***
Until we can find a regular way to get Jim downstream to stir up a crowd for the showboat, I figure I'll send him ahead with Lightfoot and Chee-a-quat. I'm anxious to try a show out here on the frontier, and Crow Jane says that Maysville might have enough people around there to make up an audience. When I propose that they do this, Lightfoot looks at Chee-a-quat and says, "Wah?" and Chee-a-quat says in return, "Wah!" and Lightfoot and the Indian pick up their rifles and lope off into the woods at an easy gait, with Jim hurrying after them, plainly buoyed by the kiss that Clementine gave him as he set off on his mission.
Chapter 36
Jaimy Fletcher, ex-con
Pittsburgh, Pennsylvania
USA
Jacky,
I was released several days ago, bidding farewell to the Pittsburgh jail and to Mike Fink, who graciously wished me luck in my search for you, saying, "Love her up good, boy, 'fore I come down and mess her up for good and ever. After she's down at the bottom of the river with an anchor chain wrapped 'round her neck, maybe you and me'll bring my boat back upriver. Haul some cargo, buy us a coupl'a fancy ladies, have us a time. Wha'd'ya say, boy?"
After assuring Mike that I would take that under serious consideration and after enduring a manly hug from him that nearly broke several of my ribs, I walked out of the jail a free man and went directly to the General Butler tavern, hoping that Clementine might still be there. Alas, those hopes were dashed when I was informed by the landlady that she had indeed gone, and to where the landlady did not know. Or said she didn't. Molly Murphy handed over the items that Clementine had left for me—the pistol, rifle, bag of sundry items, and three dollars and seventy-five cents.
From her look, I could see that this Molly Murphy had very little use for me. "She also paid for two days' lodging for you," she said, as she slapped down the coins on the counter.
I looked down at the coins. That dear, sweet girl...
"How old are you, Fletcher?" she asked, her arms crossed on her chest and her gaze stern and disapproving.
The question took me aback. "Why, nineteen," I answered. "But why—"
"You nineteen, a grown man with a beard, and that poor girl just fourteen? You ought to be ashamed. Your room's at the top of the stairs," said she, biting the words off short. "You've got today and tomorrow and then I want you out of my place."
With that, she turned her back to me and stalked off.
Her words hit me like a punch in the stomach. Fourteen! Oh, Lord, I now know that I am surely going to spend eternity in Hell.
I did stay those two days at the General Butler in spite of the coldness against me, as I needed to rest and eat some decent food to get my strength up: Mr. Beatty will get out of jail in four days and I intend to be ready. I have kept my beard, for Beatty's partner, McCoy, has been hanging about town, waiting for his release, and I did not want to be recognized as their former prey. I followed him one day to another tavern and stood at the bar near him, having a drink on the generous Clementine, and listened to his conversation with another lowlife. I was gratified to hear that the two brigands still intend to go down to that place called Johnstown, and there's only one road there.
I did make one other purchase with Clementine's money: I found a rusty cavalry saber with scabbard at a secondhand store. It will look ridiculous hanging at the side of a barefoot man wearing overalls, but I don't care. I reflect that there's a lot I don't care about anymore.
I spend a good deal of time sanding the sword clean and sharpening it to a razor's edge. That, and plotting my revenge, for if I am going to be condemned to roast in Hell for my deeds, I intend to have company....
Chapter 37
As soon as we pull into the dock at Maysville, Jim is there to meet us, rocking on his legs, in a state of total exhaustion.
"Missy! They ran all the way! My lungs are about blown out! I'm a sailor, not a damned greyhound! We gotta do this a different way next time. Please, Missy!"
We bring him aboard, and soothing female hands are put to his fevered brow. It turns out that he and his fleet escort have been around to all the farms in the area and spread the word that there would be a show at Maysville landing tonight, one show only, starting at dusk. It also turns out that Lightfoot and Chee-a-quat are capable of running, flat out, for an entire day, and have, in fact, the ability to run down a deer if they have the running room. Poor Jim. We assure him that a different way will be found, and I leave him to the tender murmuring ministrations of Clementine Jukes and go out to supervise the preparations for the evening's show.
Matty and 'Thaniel bring up the boards that attach us to the dock, and after the boards are put down and fastened, the brothers bring up the benches and put them in a rough semicircle, facing the stage area of the Belle of the Golden West. I go down to tune up the Lady Gay and to get into my finery and prepare for the performance.
"I think the blue dress would be just the thing tonight, don't you, Higgins?"
"Yes, Miss. But maybe with your black shawl around your shoulders, as we do not know the nature of the crowd."
The people come trickling in well before the fall of night and sit down quietly, their children on the ground before them. The young people, those in their teens, stand behind their elders, and I notice that many pair off, shyly. All are as silent as the grave. The older people are dressed simply, the men in overalls and the women in shapeless linsey-woolsey dresses. The children wear garments that appear to be made of flour sacks. They make not a sound.
This don't look good, I'm thinkin' as I get ready to go out. There are no signs of enthusiasm or excitement.
Yancy Cantrell strides to center stage. The lanterns have been lit all about him. He throws back his head and shouts out, "And now, ladies and gentlemen, I give you the Toast of Three Continents, Miss Jacky Faber, the Lily of the West!"
