Although Peter had confined his behind-scenes inquiry as to whether the meeting showed signs of breaking up, the head waiter informed him there appeared to be a good deal of heated discussion. Before leaving the hotel Peter left word with the duty assistant manager that if any decision from the dentists became known, he was to be telephoned immediately. So far there had been no word. He wondered now whether Dr. Ingram's forthright viewpoint would prevail or if Warren Trent's more cynical prediction about nothing happening would prove true.
The same uncertainty had caused Peter to defer - at least until tomorrow - any action concerning Herbie Chandler. What ought to be done, he knew, was immediate dismissal of the sleazy bell captain, which would be like purging the hotel of an unclean spirit. Specifically, of course, Chandler would not be dismissed for running a call girl system - which someone else would organize if Chandler didn't but for allowing greed to overcome good sense.
With Chandler gone, a good many other abuses could be curbed, though whether Warren Trent would agree to such summary action was an open question. However, remembering the accumulated evidence and Warren Trent's concern with the hotel's good name, Peter had an idea he might.
Either way, Peter reminded himself, he must ensure that the Dixon-Dumaire group statements were safeguarded and used within the hotel only. He would keep his promise on that point. Also he had been bluffing this afternoon in threatening to inform Mark Preyscott about the attempted rape of his daughter. Then, as now, Peter remembered Marsha's entreaty: My father's in Rome. Don't tell him, please - ever!
The thought of Marsha was a reminder to hurry. A few minutes later he left the apartment and hailed a cruising cab.
Peter asked, "This is the house?"
"Sure is." The cab driver looked speculatively at his passenger.
"Leastways, if you got the address right."
"It was right." Peter's eyes followed the driver's to the immense, white-fronted mansion. The facade alone was breathtaking. Behind a new hedge and towering magnolia trees, graceful fluted columns rose from a terrace to a high railed gallery. Above the gallery the columns soared on to a crowning, classically proportioned pediment. At either end of the main building two wings repeated the details in miniature. The entire facade was in superb repair, its wood surfaces preserved and paintwork fresh. Around the house the scent of sweet olive blossoms hung in the early evening air.
Paying off the cab, Peter approached an iron grilled gate which opened smoothly. A curving pathway of old red brick led between trees and lawns.
Though barely dusk, two elevated flare pots had been lighted at either side of the pathway as it neared the house. He had reached the terrace steps when a latch clicked solidly and the double doors to the house swung open. The wide doorway framed Marsha. She waited until he reached the head of the steps, then walked toward him.
She was in white - a slim, sheath gown, her raven black hair startling by contrast. He was aware, more than ever, of the provoking woman-child quality.
Marsha said gaily, "Welcome!"
"Thank you." He gestured about him. "At the moment I'm a little overwhelmed."
"So's everybody." She entwined her arm in his. "I'll give you the Preyscott official tour before it's dark."
Returning down the terrace steps, they crossed the lawn, soft underfoot.
Marsha remained close. Through his coat sleeve he could feel the warm firmness of her flesh. Her finger tips touched his wrist lightly. There was an added gentle fragrance to the scent of olive blossoms.
"There!" Abruptly Marsha wheeled. "This is where you see it all best.
It's from here they always take the pictures."
From this side of the lawn the view was even more impressive.
"A fun-lovin' French nobleman built the house," Marsha said. "In the 1840s. He liked Greek Revival architecture, happy laughing slaves, and also having his mistress handy, which was the reason for an extra wing.
My father added the other wing. He prefers things balanced - like accounts and houses."
"This is the new guide style - philosophy with fact?"
"Oh, I'm brimming with both. You want facts? "Look at the roof." Their eyes went up together. "You'll see it overhangs the upper gallery. The Louisiana-Greek style - most old big houses here were built that way - makes sense because in this climate it gave shade and air. Lots of times the gallery was the most lived-in place. It became a family center, a place of talk and sharing."
He quoted, "Households and families, a sharing of the good life, in a form at once complete and self-sufficient."
"Who said that?"
"Aristotle."
Marsha nodded. "He'd big galleries." She stopped, considering. "My father did a lot of restoration. The house is better now, but not our use of it."
"You must love all this very much."
"I hate it," Marsha said. "I've hated this place as long as I remember."
He looked at her inquiringly.
"Oh, I wouldn't if I came to see it - as a visitor, lined up with others who'd paid fifty cents to be shown around, the way we open the house for Spring Fiesta. I'd admire it because I love old things. But not to live with always, especially alone and after dark."
He reminded her, "It's getting dark now."
"I know," she said. "But you're here. That makes it different."
They had begun to return across the lawn. For the first time he was conscious of the quiet.
"Won't your other guests be missing you?"
She glanced sideways, mischievously. "What other guests?"
"You told me .."
