"Oh, thank God," I muttered, and took the cup. Coffee. I sipped some. Hot and sweet. I groaned in pleasure. "Angel of mercy, Murph."
"That's me," she agreed. She was wearing jeans, a T-shirt, and a very light cotton blazer. She had circles under her eyes and her blond hair was messy. Someone must have gotten her out of bed for this one. "Detective Greene," she said.
"Lieutenant," Greene replied, all courtesy on the surface. "I didn't realize I'd called Special Investigations for help. Maybe someone bumped the speed dial on my phone." He reached into a pocket and took out a cell.
He regarded it gravely for a moment and then said, "Oh, wait. My mistake. You aren't on my speed dial. I must have slipped into some kind of fugue state when I wasn't looking."
"Don't worry, Sergeant," Murphy said, smiling sweetly "If I find out whodunit, I'll tell you so you can get the collar."
Greene shook his head. "This is messy enough already," he said. "Some clown in a horror movie costume cuts a bunch of horror fans to ribbons. The press is going to make piranhas look like goldfish."
"Yep," Murphy said. "Seems to me you should take all the help you can get. Don't want to screw it up in front of all those cameras."
He gave her another flat look and then shook his head. "You aren't exactly famous for your friendly spirit of cooperation with your fellow officers, Lieutenant."
"I get the job done," Murphy said easily. "I can help you. Or I can see to it that the press knows that you're refusing assistance in finding a murderer because of departmental rivalry. Your call."
Greene stared at her for another long minute, then said, "Does calling someone an overbearing, egotistical bitch constitute sexual harassment?"
Murphy's smile grew sunnier. "Come to the gym sometime and we'll discuss it."
Greene grunted and rose, stuffing his pad and pen into his pocket. "Dresden, don't leave town. I might need to speak to you again."
"Won't that be nice," I mumbled, and sipped more coffee.
Greene handed Murphy a card. "My cell number is on it. In case you actually do want to cooperate."
Murphy traded him for one of hers. "Ditto."
Greene shook his head, gave her a barely polite nod, and walked off to speak to the officers near the taped-off section of floor.
"I think he likes you," I told Murphy.
Murphy snorted. "He's had you running in a circle, huh?"
"For an hour." I tried not to sound too disgusted.
"It's annoying," she said. "But it really does work. Greene's probably the best homicide detective in the state. If he had a personality he'd have made captain by now."
"I don't think he's going to be much help on this one."
Murphy nodded, and sat down in the chair Greene had vacated. "So. You want to give me the rundown here?"
"I haven't even finished my coffee," I complained. But I told her, starting with bailing Nelson out of jail and skipping over the details of the visit to Michael's house. I told her about the attack, and how Rawlins and I had presumably cut it short.
She exhaled slowly. "So this thing must have been from the spirit world, right? If it got shot full of bullets, didn't die, then dissolved into v goor
"That's a reasonable conclusion," I said, "but I didn't exactly have time to make a thorough analysis. It could have been anything."
"Any chance you killed it?"
"I didn't hit it all that hard. Must have had some kind of self-destruct."
"Dammit," Murphy said, missing the reference. No one loves the classics anymore. "Will it come back?"
"Your guess is as good as mine," I said.
"That's not good enough."
I sighed and nodded. "I'll see what I can figure out. How's Rawlins?"
"Hospital," she reported. "He'll need a bunch of stitches for that cut he took."
I grunted and rose. It was an effort, and I wobbled a little, but as soon as I got my balance I walked over to the remains of the projector on its stand. I bent down and picked up a large round tin, the one the movie reel had come in. I flipped it over and read the label.
"Hunh," I said.
Murphy came over and frowned at the tin. "Suburban Slasher II?"
I nodded. "This means something."
"Other than the death of classic cinema?"
"Movie fascist," I said. "The guy that jumped them looked like the Reaper."
Murphy gave me a blank look.
"The Reaper," I told her. "Come on, don't tell me you haven't ever seen the Reaper. The killer from the Suburban Slasher films. He can't be slain, brings death to the wicked-which includes anyone who is having sex or drinking, apparently If that's not classic cinema, I don't know what is."
"I guess I missed that one," Murphy said.
"There have been eleven films featuring the Reaper so far," I replied.
"I guess I missed those eleven," Murphy amended. "You think this was someone trying to look like the Reaper character?"
"Someone," I murmured with exaggerated menace. "Or some thing."
She gave me a level look. "How long have you been waiting to use that one?"
"Years," I said. "The opportunity doesn't come up as often as you'd think."
Murphy smiled, but it was forced, and we both knew it. The jokes didn't change the facts. Something had killed one young man only a few feet from where we sat, and the lives of at least two of the wounded hung on the skills of the doctors attending them.
"Murph," I said. "There's a theater right down the street. Run by a guy named Clark Pell. Could you find out what movie was showing there this afternoon?"
Murphy flipped to an earlier page of her notebook and said, "I already did. Something called Hammerhands."
"Oldie but a goodie," I said. "Ruffians push this farmer out onto train tracks and the train cuts his hands off at the wrist. They leave him for dead. But he survives, insane, straps sledgehammer heads to the stumps, and hunts them down one at a time."
"And Clark Pell was the victim beaten here earlier today," Murphy said. "Badly beaten with some kind of blunt instrument."
"Maybe it's a coincidence," I said.
She frowned. "Can someone do that? Bring movie monsters to life?"
"Sorta looks that way," I said.
"How do we stop them?" she asked.