With that, I jump out onto center stage and rip out "Mrs. McCloud's Reel," the best I ever played it. From that I go to "Dicey Riley," and end that up with a couple of fancy dance steps. I hear some murmurs of appreciation from the passengers behind me, but from the audience in front of me...
Nothing.
I then pull out my concertina and do "Queer Bungo Rye," a merry little tune and story that never fails to bring the laughs.
Nothing.
I tell some jokes, then do some hornpipes with my pennywhistle, complete with dance steps. I do "The Galway Shawl" without accompaniment, and end that with an elegant curtsy.
Nothing.
Desperate, I try to appeal to the kids. I do "Froggy Went a-Courtin'" and "I'll Tell Me Ma," mugging all the way. The kids look at me wide-eyed, but...
Nothing.
Maybe poetry will help. I try "The Boy Stood on the Burning Deck," the poem about a boy of thirteen on a warship at the Battle of the Nile, who remained at his post even though all others had fled.
There came a burst of thunder sound—
The boy, oh, where was he?
Ask the winds that far around
With fragments strewed the sea!
With mast and helm and pennon fair
That well had borne their part,
But the noblest thing which perished there
Was that young faithful heart.
Now, I have brought pirates, murderers, corsairs, assassins, even, to their knees, blubbering in their beers in ports on three of the Seven Seas, with my rendition of that poem, but here...
Nothing.
I give up. I give the full performance, as I always do, but expect nothing more from it. I round up with "The Parting Glass," and then I dive below, mortified.
I throw myself into a chair and sit there fuming over the worst performance of my life. "They hated it. They just hated it!"
Clementine puts her hand on my arm. "You're wrong, Miss. They loved it. They just don't know how to show it."
I am furious and beyond comforting. I take hold of her arm and snarl, "Don't you try to cozen me, girl! You weren't out there dyin'! You don't—"
Clementine grabs my hand and throws it off her arm and says evenly, "You go to Hell, girl! You think I owe you somethin', but I don't owe you nothin'! I give you some-thin' you ain't never even gonna know about! You can sleep with your own self tonight, you mean thing, you!"
She storms out of our cabin, and she does not come back in. Let her go, I say. I'm sick of this horseshit.
There is silence for a bit, and then Katy says, "She's right, you know. Just wait a bit and you'll see."
They are both right. A little later I am told by Crow Jane that people have been dropping by sacks of vegetables, corn, and other produce. She asks me to come up to see and I do. The townsfolk drop their offerings on the deck and I shamefacedly nod in thanks.
There, in the bucket set out for tips, is a sack, a sack that squirms about. I reach in and pull it out and open the drawstring at its top.
Out pokes a pink little face, the face of a perfect little piglet. It wiggles and squishes its nose against my hand. I am astounded.
"Well, there's tomorrow's dinner, anyway," says Crow Jane.
Chapter 38
James Emerson Fletcher, Highwayman
Pennsylvania, USA
Jacky,
"Stand!" I shouted as the two mounted men rounded the curve in the road. "Stand and deliver, you murdering swine!"
I had left Pittsburgh two days ago and walked down the Frankstown Road till I came to a likely spot—thick woods on each side and a little hillock where I could sit and see the traffic coming either way, and there I did sit for a full day and a half till I finally saw two men on horseback, riding hard, their long riding coats flapping out behind them. It was them.
I positioned myself in the middle of the road, pistol in my left hand and rifle in my right, both fully primed and cocked, so I was ready for them when they rounded the turn.
"Stand be damned!" shouted the man on the left, who I saw was Beatty. They both pulled back hard on the reins, and the horses squealed in fright and reared up above me. I could see both men pulling out weapons from beneath their long coats, and I aimed and fired my pistol. The bullet caught Beatty high on the chest and he spilled backward from the saddle. I sprang back just as McCoy's pistol was fired and I felt the bullet buzz past my cheek like an angry hornet. I lifted my right hand and fired my rifle, but in my haste I missed him as clean as he missed me.
His horse ran by me, but I reversed my rifle in my hand to swing the butt of it at his head with all the fury that was in me. I felt it connect and he tumbled out of the saddle, to thump heavily to the ground.
I drew my sword and stood over him, but even as far as I have fallen from civilized ways, I could not kill him in cold blood.
He rose slowly to his knees and then stood up, glaring at me balefully.
"You the boy from the prison?" he asked, as he drew the sword from his own side. I recognize it as being my old sword, the one they had stolen from me when I was ambushed and left for dead. It will be good to get it back.
"I am Lieutenant James Emerson Fletcher, late of His Majesty's Royal Navy," I said with a slight bow. "I am also the man you waylaid and left for dead up on the Allegheny. I have been schooled in swordmanship since I was fifteen. En garde." I went down into the ready position.
I saw uncertainty in his face at that, but still he snarled, "You look like a goddamned hayseed t' me!" and he raised his sword to take a swing at my head. It was pathetic. I parried it easily and pinked him on his sword arm. When he went to put his hand over the wound, I lunged and put the point of my blade in his belly. When I felt it grate against his backbone, I pulled it back out. He looked shocked, dropped his sword, and then fell to his knees. He held that position for a moment, and then went over on his back.