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The Waste Lands (The Dark Tower #3) Page 38
Author: Stephen King

He was thinking only of going bowling that afternoon after school. His average was 158, great for a kid who was only eleven. His ambition was to some day be a bowler on the pro tour (and if his father had known this little factoid, he also would have hit the roof).

Closing in now—closing in on the moment when his sanity would be suddenly eclipsed.

He crossed Thirty-ninth and there were four hundred seconds left. Had to wait for the WALK light at Forty-first and there were two hundred and seventy. Paused to look in the novelty shop on the corner of Fifth and Forty-second and there were a hundred and ninety. And now, with just over three minutes left in his ordinary life, Jake Cham-bers walked beneath the unseen umbrella of that force which Roland called ka-tet.

An odd, uneasy feeling began to creep over him. At first he thought it was a feeling of being watched, and then he realized it wasn’t that at all … or not precisely that. He felt that he had been here before; that he was reliving a dream he had mostly forgotten. He waited for the feeling to pass, but it didn’t. It grew stronger, and now began to mix with a sensation he reluctantly recognized as terror.

Up ahead, on the near corner of Fifth and Forty-third, a black man in a Panama hat was setting up a pretzel-and-soda cart. He’s the one that yells “Oh my God, he’s kilt!” Jake thought. Approaching the far corner was a fat lady with a Bloomingdale’s bag in her hand. She’ll drop the bag. Drop the bag and put her hands to her mouth and scream. The bag will split open. There’s a doll inside the bag. It’s wrapped in a red towel. I’ll see this from the street. From where I’ll be lying in the street with my blood soaking into my pants and spreading around me in a pool. Behind the fat woman was a tall man in a gray nailhead worsted suit. He was carrying a briefcase.

He’s the one who vomits on his shoes. He’s the one who drops his briefcase and throws up on his shoes. What’s happening to me? Yet his feet carried him numbly forward toward the intersection, where people were crossing in a brisk, steady stream. Somewhere behind him, closing in, was a killer priest. He knew this, just as he knew that the priest’s hands would in a moment be outstretched to push . . . but he could not look around. It was like being locked in a nightmare where things simply had to take their course. Fifty-three seconds left now. Ahead of him, the pretzel vendor was opening a hatch in the side of his cart.

He’s going to take out a bottle of Yoo-Hoo, Jake thought. Not a can but a bottle. He’ll shake it up and drink it all at once. The pretzel vendor brought out a bottle of Yoo-Hoo, shook it vigor-ously, and spun off the cap.

Forty seconds left.

Now the light will change.

White WALK went out. Red DONT WALK began to flash rapidly on and off. And somewhere, less than half a block away, a big blue Cadillac was now rolling toward the intersection of Fifth and Forty-third. Jake knew this, just as he knew the driver was a fat man wearing a hat almost the exact same blue shade as his car.

I’m going to die!

He wanted to scream this aloud to the people walking heedlessly all around him, but his jaws were locked shut. His feet swept him serenely onward toward the intersection. The DONT WALK sign stopped flashing and shone out its solid red warning. The pretzel vendor tossed his empty Yoo-Hoo bottle into the wire trash basket on the corner. The fat lady stood on the corner across the street from Jake, holding her shopping bag by the handles. The man in the nailhead suit was directly behind her. Now there were eighteen seconds left. Time for the toy truck to go by, Jake thought. Ahead of him a van with a picture of a happy jumping-jack and the words TOOKER’S WHOLESALE TOYS printed on the side swept through the intersection, jolting up

and down in the potholes. Behind him, Jake knew, the man in the black robe was beginning to move faster, closing the gap, now reaching out with his long hands. Yet he could not look around, as you couldn’t look around in dreams when something awful was gaining on you.

Run! And if you can’t run, sit down and grab hold of a No Parking sign! Don’t just let it happen!

But he was powerless to stop it from happening. Ahead, on the edge of the curb, was a young woman in a white sweater and a black skirt. To her left was a young Chicano guy with a boombox. A Donna Summer disco tune was just ending. The next song, Jake knew, would be “Dr. Love,” by Kiss. They’re going to move apart—

Even as the thought came, the woman moved a step to her right. The Chicano guy moved a step to his left, creating a gap between them. Jake’s traitor feet swept him into the gap. Nine seconds now.

Down the street, bright May sunshine twinkled on a Cadillac hood ornament. It was, Jake knew, a 1976 Sedan de Ville. Six seconds. The Caddy was speeding up. The light was getting ready to change and the man driving the de Ville, the fat man in the blue hat with the feather stuck jauntily in the brim, meant to scat through the intersection before it could. Three seconds. Behind Jake, the man in black was lunging forward. On the young man’s boombox, “Love to Love You, Baby” ended and “Dr. Love” began.

Two.

The Cadillac changed to the lane nearest Jake’s side of the street and charged down on the intersection, its killer grille snarling. One.

Jake’s breath stopped in his throat.

None.

“Uh!” Jake cried as the hands struck him firmly in the back, pushing him, pushing him into the street, pushing him out of his life— Except there were no hands.

He reeled forward nevertheless, hands flailing at the air, his mouth a dark O of dismay. The Chicano guy with the boombox reached out, grabbed Jake’s arm, and hauled him backward. “Look out, little hero,” he said. “That traffic turn you into bratwurst.”

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Stephen King's Novels
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» Song of Susannah (The Dark Tower #6)
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