I had no time or space to strike first, and it was a damned good thing I'd prepared my shield ahead of time. I brought it up and into a quarter dome between me and the fetch, blue power hissing.
I should have kept in mind how easily the Scarecrow had shed my magic the night before. The lesser fetch must have had some measure of the same talent, because it changed the tone of its howl in the middle of its leap, impacted my shield, and oozed through it as though the solid barrier was a thick sludge.
There was no space to dodge in and no room to swing my staff, so I dropped it as the fetch's face emerged from my shield and drove my fist into the end of its feline nose. I dropped the shield as I did. With the shield gone, the only force acting on the fetch was the impact of my punch, and the shapeshifter flew backward into the old cash register on the concessions counter. It was made of metal. Blue sparks erupted from the fetch as its flesh hit the iron, along with a yowl of protest, tendrils of smoke, and an acrid odor.
I heard footsteps in the corridor behind me, and then a trio of gunshots.
"Harry!" Murphy called.
"Here!" I shouted. I didn't have time to say anything else. The nightmare cat bounced up from the cash register, recovered its balance, and flung itself at me again, every bit as swiftly as the fetch I'd faced earlier. I ducked and tried to throw myself under the fetch, to get behind it, but my body wasn't operating as swiftly as my mind, and the fetch's claws raked at my eyes.
I threw up an arm, and the fetch slammed into it with a sudden, harsh impact that made my arm go numb from the elbow down. Claws and fangs flashed. The spell-bound leather of my duster held, and the creature's claws didn't penetrate. Except for a shallow cut a random claw accidentally inflicted on my wrist, below the duster's sleeve, I escaped it unharmed. I hit the ground and rolled, throwing my arm out to one side in an effort to slam the fetch onto the floor and knock it loose. The creature was deceptively strong. It braced one rear leg against the counter, claws digging in, robbing the blow of any real force. It bounced off the floor with rubbery agility, pounced onto my chest, and went for my throat.
I got an arm between the fetch and my neck. It couldn't rip its way through the duster, but it was stronger than it had any right to be. I was lying mostly on my back and had no leverage. It wrenched at my arm, and I knew I only had a second or two before it overpowered me, threw my arm out of its way, and tore my throat out.
I reached down with my other hand and ripped my duster all the way off the front of my body. Cold iron seared the nightmare cat's paws in a hissing fury of sparks and smoke. The fetch let out another shrieking yowl and bounded almost straight up.
Gunshots rang out again as the fetch reached the apogee of its reflexive leap. It twitched and screamed, jerking sharply. As it came back down, it writhed wildly in midair, altering its trajectory, and landed on the floor beside me.
Murphy's combat boot lashed out in a stomping kick that sent the fetch sliding across the floor, and the instant it was clear of me she started shooting again. She put half a dozen shots into the creature, driving it over the floor, howling in pain but thrashing with frenzied strength. The gun went empty. Murphy slammed another clip into the weapon just as the fetch began gathering itself up off the floor. She kept pouring bullets into it as fast as she could accurately shoot, and stepped with deliberate care to one side as she did so.
Thomas came through the curtain with preternatural speed, his face bone white. He seized the stunned fetch by the throat and slammed it overhand into the cash register, again and again, until I heard its spine snap. Then he threw it over the concessions stand into the lobby.
Light flashed. Something that looked like a butterfly sculpted from pure fire shot over my head like a tiny comet. I scrambled to my feet, to see the blazing butterfly hit the fetch square in the chest. The thing screamed again, front legs thrashing, rear legs entirely limp, as fire exploded over its flesh, burned a hole in its chest, and then abruptly consumed it whole.
I leaned on the counter and panted for a second, then looked around to see the curtain slide aside of its own accord as Lily stepped through it. At that moment, the Summer Lady did not look sweet or caring. Her lovely face held an implacable, restrained anger, and half a dozen of the fiery butterflies flittered around her. She stared at the dying fetch until the fire winked out, leaving nothing, not even residual ectoplasm, behind.
Murphy reloaded and came over to me, though her eyes were still scanning for danger. "You're bleeding. You all right?"
I checked. Blood from the injury on my wrist had trickled down over my palm and fingers. I pushed back my sleeve to get a look at the wound. The cut ran parallel to my forearm. It wasn't long, but was deeper than I'd thought. And it had missed opening up the veins in my wrist by maybe half an inch.
My belly went cold and I swallowed. "Simple cut," I told Murphy. "Not too bad."
"Let me see," Thomas said. He examined the injury and said, "Could have been worse. You'll need a stitch or three, Harry."
"No time," I told him. "Help me find something to wrap it up good and tight."
Thomas looked around the concessions area and suggested, "Silly straws?"
I heard an expressive sigh. Charity appeared at the curtained doorway, flipped open a leather case on her sword belt, and tossed Thomas a compact medical kit. He caught it, gave her a nod, and went to work on my hand. Charity stepped back into the hallway, her expression alert. Fix glanced in and then went by the curtained doorway, presumably to the other end of the hall.
"What happened?" I asked Murphy.
"One of those things charged down the hall to jump on your back," she said. "Looked like some kind of mutant baboon. We took it down."
"Nature Red," Thomas mused. "Remember that movie? The one where the retrovirus gets loose in the zoo and starts mutating the animals? Baboon was from there. That cat thing, too."
"Huh," I said. "Yeah."
"I don't get it," Murphy said. "Why do they all look like movie monsters?"
"Fear," I said. "Those images have been a part of this culture for a while now. Over time, they've generated a lot of fear."
"Come on," Murphy said. "I saw Nature Red. It wasn't that scary."
"This is a case of quantity over quality," I said. "Even if it only makes you jump in your chair, there's a little fear. Multiply that by millions. The fetches take the form so that they can tap into a portion of that fear in order to create more of it."