"No," said Shadow.
"Less than twenty," she said. "There's over five thousand people live in and around this town. We may not be rich, but everyone's working. It's not like the mining towns up in the northeast-most of them are ghost towns now. There were farming towns that were killed by the falling cost of milk, or the low price of hogs. You know what the biggest cause of unnatural death is among farmers in the Midwest?"
"Suicide?" Shadow hazarded.
She looked almost disappointed. "Yeah. That's it. They kill themselves." She shook her head. Then she continued, "There are too many towns hereabouts that only exist for the hunters and the vacationers, towns that just take their money and send them home with their trophies and their bug bites. Then there are the company towns, where everything's just hunky-dory until Wal-Mart relocates their distribution center or 3M stops manufacturing CD cases there or whatever and suddenly there's a boatload of folks who can't pay their mortgages. I'm sorry, I didn't catch your name."
"Ainsel," said Shadow. "Mike Ainsel." The beer he was drinking was a local brew, made with spring water. It was good.
"I'm Gallic Knopf," she said. "Dolly's sister." Her face was still ruddy from the cold. "So what I'm saying is that Lakeside's lucky. We've got a little of everything here-farm, light industry, tourism, crafts. Good schools."
Shadow looked at her in puzzlement. There was something empty at the bottom of all her words. It was as if he were listening to a salesman, a good salesman, who believed in his product, but still wanted to make sure you went home with all the brushes or the full set of encyclopedias. Perhaps she could see it in his face. She said "I'm sorry. When you love something you just don't want to stop talking about it. What do you do, Mister Ainsel?"
"My uncle buys and sells antiques all over the country. He uses me to move big, heavy things. It's a good job, but not steady work." A black cat, the bar mascot, wound between Shadow's legs, rubbing its forehead with his boot. It leapt up beside him onto the bench and went to sleep.
"At least you get to travel," said Brogan. "You do anything else?"
"You got eight quarters on you?" asked Shadow. Brogan fumbled for his change. He found five quarters, pushed them across the table to Shadow. Gallic Knopf produced another three quarters.
He laid out the coins, four in each row. Then, with scarcely a fumble, he did the Coins Through the Table, appearing to drop half the coins through the wood of the table, from his left hand into his right.
After that, he took all eight coins in his right hand, an empty water glass in his left, covered the glass with a napkin and appeared to make the coins vanish one by one from his right hand and land in the glass beneath the napkin with an audible clink. Finally he opened his right hand to show it was empty, then swept the napkin away to show the coins in the glass.
He returned their coins-three to Gallic, five to Brogan-then took a quarter back from Brogan's hand, leaving four coins. He blew on it, and it was a penny, which he gave to Brogan, who counted his quarters and was dumbfounded to find that he still had all five in his hand.
"You're a Houdini," cackled Hinzelmann in delight. "That's what you are!"
"Just an amateur," said Shadow. "I've got a long way to go." Still, he felt a whisper of pride. They had been his first adult audience.
He stopped at the food store on the way home to buy a carton of milk. The ginger-haired girl at the checkout counter looked familiar, and her eyes were red-rimmed from crying. Her face was one big freckle.
"I know you," said Shadow. "You're-" and he was about to say the Alka-Seltzer girl, but bit it back and finished, "you're Alison's friend. From the bus. I hope she's going to be okay."
She sniffed and nodded. "Me too." She blew her nose on a tissue, hard, and pushed it back into her sleeve.
Her badge said Hi! I'M SOPHIE! ASK ME HOW YOU CAN LOSE 20 LBS. IN 30 DAYS!
"I spent today looking for her. No luck yet."
Sophie nodded, blinked back tears. She waved the milk carton in front of a scanner and it chirped its price at them. Shadow passed her two dollars.
"I'm leaving this f**king town," said the girl in a sudden, choked voice. "I'm going to live with my mom in Ashland. Alison's gone. Sandy Olsen went last year. Jo Ming the year before that. What if it's me next year?"
"I thought Sandy Olsen was taken by his father."
"Yes," said the girl, bitterly. "I'm sure he was. And Jo Ming went out to California, and Sarah Lindquist got lost on a trail hike and they never found her. Whatever. I want to go to Ashland."
