It did. It just didn't explain why the house felt so wrong to her. 'Let's check the radio station,' she said. 'Then we'll head into town ourselves and get coffee. I'm buying.'
'Good,'Jackie said. 'I want mine black. Preferably in a hypo.'
7
The low-slung, mostly glass WCIK studio was also locked, but speakers mounted beneath the eaves were playing 'Good Night, Sweet Jesus' as interpreted by that noted soul singer Perry Como. Behind the studio the broadcast tower loomed, the flashing red lights at the top barely visible in the strong morning light. Near the tower 'was a long barnlike structure which Linda assumed must hold the station's generator and whatever other supplies it needed to keep beaming the miracle of God's love to western Maine, eastern New Hampshire, and possibly the inner planets of the solar system.
Jackie knocked, then hammered.
'I don't think anybody's here,' Linda said... but this place seemed wrong, too. And the air had a funny smell, stale and sallow. It reminded her of the way her mother's kitchen smelled, even after a good airing. Because her mother smoked like a chimney and believed the only things worth eating were those fried in a hot skillet greased with plenty of lard.
Jackie shook her head. 'We heard someone, didn't we?'
Linda had no answer for that, because it was true. They had been listening to the station on their drive from the parsonage, and had heard a smooth deejay announcing the next record as 'Another message of God's love in song.'
This time the hunt for the key was longer, but Jackie finally found it in an envelope taped beneath the mailbox. With it was a scrap of paper on which someone had scrawled 16 9 3.
The key was a dupe, and a litde sticky, but after some chivvying, it worked. As soon as they were in, they heard the steady beep of the security system.The keypad was on the wall. When Jackie punched in the numbers, the beeping quit. Now there was only the music.
Perry Como had given way to something instrumental; Linda thought it sounded suspiciously like the organ solo from 'In-A-Gadda-Da-Vida.'The speakers in here were a thousand times better than the ones outside and the music was louder, almost like a living thing.
Did people work in this holier-than-thou racket? Linda wondered. Answer the phones? Do business? How could they?
There was something wrong in here, too. Linda was sure of it. The place felt more than creepy to her; it felt outright dangerous. When she saw that Jackie had unsnapped the strap on her service automatic, Linda did the same. The feel of the gun-butt under her hand was good. Thy rod and thy gun-butt, they comfort me, she thought.
'Hello?'Jackie called.'Reverend Coggins? Anybody?'
There was no answer. The reception desk was empty. To the left of it were two closed doors. Straight ahead was a window running the entire length of the main room. Linda could see blinking lights inside it. The broadcast studio, she assumed.
Jackie pushed the closed doors open with her foot, standing well back. Behind one was an office. Behind the other was a conference room of surprising luxury, dominated by a giant flat-screen TV. It was on, but muted. Anderson Cooper, almost life-sized, looked like he was doing his standup on Castle Rock's Main Street. The buildings were draped with flags and yellow ribbons. Linda saw a sign on the hardware store that read: SET THEM FREE. That made Linda feel even eerier. The super running across the bottom of the screen read DEFENSE DEPARTMENT SOURCES CLAIM MISSILE STRIKE IS IMMINENT.
'Why is the TV on?' Jackie asked.
'Because whoever was minding the store left it that way when - '
A booming voice interrupted her. 'That was Raymond Howell's version of "Christ My Lord and Leader.'"
Both women jumped.
'And this is Norman Drake, reminding you of three important facts; you're listening to the Revival Time Hour on WCIK, God loves you, and He sent his Son to die for you on Calvary's cross. It's nine twenty-five a.m., and as we always like to remind you, time is short. Have you given your heart to the Lord? Back after this.'
Norman Drake gave way to a silver-tongued devil selling the entire Bible on DVDs, and the best thing about it was you could pay in monthly installments and return the whole deal if you weren't just as happy as a pig in shit. Linda and Jackie went to the broadcast studio window and looked in. Neither Norman Drake nor the silver-tongued devil was there, but when the commercial ended and the deejay came back to announce the next song of praise, a green light turned red and a red light turned green. When the music started up, another red light went green.
'It's automated!'Jackie said. 'The whole freaking thing!'
'Then why do we feel like someone's here? And don't say you don't.'
Jackie didn't.'Because it's weird.The jock even does time-checks. Honey, this setup must have cost a fortune! Talk about the ghost in the machine - how long do you think it will run?'
'Probably till the propane runs out and the generator stops.' Linda spotted another closed door and opened it with her foot, as Jackie had... only, unlike Jackie, she drew her gun and held it, safety on and muzzle down, beside her leg.
It was a bathroom, and it 'was empty. There was, however, a picture of a very Caucasian Jesus on the wall.
Tm not religious,'Jackie said,'so you'll have to explain to me why people would want Jesus watching them poop.'
Linda shook her head.'Let's get out of here before I lose it,' she said. 'This place is the Radioland version of the Mary Celeste!
Jackie looked around uneasily. 'Well, the vibe is spooky, I'll give you that.' She suddenly raised her voice in a harsh shout that made Linda jump. She wanted to tell Jackie not to yell like that. Because someone might hear her and come. Or something.
'Hey! Yol Anybody here? Last chance!'
Nothing. No one.
Outside, Linda took a deep breath.'Once, when I was a teenager, some friends and I went to Bar Harbor, and we stopped for a picnic at this scenic turnout. There were half a dozen of us. The day was clear, and you could see practically all the way to Ireland. When we were done eating, I said I wanted to take a picture. My friends were all horsing around and grabassing, and I kept backing up, trying to get everyone in the frame. Then this one girl - Arabella, my best friend back then - stopped trying to give this other girl a wedgie and shouted, "Stop, Linda, stop]" I stopped and looked around. Know what I saw?'