"What do you think?" I asked Mister, once I was decked out in what paraphernalia I was willing to carry.
Mister went to the door and batted at it insistently.
"Everyone's a critic. Fine, fine." I sighed. I let him out, then I went out, got into my car and drove down to the Velvet Room in its expensive lakeside location.
Bianca runs her business out of a huge old mansion from the early days of the Roaring Twenties. Rumor has it that the infamous Al Capone had it built for one of his mistresses.
There was a gate with an iron fence and a security guard. I pulled the Beetle up into the little swath of driveway that began at the street and ended at the fence. There was a hiccoughing rattle from back in the engine as I brought the machine to a halt. I rolled down the window and stuck my head out, peering back. Something went whoomph, and then black smoke poured out from the bottom of the car and scuttled down the slope of the drive and into the street.
I winced. The engine gave an almost apologetic rattle and shuddered to its death. Great. Now I had no ride home. I got out of the Beetle, and stood mourning it for a moment.
The security guard on the other side of the gate was a blocky man, not overly tall but overly muscled and hiding it under an expensive suit. He studied me with attack-dog eyes, and then said, through the gate, "Do you have an appointment?"
"No," I told him. "But I think Bianca will want to see me."
He looked unimpressed. "I'm sorry," he said. "Bianca is out for the evening."
Things are never simple anymore. I shrugged at him, folded my arms, and leaned on the hood of the Beetle. "Suit yourself. I'll just stay until a tow truck comes by, then, until I can get this thing out of the drive for you."
He stared at me, his eyes narrowed down to tiny slits with the effort of thinking. Eventually, the thoughts got to his brain, got processed, and sent back out with a message to "pass the buck."
"I'll call your name in," he said.
"Good man," I approved. "You won't be sorry."
"Name," he growled.
"Harry Dresden."
If he recognized my name, it didn't show on his face. He glared at me and the Beetle then walked a few paces off, lifting a cellular phone from his pocket and to his ear.
I listened. Listening isn't hard to do. No one has practice at it, nowadays, but you can train yourself to pay attention to your senses if you work at it long enough.
"I've got a guy down here says that Bianca will want to talk to him," the guard said. "Says his name is Harry Dresden." He was silent for a moment. I couldn't quite make out the buzz of the other voice, other than that it was female. "Uh-huh," he said. He glanced back at me. "Uh-huh," he said again. "Sure. Sure, I will. Of course, ma'am."
I reached in through the window of the Beetle and got out my cane. I rested it on the concrete beside my boots and tapped it a few times, as though impatient.
The guard turned back to me, leaned over to one side, and pushed a button somewhere. The gate buzzed and clicked open.
"Come on in, Mr. Dresden," he said. "I can have someone come tow your car, if you like."
"Super," I told him. I gave him the name of the wrecker Mike has a deal with and told him to tell the guy that it was Harry's car again. Fido the Guard dutifully noted this down, writing on a small notebook he drew from a pocket. While he did, I walked past him toward the house, clicking my cane on the concrete with every pace.
"Stop," he told me, his voice calm and confident. People don't speak with that kind of absolute authority unless they have a gun in their hands. I stopped.
"Put the cane down," he told me, "And put your arms up. You are to be searched before you are allowed inside."
I sighed, did what he said, and let him pat me down. I didn't turn around to face him, but I could smell the metal of his gun. He found the knife and took it. His fingers brushed the nape of my neck, felt the chain there.
"What's this?" he said.
"Pentacle," I told him.
"Let me see it. Use one hand."
I used my left to draw it out of my shirt and show it to him, a silver five-pointed star within a circle, all smooth geometry. He grunted, and said, "Fine." The search went on, and he found the plastic squeeze-bottle. He took it out of my pocket, opened it, and sniffed at it.
"What's this?"
"A health cola," I told him.
"Smells like shit," he said, capped it, and put it back in my pocket.
"What about my cane?"
"Returned when you leave," he said.
Damn. My knife and my cane had been my only physical lines of defense. Anything else I did would have to rely wholly upon magic and that could be dicey on the best of days. It was enough to rattle me.
Of course, Fido the Guard had missed a couple of things. First, he'd overlooked the clean white handkerchief in my pocket. Second, he'd passed me on with my pentacle still upon my neck. He probably figured that since it wasn't a crucifix or a cross, that I couldn't use it to keep Bianca away from me.
Which wasn't true. Vampires (and other such creatures) don't respond to symbols as such. They respond to the power that accompanies an act of faith. I couldn't ward off a vampire mosquito with my faith in the Almighty - He and I have just never seemed to connect. But the pentacle was a symbol of magic itself, and I had plenty of faith in that.
And, of course, Fido had overlooked my getaway potion. Bianca really ought to trust her guards with more awareness of the supernatural and what sort of things to look for.
The house itself was elegant, very roomy, with the high ceilings and the broad floors that they just don't make anymore. A well-groomed young woman with a short, straight haircut greeted me in the enormous entry hall. I was passing polite to her, and she showed me to a library, its walls lined with old books in leather bindings, similar to the leather-cushioned chairs around the enormous old dogfoot table in the room's center.
I took a seat and waited. And waited. And waited. More than half an hour went by before Bianca finally arrived.
She came into the room like a candle burning with a cold, clear flame. Her hair was a burnished shade of auburn that was too dark to cast back any ruddy highlights, but did anyway. Her eyes were dark, clear, her complexion flawlessly smooth and elegantly graced with cosmetics. She was not a tall woman, but shapely, wearing a black dress with a plunging neckline and a slash in one side that showed off a generous portion of pale thigh. Black gloves covered her hands to above the elbows, and her three-hundred-dollar shoes were a study in high-heeled torture devices. She looked too good to be true.