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Written in My Own Heart's Blood (Outlander #8) Page 34
Author: Diana Gabaldon

A high, clear voice, raised in question. An English voice, and not common. He strained to hear but couldn’t make out the words. He wished she’d laugh again.

If it was Dottie . . . he breathed deep, trying to think. He couldn’t call out to her; he’d felt the avid hostility directed at him from every man in camp—letting the relationship be known would be dangerous for her and Denzell, both, and certainly wouldn’t help Grey. And yet he had to risk it—they’d move him in the morning.

Out of sheer inability to think of anything better, he sat up on the cot and began to sing “Die Sommernacht.” Quietly at first, but gathering strength and volume. As he hit “In den Kulungen wehn” at the top of his very resonant tenor voice, Smith sat up like a jack-in-the-box and said, “What?” in tones of utter amazement.

“So umschatten mich Gedanken an das Grab

Meiner Geliebten, und ich seh’ im Walde

Nur es dämmern, und es weht mir

Von der Blüte nicht her.”

Grey went on, reducing his volume somewhat. He didn’t want Dottie—if it was Dottie—coming to look, only to let her know he was here. He’d taught her this lied when she was fourteen; she sang it often at musicales.

“Ich genoß einst, o ihr Toten, es mit euch!

Wie umwehten uns der Duft und die Kühlung,

Wie verschönt warst von dem Monde,

Du, o schöne Natur!”

He stopped, coughed a little, and spoke into the marked silence before him, slurring his words a bit, as though still drunk. In fact, he discovered, he was.

“Might I have some water, Colonel?”

“Will you sing anymore if I give it to you?” Smith asked, deeply suspicious.

“No, I think I’m finished now,” Grey assured him. “Couldn’ sleep, you know—too much to drink—but I find a song settles the mind rem-remarkably.”

“Oh, does it?” Smith breathed heavily for a moment, but clambered to his feet and fetched the ewer from his basin. Grey could feel him repressing an urge to douse his prisoner with the contents, but Smith was a man of strong character and merely held the pitcher for him to drink, then put it back and resumed his own bed with no more than a few irritable snorts.

The lied had caused some comment in the camp, and a few musical souls took it as inspiration and began singing everything from “Greensleeves”—a very poignant and tender rendition—to “Chester.” Grey quite enjoyed the singing, though it was only by exercise of his own strong character that he refrained from shaking his fetters at the end of:

“Let tyrants shake their iron rods. And slavery clank her galling chains.”

They were still singing when he fell asleep again, to dream in anxious fragments, the fumes of applejack drifting through the hollow spaces of his head.

Number 17 Chestnut Street

THE BELL OF the Presbyterian church struck midnight, but the city wasn’t sleeping. The sounds were more furtive now, muffled by darkness, but the streets were still alive with hurrying feet and the sound of moving wagons—and, in the far distance, I heard a faint cry of “Fire!” being raised.

I stood by the open window, sniffing the air for smoke and watching out for any sign of flames that might spread in our direction. I wasn’t aware of Philadelphia having ever burned to the ground like London or Chicago, but a fire that merely engulfed the neighborhood would be just as bad from my point of view.

There was no wind at all; that was something. The summer air hung heavy, damp as a sponge. I waited for a bit, but the cries stopped, and I saw no red glimmer of flames against the half-clouded sky. No trace of fire save the cool green sparks of fireflies, drifting among the shadowed leaves in the front garden.

I stood for a bit, letting my shoulders slump, letting go of my half-formed plans for emergency evacuation. I was exhausted but unable to sleep. Beyond the need to keep an eye on my unsettled patient, and the unsettled atmosphere beyond the quiet room, I was most unsettled in myself. I’d been listening all day, constantly on the alert for a familiar footstep, the sound of Jamie’s voice. But he hadn’t come.

What if he had learned from John that I had shared his bed on that one drunken evening? Would the shock of that, given without preparation or suitable explanation, be enough to have made him run away—for good?

I felt sudden tears come to my eyes and shut them, hard, to stem the flow, gripping the sill with both hands.

Don’t be ridiculous. He’ll come as soon as he can, no matter what. You know he will. I did know. But the shocked joy of seeing him alive had wakened nerves that had been numb for a long time, and while I might seem calm externally, on the inside my emotions were at a rolling boil. The steam was building up, and I had no way to release the pressure—save pointless tears, and I wouldn’t give way to those.

For one thing, I might not be able to stop. I pressed the sleeve of my dressing gown briefly to my eyes, then turned back resolutely into the darkness of the room.

A small brazier burned near the bed under a tented wet cloth, casting a flickering red glow on Pardloe’s sharp-cut features. He was breathing with an audible rasp and I could hear his lungs rattle with each exhalation, but it was a deep breathing, and regular. It occurred to me that I might not have been able to smell the smoke of a fire outside, had there been one: the atmosphere in the room was thick with oil of peppermint, eucalyptus . . . and cannabis. Despite the wet cloth, enough smoke had escaped the brazier to form a hanging cloud of purling wisps, moving pale as ghosts in the darkened air.

I sprinkled more water on the muslin tent and sat down in the small armchair beside the bed, breathing the saturated atmosphere in cautiously but with an agreeable small sense of illicit pleasure. Hal had told me that he was in the habit of smoking hemp to relax his lungs and that it seemed to be effective. He’d said “hemp,” and that was undoubtedly what he’d been smoking; the psychoactive form of the plant didn’t grow in England and wasn’t commonly imported.

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Diana Gabaldon's Novels
» Written in My Own Heart's Blood (Outlander #8)
» An Echo in the Bone (Outlander #7)
» A Breath of Snow and Ashes (Outlander #6)
» Drums of Autumn (Outlander #4)
» Dragonfly in Amber (Outlander #2)
» Voyager (Outlander #3)
» A Trail of Fire (Lord John Grey #3.5)
» Outlander (Outlander #1)
» The Fiery Cross (Outlander #5)
» The Custom of the Army (Lord John Grey #2.75)
» A Plague of Zombies