She took a deep breath and held it for a moment. Then, unexpectedly, she smiled at him. There was nothing insincere about that smile. It was just, he guessed, that she had been told to smile when she gave somebody change. She told him to have a nice day. Then she turned to the woman with the full shopping cart behind him and began to unload and scan.
Shadow took his milk and drove away, past the gas station and the klunker on the ice, and over the bridge and home.
Coming to America
1778
There was a girl, and her uncle sold her, wrote Mr. Ibis in his perfect copperplate handwriting.
That is the tale; the rest is detail.
There are accounts that, if we open our hearts to them, will cut us too deeply. Look-here is a good man, good by his own lights and the lights of his friends: He is faithful and true to his wife, he adores and lavishes attention on his little children, he cares about his country, he does his job punctiliously, as best he can. So, efficiently and good-naturedly, he exterminates Jews: he appreciates the music that plays in the background to pacify them; he advises the Jews not to forget their identification numbers as they go into the showers-many people, he tells them, forget their numbers, and take the wrong clothes when they come out of the showers. This calms the Jews. There will be life, they assure themselves, after the showers. Our man supervises the detail taking the bodies to the ovens; and if there is anything he feels bad about, it is that he still allows the gassing of vermin to affect him. Were he a truly good man, he knows, he would feel nothing but joy as the earth is cleansed of its pests.
There was a girl, and her uncle sold her. Put like that it seems so simple.
No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes-forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'd mistake one for another, after a minute's close inspection), but still unique.
Without individuals we see only numbers: a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people-but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?
We draw our lines around these moments of pain, and remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.
A life that is, like any other, unlike any other.
And the simple truth is this: There was a girl and her uncle sold her.
This is what they used to say, where the girl came from: no man may be certain who fathered a child, but the mother, ah, that you could be certain of. Lineage and property was something that moved in the matrilineal line, but power remained in the hands of the men: a man had complete ownership of his sister's children.
There was a war in that place, and it was a small war, no more than a skirmish between the men of two rival villages. It was almost an argument. One village won the argument, one village lost it.
Life as a commodity, people as possessions. Enslavement had been part of the culture of those parts for thousands of years. The Arab slavers had destroyed the last of the great kingdoms of East Africa, while the West African nations had destroyed each other.
There was nothing untoward or unusual about their uncle selling the twins, although twins were considered magical beings, and their uncle was scared of them, scared enough that he did not tell them that they were to be sold in case they harmed his shadow and killed him. They were twelve years old. She was called Wututu, the messenger bird, he was called Agasu, the name of a dead king. They were healthy children, and, because they were twins, male and female, they were told many things about the gods, and because they were twins they listened to the things that they were told, and they remembered.
Their uncle was a fat and lazy man. If he had owned more cattle, perhaps he would have given up one of his cattle instead of the children, but he did not. He sold the twins. Enough of him: he shall not enter further into this narrative. We follow the twins.
They were marched, with several other slaves taken or sold in the war, for a dozen miles to a small outpost. Here they were traded, and the twins, along with thirteen others, were bought by six men with spears and knives who marched them to the west, toward the sea, and then for many miles along the coast. There were fifteen slaves now altogether, their hands loosely bound, tied neck to neck.
Wututu asked her brother Agasu what would happen to them.
"I do not know," he said. Agasu was a boy who smiled often: his teeth were white and perfect, and he showed them as he grinned, his happy smiles making Wututu happy in her turn. He was not smiling now. Instead he tried to show bravery for his sister, his head back and shoulders spread, as proud, as menacing, as comical as a puppy with its hackles raised.
The man in the line behind Wututu, his cheeks scarred, said, "They will sell us to the white devils, who will take us to their home across the water."
"And what will they do to us there?" demanded Wututu.
The man said nothing.
"Well?" asked Wututu. Agasu tried to dart a glance over his shoulder. They were not allowed to talk or sing as they walked.
"It is possible they will eat us," said the man. "That is what I have been told. That is why they need so many slaves. It is because they are always hungry."