His finger moved to two horizontal lines between the wings. "Or arms?"
"Those are legs," Elena told him, amused. "What kind of thing with arms and legs and a head has six hairs and wings?"
"A tipsy vampire," suggested a voice above them and Elena looked up, surprised to see Sage. "May I sit with you?" he asked. "I couldn't manage a shirt, but my fairy godmother did conjure up a vest."
Elena, laughing, scooted over a seat so that he could take the aisle seat by Damon. He was much cleaner than when she had last seen him working around the house, although his hair was still in long wild unruly curls. She noted however, that his fairy godmother had scented him with cedar and sandalwood, and provided him with Dolce & Gabbana jeans and vest. He looked...magnifique. There was no sign of his animals.
"I thought you weren't coming," Elena said to him.
"You can say that? Garbed as you are in celestial white and gold? You mentioned the gala; I took your wish as a command."
Elena giggled. Of course, everyone was treating her differently tonight. It was the dress. Sage, murmuring something about his latent heterosexuality, swore that the image on her necklace and fan was a phoenix. The very polite demon on her right, who had deep mauve skin and small, curling white horns, deferentially submitted that it looked to him like the goddess Ishtar, who had apparently sent him to the Dark Dimension a few millennia ago for tempting people to sloth. Elena made a mental note to ask Meredith whether this meant tempting them to eat sloths, which she knew were some kind of wild animal that didn't move around much, or something else.
Then Elena thought that Lady Ulma had called the dress a "goddess dress," hadn't she? It was certainly a dress you could only wear if your body was very young and very close to perfection, because there was no way to fit corsetry into it or even to drape it to minimize an unflattering feature. The only things under the dress were Elena's own firm young physique and a pair of scant, soft flesh-colored lace underwear. Oh, and a spray of jasmine perfume.
So it's a goddess I feel like, she thought, thanking the demon (who stood and bowed). People were taking their seats for the Silver Nightingale's first performance. Elena had to admit to a longing to see Lady Fazina, and besides, it was too early to try for a restroom trip - Elena had already noticed that guards were posted at all the doors.
There were two harps on a dais in the middle of a great circle of chairs. And then suddenly everyone was on their feet and clapping, and Elena would have seen nothing, if the Lady Fazina had not chosen to walk down the same aisle Elena and Damon had taken. As it was, she paused right beside Sage to acknowledge the roar of acclamation, and Elena had a perfect view of her.
She was a lovely young woman, who to Elena's surprise looked hardly older than twenty, and was nearly as small as Bonnie. This diminutive creature obviously took her sobriquet very seriously: she was dressed entirely in a gown of silver mesh. Her hair was metallic silver, too, swept high in front and very short in back. Her train was barely attached to her, by two simple clasps at the shoulders. It floated horizontally behind her, constantly in motion, more like a moonbeam or a cloud than like real material until she got to the central dais and ascended it, then walked once around the tall uncovered harp, at which point the suspended part of the cape fell softly and gracefully to the floor in a semicircle around her.
And then came the magic of the Silver Nightingale's voice. She began by playing the tall harp, which seemed even taller in comparison to her small body. She could make the harp sing under her fingers, coax it to cry like the wind or make music that seemed to descend from heaven in glissandos. Elena wept throughout her first song, even though it was sung in some foreign language. It was so piercingly sweet that it reminded Elena of Stefan, of the times they had been together, communicating by only the softest words and touches...
But Lady Fazina's most impressive instrument was her voice. Her tiny body could generate an extraordinary volume when she wanted it to. And as she sang one poignant, minor-tuned song after another, Elena could feel her skin break out into gooseflesh, and a trembling in her legs. She felt that at any moment she might fall to her knees as the melodies filled her heart.
When someone touched her from behind, Elena started violently, brought back too quickly from the fantasy world the music had woven around her. But it was only Meredith, who despite her own love for music had a very practical suggestion for their group.
"I was going to say, why not start now, while everyone else is listening?" she whispered. "Even the guards are out of it. We agreed on two by two, yes?"
Elena nodded. "We're just having a look around the house. We may even find something while everyone is still here, listening, for nearly another hour. Sage, maybe you could sort of liaise between the two groups, telepathically."
"It would be my privilege, Madame."
The five of them set out into the Silver Nightingale's mansion.
Chapter 28
They walked right by the weeping door-guards. But very quickly, they discovered that while almost everyone was listening to Lady Fazina, in each room of the palace that was open to the public, a black-clad, white-gloved steward awaited, ready to give out information, and to keep a watchful eye on his lady's possessions.
The first room that gave them any kind of hope was Lady Fazina's Hall of Harpery, a room devoted entirely to the display of harps, from ancient, bowlike, single-stringed instruments, undoubtedly played by individuals who were similar to cavedwellers, to tall, gilded, orchestral harps like the one Fazina was now playing, the music audible throughout the palace. Magic, Elena thought again. They seem to use it here instead of technology.