“What are you talking about?” Sadie’s eyeing me disdainfully. “How can a telephone be in an earring? It sounds like a riddle.”
“I don’t know. Don’t you start quizzing me too.” I prod an oyster with little enthusiasm.
“Do you really not know how to eat an oyster?”
“Never eaten one before in my life.”
Sadie shakes her head disapprovingly. “Pick up your fork. The shellfish fork. Go on!” Casting her a suspicious look, I do as she says. “Ease it around, make sure it’s detached from the shell… Now give it a squeeze of lemon and pick it up. Like this.” She mimes picking up an oyster, and I copy. “Head back and swallow the whole thing. Bottoms up!”
It’s like swallowing a piece of jellified sea. Somehow I manage to slurp down the whole thing, grab my glass, and take a swig of champagne.
“You see?” Sadie is watching me greedily. “Isn’t that too delicious?”
“’s OK,” I say reluctantly. I put my glass down and survey her silently for a moment. She’s reclining on the chair as though she owns the place, one arm flung to the side, her beaded bag dangling down.
She’s all in my head, I tell myself. My subconscious has invented her.
Except… my subconscious doesn’t know how to eat an oyster. Does it?
“What is it?” She juts out her chin. “Why are you looking at me like that?”
My brain is edging very slowly to a conclusion. To the only possible conclusion.
“You’re a ghost, aren’t you?” I say at last. “You’re not a hallucination. You’re a proper, real-live ghost.”
Sadie gives a remote shrug, as though she’s really not interested in this conversation.
“Aren’t you?”
Again, Sadie doesn’t reply. Her head is tilted and she’s examining her fingernails. Maybe she doesn’t want to be a ghost. Well, too bad. She is.
“You are a ghost. I know you are. So, what, am I psychic?”
My head is prickling all over as this revelation hits me. I feel a bit shivery. I can talk to the dead. Me, Lara Lington. I always knew there was something different about me.
Think of the implications. Think what this means! Maybe I’ll start talking to more ghosts. Lots of ghosts. Oh my God, I could have my own TV show. I could go around the world. I could be famous! I have a sudden vision of myself on a stage, channeling spirits while an audience watches avidly. With a surge of excitement, I lean across the table.
“Do you know any other dead people you could introduce me to?”
“No.” Sadie folds her arms crossly. “I don’t.”
“Have you met Marilyn Monroe? Or Elvis? Or… or Princess Diana? What’s she like? Or Mozart!” I feel almost dizzy as possibilities pile into my head. “This is mind-blowing. You have to describe it! You have to tell me what it’s like … there.”
“Where?” Sadie tosses her chin.
“There . You know…”
“I haven’t been anywhere.” She glares at me. “I haven’t met anybody. I wake up and it’s as though I’m in a dream. A very bad dream. Because all I want is my necklace, but the only person who can understand me refuses to help me!” She looks so accusing, I feel a surge of indignation.
“Well, maybe if you didn’t come along and ruin everything, that person might want to help you. Did you think of that?”
“I didn’t ruin everything!”
“Yes, you did!”
“I taught you how to eat an oyster, didn’t I?”
“I didn’t want to know how to eat a bloody oyster! I wanted my candidate not to walk out!”
For a moment, Sadie looks cornered-then her chin juts out again. “I didn’t know he was your candidate. I thought he was your lover.”
“Well, my business is probably sunk now. And I can’t afford any of this stupid food. It’s all a disaster and it’s all your fault.”
Morosely, I reach for another oyster and start poking at it with my fork. Then I glance at Sadie. All her spirit seems to have evaporated, and she’s hugging her knees with that droopy-headed-flower look. She meets my eyes, then drops her head down again.
“I’m sorry.” Her voice is barely above a whisper. “I apologize for causing you so much trouble. If I could communicate with anyone else, I would do so.”
Now, of course, I feel bad.
“Look,” I begin. “It’s not that I don’t want to help-”
“It’s my final wish.” As Sadie looks up, her eyes are dark and velvety and her mouth is in a sad little O shape. “It’s my only wish. I don’t want anything else; I won’t ask you for anything else. Just my necklace. I can’t rest without it. I can’t-” She breaks off and looks away as though she can’t finish the sentence. Or doesn’t want to finish it, maybe.
I can tell this is a bit of a sensitive area. But I’m too intrigued to let it go.
“When you say you ‘can’t rest’ without your necklace,” I venture delicately, “do you mean rest as in sit down and feel relaxed? Or do you mean rest as in pass on to … there?” I catch her stony gaze and amend hastily, “I mean, the Other… I mean, the Better… I mean, the After- ” I rub my nose, feeling hot and bothered.
God, this is a minefield. How am I supposed to put it? What’s the politically correct phrase, anyway?
“So… how does it work, exactly?” I try a different tack.