"We will go over to Eighth Avenue, come uptown that way," says the taxi driver. They turn onto the street, where the traffic has stopped completely. There is a cacophony of horns, but the cars do not move.
The driver sways in his seat. His chin begins to descend to his chest, one, two, three times. Then he begins, gently, to snore. Salim reaches out to wake the man, hoping that he is doing the right thing. As he shakes his shoulder, the driver moves, and Salim's hand brushes the man's face, knocking the sunglasses from his face into his lap.
The taxi driver opens his eyes, reaches for and replaces the black plastic sunglasses, but it is too late. Salim has seen his eyes.
The car crawls forward in the rain. The numbers on the meter increase.
"Are you going to kill me?" asks Salim.
The taxi driver's lips are pressed together. Salim watches his face in the driver's mirror.
"No," says the driver, very quietly.
The car stops again. The rain patters on the roof.
Salim begins to speak. "My grandmother swore that she had seen an ifrit, or perhaps a marid, late one evening, on the edge of the desert. We told her that it was just a sandstorm, a little wind, but she said no, she saw its face, and its eyes, like yours, were burning flames."
The driver smiles, but his eyes are hidden behind the black plastic glasses, and Salim cannot tell whether there is any humor in that smile or not. "The grandmothers came here too," he says.
"Are there many jinn in New York?" asks Salim.
"No. Not many of us."
"There are the angels, and there are men, who Allah made from mud, and then there are the people of the fire, the jinn," says Salim.
"People know nothing about my people here," says the driver. "They think we grant wishes. If I could grant wishes do you think I would be driving a cab?"
"I do not understand."
The taxi driver seems gloomy. Salim stares at his face in the mirror as he speaks, watching the ifrit's dark lips.
"They believe that we grant wishes. Why do they believe that? I sleep in one stinking room in Brooklyn. I drive this taxi for any stinking freak who has the money to ride in it, and for some who don't. I drive them where they need to go, and sometimes they tip me. Sometimes they pay me." His lower lip began to tremble. The ifrit seemed on edge. "One of them shat on the backseat once. I had to clean it before I could take the cab back. How could he do that? I had to clean the wet shit from the seat. Is that right?"
Salim puts out a hand, pats the ifrit's shoulder. He can feel solid flesh through the wool of the sweater. The ifrit raises his hand from the wheel, rests it on Salim's hand for a moment.
Salim thinks of the desert then: red sands blow a dust storm through his thoughts, and the scarlet silks of the tents that surrounded the lost city of Ubar flap and billow through his mind.
They drive up Eighth Avenue.
"The old believe. They do not piss into holes, because the Prophet told them that jinn live in holes. They know that the angels throw flaming stars at us when we try to listen to their conversations. But even for the old, when they come to this country we are very, very far away. Back there, I did not have to drive a cab."
"I am sorry," says Salim.
"It is a bad time," says the driver. "A storm is coming. It scares me. I would do anything to get away."
The two of them say nothing more on their way back to the hotel.
When Salim gets out of the cab he gives the ifrit a twenty-dollar bill, tells him to keep the change. Then, with a sudden burst of courage, he tells him his room number. The taxi driver says nothing in reply. A young woman clambers into the back of the cab, and it pulls out into the cold and the rain.
Six o'clock in the evening. Salim has not yet written the fax to his brother-in-law. He goes out into the rain, buys himself this night's kabob and french fries. It has only been a week, but he feels that he is becoming heavier, rounder, softening in this country of New York.
When he comes back to the hotel he is surprised to see the taxi driver standing in the lobby, hands deep in his pockets. He is staring at a display of black-and-white postcards. When he sees Salim he smiles, self-consciously. "I called your room," he says, "but there was no answer. So I thought I would wait."
Salim smiles also, and touches the man's arm. "I am here," he says.
Together they enter the dim, green-lit elevator, ascend to the fifth floor holding hands. The ifrit asks if he may use Salim's bathroom. "I feel very dirty," he says. Salim nods. He sits on the bed, which fills most of the small white room, and listens to the sound of the shower running. Salim takes off his shoes, his socks, and then the rest of his clothes.
The taxi driver comes out of the shower, wet, with a towel wrapped about his midsection. He is not wearing his sunglasses, and in the dim room his eyes burn with scarlet flames.
Salim blinks back tears. "I wish you could see what I see," he says.
"I do not grant wishes," whispers the ifrit, dropping his towel and pushing Salim gently, but irresistibly, down onto the bed.
It is an hour or more before the ifrit comes, thrusting and grinding into Salim's mouth. Salim has already come twice in this time. The jinn's sem*n tastes strange, fiery, and it burns Salim's throat.
Salim goes to the bathroom, washes out his mouth. When he returns to the bedroom the taxi driver is already asleep in the white bed, snoring peacefully. Salim climbs into the bed beside him, cuddles close to the ifrit, imagining the desert on his skin.
