove it and, by Heaven, I will-I will-"
He would mumble that promise over and over again in his earnestness.
Mrs. Potterley visited him also, but less frequently, usually on Tuesdays and Thursdays when Dr. Potterley himself had an evening course to take care of and was not present.
She would sit quietly, scarcely talking, face slack and doughy, eyes blank, her whole attitude distant and withdrawn.
The first time, Foster tried, uneasily, to suggest that she leave.
She said tonelessly, "Do I disturb you?"
"No, of course not," lied Foster restlessly. "It's just that-that-" He couldn't complete the sentence.
She nodded, as though accepting an invitation to stay. Then she opened a cloth bag she had brought with her and took out a quire of vitron sheets which she proceeded to weave together by rapid, delicate movements of a pair of slender, tetra-faceted depolarizers, whose battery-fed wires made her look as though she were holding a large spider.
One evening, she said softly, "My daughter, Laurel, is your age."
Foster started, as much at the sudden unexpected sound of speech as at the words. He said, "1 didn't know you had a daughter, Mrs. Potterley."
"She died. Years ago."
The vitron grew under the deft manipulations into the uneven shape of some garment Foster could not yet identify. There was nothing left for him to do but mutter inanely, "I'm sorry."
Mrs. Potterley sighed. "1 dream about her often." She raised her blue, distant eyes to him.
Foster winced and looked away.
Another evening she asked, pulling at one of the vitron sheets to loosen its gentle clinging to her dress, "What is time viewing anyway?"
That remark broke into a particularly involved chain of thought, and Foster said snappishly, "Dr. Potterley can explain."
"He's tried to. Oh, my, yes. But I think he's a little impatient with me. He calls it chronoscopy most of the time. Do you actually see things in the past, like the trimensionals? Or does it just make little dot patterns like the computer you use?"
Foster stared at his hand computer with distaste. It worked well enough, but every operation had to be manually controlled and the answers were obtained in code. Now if he could use the school computer . . . Well, why dream, he felt conspicuous enough, as it was, carrying a hand computer under his arm every evening as he left his office.
He said, "I've never seen the chronoscope myself, but I'm under the impression that you actually see pictures and hear sound."
"You can hear people talk, too?"
"I think so." Then, half in desperation, "Look here, Mrs. Potterley, this must be awfully dull for you. I realize you don't like to leave a guest all to himself, but really, Mrs. Potterley, you mustn't feel compelled-"
"I don't feel compelled," she said. "I'm sitting here, waiting."
"Waiting? For what?"
She said composedly, "I listened to you that first evening. The time you first spoke to Arnold. I listened at the door."
He said, "You did?"
"I know I shouldn't have, but I was awfully worried about Arnold. I had a notion he was going to do something he oughtn't and I wanted to hear what. And then when I heard-" She paused, bending close over the vitron and peering at it.
"Heard what, Mrs. Potterley?"
"That you wouldn't build a chronoscope."
"Well, of course not."
"I thought maybe you might change your mind."
Foster glared at her. "Do you mean you're coming down here hoping I'll build a chronoscope, waiting for me to build one?" I "I hope you do, Dr. Foster. Oh, I hope you do."
It was as though, all at once, a fuzzy veil had fallen off her face, leaving all her features clear and sharp, putting color into her cheeks, life into her eyes, the vibrations of something approaching excitement into her voice.
"Wouldn't it be wonderful," she whispered, "to have one? People of the past could live again. Pharaohs and kings and-just people. I hope you build one, Dr. Foster. I really-hope-"