"I said I was giving a dinner party; so I am. For you. If it's chaperonage you're worried about, Anna's here." They had passed into the house. It was shadowy and cool, with ceilings high above. In the background a small elderly woman in black silk nodded, smiling. "I told Anna about you," Marsha said, " and she approves. My father trusts her absolutely, so everything's all right. Then there's Ben."
A Negro manservant followed them, soft footed, to a small booklined study. From a sideboard he brought a tray with decanter and sherry glasses. Marsha shook her head. Peter accepted a sherry and sipped it thoughtfully. From a settee Marsha motioned him to sit beside her.
He isked, "You spend a lot of time alone here?"
"My father comes home between trips. It's just that the trips get longer and the time between shorter. What I'd prefer to live in is an ugly modern bungalow. Just so long as it was alive."
"I wonder if you really would."
"I know I would," Marsha said firmly. "If I shared it with someone I really cared about. Or maybe a hotel would be as good. Don't hotel managers get an apartment to live in - at the top of their hotel?"
Startled, he looked up to find her smiling.
A moment later the manservant announced quietly that dinner was served.
In an adjoining room a small circular table was set for two. Candlelight gleamed on the dinner setting and paneled walls. Above a black marble mantel the portrait of a sternfaced patriarch gazed down, giving Peter an impression of being studied critically.
"Don't let great-grandfather bother you," Marsha said when they were seated. "It's me he's frowning at. You see, he once wrote in his diary that he wanted to found a dynasty and I'm his last forlorn hope."
They chatted through dinner - with lessening restraintas the manservant served them unobtrusively. The fare was exquisite - the main course a superbly seasoned Jambalaya, followed by a delicately flavored Creme Brulee. In a situation he had approached with misgiving, Peter discovered he was enjoying himself genuinely. Marsha seemed more vivacious and charming as the minutes passed, and he himself more relaxed in her company.
Which was less than surprising, he reminded himself, since the gap in their ages was by no means great. And in the glow of candlelight, the old room shadowed around them, he was reminded how exceedingly beautiful she was.
He wondered if long ago the French nobleman who built the great house, and his mistress, had dined as intimately here. Or was the thought the product of a spell which the surroundings and the occasion had cast on him?
At the end of dinner Marsha said, "We'll have coffee on the gallery."
He held out her chair and she got up quickly, impulsively taking his arm as she had earlier. Amused, he allowed himself to be guided to a hallway and up a broad curving staircase. At the top, a wide corridor, its frescoed walls dimly lighted, led to the open gallery they had viewed from the now darkened garden below Demitasse cups and a silver coffee service were on a wicker table. A flickering gas lantern burned above. They took their coffee to a cushioned porch glider which swung lazily as they sat down. The nighttime air was comfortably cool, with the faintest stirring of a breeze. From the garden, the hum of insects sounded sonorously; the muted sounds of traffic came over from St. Charles Avenue, two blocks distant. He was conscious of Marsha, quite still beside him.
Peter chided, "You've suddenly become quiet."
"I know. I was wondering how to say something."
"You might try directly. It often works."
"All right." There was a breathlessness to her voice. "I've decided I want to marry you."
For what seemed like long minutes but were, he suspected, seconds only, Peter remained unmoving, with even the gentle motion of the glider stopped.
At last, with careful precision, he put down his coffee cup.
Marsha coughed, then changed the cough to a nervous laugh. "If you want to run, the stairs are that way."
"No," he said. "If I did that I'd never know why you said what you did just now."
"I'm not sure myself." She was looking directly ahead, out into the night, her face turned half away. He sensed that she was trembling. "Except I suddenly wanted to say it. And quite sure I should."
It was important, he knew, that whatever he next said to this impulsive girl should be with gentleness and consideration. He was also uncomfortably aware of a nervous constriction in his throat. Irrationally, he remembered something Christine had said this morning: Little Miss Preyscott bears as much resemblance to a child as a kitten to a tiger. But it would be fun I should think - for a man - to be eaten up. The comment was unfair of course, even harsh. But it was true that Marsha was not a child, nor should she be treated like one.
"Marsha, you scarcely know me, or I you."
"Do you believe in instinct?"
"To a point, yes."
"I had an instinct about you. From the very first moment." Initially her voice had faltered, now she steadied it. "Most times my instincts have been right."
He reminded her gently, "About Stanley Dixon, Lyle Dumaire?"
"I had the right instincts. I didn't follow them, that's all. This time I have."
"But instinct may still be wrong."
"You can always be wrong, even when you wait a long time." Marsha turned, facing him directly. As her eyes searched his own, he was aware of a strength of character he had not observed before. "My father and mother knew each other fifteen years before they married. My mother once told me that everyone they knew said it would be the perfect match. As it turned out, it was the worst. I know, I was in the middle."