As he starts to fall asleep he realizes that he still has not written his fax to Fuad, and he feels guilty. Deep inside he feels empty and alone: he reaches out, rests his hand on the ifrit's tumescent c*ck and, comforted, he sleeps. They wake in the small hours, moving against each other, and they make love again. At one point Salim realizes that he is crying, and the ifrit is kissing away his tears with burning lips. "What is your name?" Salim asks the taxi driver.
"There is a name on my driving permit, but it is not mine," the ifrit says.
Afterward, Salim could not remember where the sex had stopped and the dreams began.
When Salim wakes, the cold sun creeping into the white room, he is alone.
Also, he discovers, his sample case is gone, all the bottles and rings and souvenir copper flashlights, all gone, along with his suitcase, his wallet, his passport, and his air tickets back to Oman.
He finds a pair of jeans, the T-shirt, and the dust-colored woolen sweater discarded on the floor. Beneath them he finds a driver's license in the name of Ibrahim bin Irem, a taxi permit in the same name, and a ring of keys with an address written on a piece of paper attached to them in English. The photographs on the license and the permit do not look much like Salim, but then, they did not look much like the ifrit.
The telephone rings: it is the front desk calling to point out that Salim has already checked out and his guest needs to leave soon so that they can service the room, to get it ready for another occupant.
"I do not grant wishes," says Salim, tasting the way the words shape themselves in his mouth.
He feels strangely light-headed as he dresses.
New York is very simple: the avenues run north to south, the streets run west to east. How hard can it be? he asks himself.
He tosses the car keys into the air and catches them. Then he puts on the black plastic sunglasses he found in the pockets, and leaves the hotel room to go and look for his cab.
Chapter Eight
He said the dead had souls, but when I asked him
How that could be-I thought the dead were souls,
he broke my trance. Don't that make you suspicious
That there's something the dead are keeping back?
Yes, there's something the dead are keeping back.
-Robert Frost, "Two Witches"
The week before Christmas is often a quiet one in a funeral parlor, Shadow learned, over supper. They were sitting in a small restaurant, two blocks from Ibis and Jacquel's Funeral Parlor. Shadow's meal consisted of an all-day full breakfast-it came with hush puppies-while Mr. Ibis picked and pecked at a slice of coffee cake. Mr. Ibis explained it to him. "The lingering ones are holding on for one final Christmas," said Mr. Ibis, "or even for New Year's, while the others, the ones for whom other people's jollity and celebration will prove too painful, have not yet been tipped over the edge by that last showing of It's a Wonderful Life, have not quite encountered the final straw, or should I say, the final sprig of holly that breaks not the camel's but the reindeer's back." And he made a little noise as he said it, half smirk, half snort, which suggested that he had just uttered a well-honed phrase of which he was particularly fond.
Ibis and Jacquel was a small, family-owned funeral home: one of the last truly independent funeral homes in the area, or so Mr. Ibis maintained. "Most fields of human merchandising value nationwide brand identities," he said. Mr. Ibis spoke in explanations: a gentle, earnest lecturing that put Shadow in mind of a college professor who used to work out at the Muscle Farm and who could not talk, could only discourse, expound, explain. Shadow had figured out within the first few minutes of meeting Mr. Ibis that his expected part in any conversation with the funeral director was to say as little as possible. "This, I believe, is because people like to know what they are getting ahead of time. Thus, McDonald's, Wal-Mart, F. W. Woolworth (of blessed memory): store brands maintained and visible across the entire country. Wherever you go, you will get something that is, with small regional variations, the same.
"In the field of funeral homes, however, things are, perforce, different. You need to feel that you are getting smalltown personal service from someone who has a calling to the profession. You want personal attention to you and your loved one in a time of great loss. You wish to know that your grief is happening on a local level, not on a national one. But in all branches of industry-and death is an industry, my young friend, make no mistake about that-one makes one's money from operating in bulk, from buying in quantity, from centralizing one's operations. It's not pretty, but it's true. Trouble is, no one wants to know that their loved ones are traveling in a cooler-van to some big old converted warehouse where they may have twenty, fifty, a hundred cadavers on the go. No, sir. Folks want to think they're going to a family concern, somewhere they'll be treated with respect by someone who'll tip his hat to them if he sees them in the street."
Mr. Ibis wore a hat. It was a sober brown hat that matched his sober brown blazer and his sober brown face. Small gold-rimmed glasses perched on his nose. In Shadow's memory Mr. Ibis was a short man; whenever he would stand beside him, Shadow would rediscover that Mr. Ibis was well over six feet in height, with a cranelike stoop. Sitting opposite him now, across the shiny red table, Shadow found himself staring into the man's face.
"So when the big companies come in they buy the name of the company, they pay the funeral directors to stay on, they create the apparency of diversity. But that is merely the tip of the gravestone. In reality, they are as local as Burger King. Now, for our own reasons, we are truly an independent. We do all our own embalming, and it's the finest embalming in the country, although nobody knows it but us. We don't do cremations, though. We could make more money if we had our own crematorium, but it goes against what we're good at. What my business partner says is, if the Lord gives you a talent or a skill, you have an obligation to use it as best you can. Don't you agree?"