They began coming on knots of people now and thicker clusterings of openings in the tunnel's sides. A file of men and women passed them carrying packs that gurgled heavily, the smell of spice strong about them.
"They'll not get our water," Harah said. "Or our spice. You can be sure of that."
Paul glanced at the openings in the tunnel walls, seeing the heavy carpets on the raised ledge, glimpses of rooms with bright fabrics on the walls, piled cushions. People in the openings fell silent at their approach, followed Paul with untamed stares.
"The people find it strange you bested Jamis," Harah said. "Likely you'll have some proving to do when we're settled in a new sietch."
"I don't like killing," he said.
"Thus Stilgar tells it," she said, but her voice betrayed her disbelief.
A shrill chanting grew louder ahead of them. They came to another side opening wider than any of the others Paul had seen. He slowed his pace, staring in at a room crowded with children sitting cross-legged on a maroon-carpeted floor.
At a chalkboard against the far wall stood a woman in a yellow wraparound, a projecto-stylus in one hand. The board was filled with designs - circles, wedges and curves, snake tracks and squares, flowing arcs split by parallel lines. The woman pointed to the designs one after the other as fast as she could move the stylus, and the children chanted in rhythm with her moving hand.
Paul listened, hearing the voices grow dimmer behind as he moved deeper into the sietch with Harah.
"Tree," the children chanted. "Tree, grass, dune, wind, mountain, hill, fire, lightning, rock, rocks, dust, sand, heat, shelter, heat, full, winter, cold, empty, erosion, summer, cavern, day, tension, moon, night, caprock, sandtide, slope, planting, binder . . . "
"You conduct classes at a time like this?" Paul asked.
Her face went somber and grief edged her voice: "What Liet taught us, we cannot pause an instant in that. Liet who is dead must not be forgotten. It's the Chakobsa way."
She crossed the tunnel to the left, stepped up onto a ledge, parted gauzy orange hangings and stood aside: "Your yali is ready for you, Usul."
Paul hesitated before joining her on the ledge. He felt a sudden reluctance to be alone with this woman. It came to him that he was surrounded by a way of life that could only be understood by postulating an ecology of ideas and values. He felt that this Fremen world was fishing for him, trying to snare him in its ways. And he knew what lay in that snare - the wild jihad, the religious war he felt he should avoid at any cost.
"This is your yali," Harah said. "Why do you hesitate?"
Paul nodded, joined her on the ledge. He lifted the hangings across from her, feeling metal fibers in the fabric, followed her into a short entrance way and then into a larger room, square, about six meters to a side - thick blue carpets on the floor, blue and green fabrics hiding the rock walls, glowglobes tuned to yellow overhead bobbing against draped yellow ceiling fabrics.
The effect was that of an ancient tent.
Harah stood in front of him, left hand on hip, her eyes studying his face. "The children are with a friend," she said. "They will present themselves later."
Paul masked his unease beneath a quick scanning of the room. Thin hangings to the right, he saw, partly concealed a larger room with cushions piled around the walls. He felt a soft breeze from an air duct, saw the outlet cunningly hidden in a pattern of hangings directly ahead of him.
"Do you wish me to help you remove your stillsuit?" Harah asked.
"No . . . thank you."
"Shall I bring food?"
"Yes."
"There is a reclamation chamber off the other room." She gestured. "For your comfort and convenience when you're out of your stillsuit."
"You said we have to leave this sietch," Paul said. "Shouldn't we be packing or something?"
"It will be done in its time," she said. "The butchers have yet to penetrate to our region."
Still she hesitated, staring at him.
"What is it?" he demanded.
"You've not the eyes of the Ibad," she said. "It's strange but not entirely unattractive."
"Get the food," he said. "I'm hungry."
She smiled at him - a knowing, woman's smile that he found disquieting. "I am your servant," she said, and whirled away in one lithe motion, ducking behind a heavy wall hanging that revealed another passage before falling back into place.
Feeling angry with himself, Paul brushed through the thin hanging on the right and into the larger room. He stood there a moment caught by uncertainty. And he wondered where Chani was . . . Chani who had just lost her father.
We're alike in that , he thought.
A wailing cry sounded from the outer corridors, its volume muffled by the intervening hangings. It was repeated, a bit more distant. And again. Paul realized someone was calling the time. He focused on the fact that he had seen no clocks.
The faint smell of burning creosote bush came to his nostrils, riding on the omnipresent stink of the sietch. Paul saw that he had already suppressed the odorous assault on his senses.
And he wondered again about his mother, how the moving montage of the future would incorporate her . . . and the daughter she bore. Mutable time-awareness danced around him. He shook his head sharply, focusing his attention on the evidences that spoke of profound depth and breadth in this Fremen culture that had swallowed them.
With its subtle oddities.
He had seen a thing about the caverns and this room, a thing that suggested far greater differences than anything he had yet encountered.