He walked away. He had to go and fetch the Hubble guy. He would shuffle up to him apologetically. Ask him to come down to the station house, where Finlay would be polite to him. While I stood in a cell, Finlay would politely ask Hubble why his phone number had been found in a dead man's shoe.
MY COAT WAS STILL BALLED UP ON THE CELL FLOOR. I shook it out and put it on. I was cold again. Thrust my hands into the pockets. Leaned on the bars and tried to read through the newspaper again, just to pass the time. But I wasn't taking anything in. I was thinking about somebody who had watched his partner shoot a guy in the head. Who had seized the twitching body and kicked it around the floor. Who had used enough furious force to smash all the dead inert bones. I was standing there thinking about stuff I'd thought I was through with. Stuff I didn't want to think about anymore. So I dropped the paper on the carpet and tried to think about something else.
I found that if I leaned up in the front far corner of the cell I could see the whole of the open-plan area. I could see over the reception counter and out through the glass doors. Outside, the afternoon sun looked bright and hot. It looked like a dry and dusty place again. The heavy rain had moved on out. Inside was cool and fluorescent. The desk sergeant sat up on a stool. He worked on his keyboard. Probably filing. I could see behind his counter. Underneath were spaces designed not to be seen from the front. Neat compartments contained papers and hardback folders. There were sections with Mace sprays. A shotgun. Panic buttons. Behind the desk sergeant the uniformed woman who'd printed me was busy. Keyboard work. The large room was quiet but it hummed with the energy of investigation.
Chapter Four
PEOPLE SPEND THOUSANDS OF DOLLARS ON STEREOS. SOMETIMES tens of thousands. There is a specialist industry right here in the States which builds stereo gear to a standard you wouldn't believe. Tubed amplifiers which cost more than a house. Speakers taller than me. Cables thicker than a garden hose. Some army guys had that stuff. I'd heard it on bases around the world. Wonderful. But they were wasting their money. Because the best stereo in the world is free. Inside your head. It sounds as good as you want it to. As loud as you want it to be.
I was leaning up in my corner running a Bobby Bland number through my head. An old favorite. It was cranked up real loud. "Further On Up the Road." Bobby Bland sings it in G major. That key gives it a strange, sunny, cheerful cast. Takes out the spiteful sting from the lyric. Makes it a lament, a prediction, a consolation. Makes it do what the blues is supposed to do. The relaxed G major misting it almost into sweetness. Not vicious.
But then I saw the fat police chief walk by. Morrison, on his way past the cells, toward the big office in back. Just in time for the start of the third verse. I crunched the song down into E flat. A dark and menacing key. The real blues key. I deleted the amiable Bobby Bland. I needed a harder voice. Something much more vicious. Musical, but a real cigarettes-and-whiskey rasp. Maybe Wild Child Butler. Someone you wouldn't want to mess with. I wound the level in my head up higher, for the part about reaping what you sow, further on up the road.
Morrison was lying about last night. I hadn't been there at midnight. For a while I had been prepared to accept the possibility of a mistake. Maybe he had seen someone who looked like me. But that was giving him the benefit of the doubt. Right now I wanted to give him a forearm smash to the face. Burst his fat nose all over the place. I closed my eyes. Wild Child Butler and I promised ourselves it would happen. Further on up the road.
I OPENED MY EYES AND SWITCHED OFF THE MUSIC IN MY head. Standing in front of me on the other side of the bars was the fingerprint officer. She was on her way back from the coffee hotplate.
"Can I get you a cup of coffee?" she asked me.
"Sure," I said. "Great. No cream, no sugar."
She put her own cup down on the nearest desk and went back to the machine. Poured me a cup from the pot and walked back. This was a good-looking woman. About thirty, dark, not tall. But to call her medium would be unfair to her. She had a kind of vitality. It had come across as a sympathetic briskness in that first interview room. A professional bustle. Now she seemed unofficial. Probably was. Probably against the fat chief's rules to bring coffee to the condemned man. It made me like her.
She passed the cup in through the bars. Up close she looked good. Smelled good. I didn't recall that from earlier. I remembered thinking of her like a dentist's nurse. If dentist's nurses all looked that good, I'd have gone more often. I took the cup. I was glad of it. I was thirsty and I love coffee. Give me the chance and I drink coffee like an alcoholic drinks vodka. I took a sip. Good coffee. I raised the cup like a toast.
"Thank you," I said.
"You're welcome," she said, and she smiled, with her eyes too. I smiled back. Her eyes were like a welcome blast of sunshine on a rotten afternoon.
"So you think I didn't do it?" I asked her.
She picked up her own cup from where she'd put it down.
"You think I don't bring coffee to the guilty ones?" she said.
"Maybe you don't even talk to the guilty ones," I said.
"I know you're not guilty of much," she said.
"How can you tell?" I said. "Because my eyes aren't too close together?"
"No, fool," she laughed. "Because we haven't heard from Washington yet."
Her laugh was great. I wanted to look at her nameplate over her shirt pocket. But I didn't want her to think I was looking at her breasts. I remembered them resting on the edge of the table when she took my photograph. I looked. Nice breasts. Her name was Roscoe. She glanced around quickly and moved closer to the bars. I sipped coffee.