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The Andromeda Strain Page 58
Author: Michael Crichton

This was a delicate process, requiring many minutes of concentrated work. At the end of that time, he had shaved the plastic in such a way that he had a pyramid of plastic, with the green fleck at the peak of the pyramid.

He unscrewed the vise and lifted the plastic out. He took it to the microtome, a knife with a revolving blade that cut very thin slices of plastic and imbedded green tissue. These slices were round; they fell from the plastic block into a dish of water. The thickness of the slice could be measured by looking the light as it reflected off the slices-- if the light was faint silver, the slice was too thick. If, on the other hand, it was a rainbow of colors, then it was the right thickness, just a few molecules in depth.

That was how thick they wanted a slice of tissue to be for the electron microscope.

When Stone had a suitable piece of tissue, he lifted it carefully with forceps and set it onto a small round copper grid. This in turn was inserted into a metal button. Finally, the button was set into the electron microscope, and the microscope sealed shut.

The electron microscope used by Wildfire was the BVJ model JJ-42. It was a high-intensity model with an image resolution attachment. In principle, the electron microscope was simple enough: it worked exactly like a light microscope, but instead of focusing light rays, it focused an electron beam. Light is focused by lenses of curved glass. Electrons are focused by magnetic fields.

In many respects, the EM was not a great deal different from television, and in fact, the image was displayed on a television screen, a coated surface that glowed when electrons struck it. The great advantage of the electron microscope was that it could magnify objects far more than the light microscope. The reason for this had to do with quantum mechanics and the waveform theory of radiation. The best simple explanation had come from the electron microscopist Sidney Polton, also a racing enthusiast.

"Assume," Polton said, "that you have a road, with a sharp corner. Now assume that you have two automobiles, a sports car and a large truck. When the truck tries to go around the corner, it slips off the road; but the sports car manages it easily. Why? The sports car is lighter, and smaller, and faster; it is better suited to tight, sharp curves. On large, gentle curves, the automobiles will perform equally well, but on sharp curves, the sports car will do better.

"In the same way, an electron microscope will 'hold the road' better than a light microscope. All objects are made of corners, and edges. The electron wavelength is smaller than the quantum of light. It cuts the corners closer, follows the road better, and outlines it more precisely. With a light microscope-- like a truck-- you can follow only a large road. In microscopic terms this means only a large object, with large edges and gentle curves: cells, and nuclei. But an electron microscope can follow all the minor routes, the byroads, and can outline very small structures within the cell-- mitochondria, ribosomes, membranes, reticula."

In actual practice there were several drawbacks to the electron microscope, which counterbalanced its great powers of magnification. For one thing, because it used electrons instead of light, the inside of the microscope had to be a vacuum. This meant it was impossible to examine living creatures.

But the most serious drawback had to do with the sections of specimen. These were extremely thin, making it difficult to get a good three-dimensional concept of the object under study.

Again, Polton had a simple analogy. "Let us say you cut an automobile in half down the middle. In that case, you could guess the complete, 'whole' structure. But if you cut a very thin slice from the automobile, and if you cut it on a strange angle, it could be more difficult. In your slice, you might have only a bit of bumper, and rubber tire, and glass. From such a slice, it would be hard to guess the shape and function of the full structure."

Stone was aware of all the drawbacks as he fitted the metal button into the EM, sealed it shut, and started the vacuum pump. He knew the drawbacks and he ignored them, because he had no choice. Limited as it was, the electron microscope was their only available high-power tool.

He turned down the room lights and clicked on the beam. He adjusted several dials to focus the beam. In a moment, the image came into focus, green and black on the screen.

It was incredible.

Jeremy Stone found himself staring at a single unit of the organism. It was a perfect, six-sided hexagon, and it interlocked with other hexagons on each side. The interior of the hexagon was divided into wedges, each meeting at the precise center of the structure. The overall appearance was accurate, with a kind of mathematical precision he did not associate with life on earth.

It looked like a crystal.

He smiled: Leavitt would be pleased. Leavitt liked spectacular, mind-stretching things. Leavitt had also frequently considered the possibility that life might be based upon crystals of some kind, that it might be ordered in some regular pattern.

He decided to call Leavitt in.

***

[graphic of EM crystal pattern] Caption: (Early sketch by Jeremy Stone of hexagonal Andromeda configuration. Photo courtesy Project Wildfire.)

As soon as he arrived, Leavitt said, "Well, there's our answer."

"Answer to what?"

"To how this organism functions. I've seen the results of spectrometry and amino-acid analysis."

"And?"

"The organism is made of hydrogen, carbon, oxygen, and nitrogen. But it has no amino acids at all. None. Which means that it has no proteins as we know them, and no enzymes. I was wondering how it could survive without protein-based organization. Now I know."

"The crystalline structure."

"Looks like it," Leavitt said, peering at the screen. "In three dimensions, it's probably a hexagonal slab, like a piece of tile. Eight-sided, with each face a hexagon. And on the inside, those wedge-shaped compartments leading to the center."

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Michael Crichton's Novels
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