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Good For You (Between the Lines #3) Page 43
Author: Tammara Webber

As I turn, I’m scrambling for a rational argument for why she can’t cancel on me.

“Are we stil —?” she begins, stopping mid-sentence when I face her.

“Yeah. Of course.” The tone of my voice says I’d maybe

“Yeah. Of course.” The tone of my voice says I’d maybe forgotten the whole thing, when in actuality I’m relieved and switching gears. “Seven okay?” I step closer, look down into her upturned face. The day outside is overcast, darkening the hal way, so I can barely distinguish her pupils from the deep brown of her irises. She glances at the cup in her hand, and I note the thickness of her lashes, long and straight as they feather across the tops of her cheeks, framing her eyes as she looks back up at me.

“Seven’s good. How… should I dress?”

I consider her experience with church and school functions, the strict views of proper and inappropriate, dressing up or dressing down. With the exceptions of filming and my recent court appearance, I wear whatever I want, because I just don’t give a shit. Respect should be reserved for the person, not the outfit.

For my last photo shoot, they put me on a float in a chlorinated pool wearing a Gucci suit, reclining, one pant leg dangling into the water. The suit, worth thousands, was thoroughly ruined by the half-an-hour soak in pool chemicals. Contrast this with the fact that I regularly walk into jacket-and-tie-only restaurants wearing jeans and a tshirt. No one ever says anything other than Right this way, Mr. Alexander. I suspect this is one aspect of celebrity Dori would appreciate.

“Dress however you want,” I tel her. “Just be comfortable.”

*** *** ***

Dori

Dress however I want? What does that mean?

I’ve never been too caught up in fashion beyond fol owing whatever social constraints were in place—a modest dress or skirt at church, modest jeans and t-shirts for school. Modest is the adjective most likely to describe any piece of clothing I own, unless blah can be used as an adjective. Not that I want to wear anything provocative to go to dinner with Reid. But I don’t particularly want to look like a street person, either. Photographers fol ow him everywhere. I shouldn’t care, but I do, a little. So on Sunday night, when I surveyed the garments hanging in my closet and stuffed into the armoire I inherited from my grandmother, I felt genuine fear. If I knew his phone number, I’d have texted him right then and canceled.

Now he’s tel ing me to dress comfortably—however I want. And I seriously have no idea what he means by that.

What was I thinking, agreeing to this? When I told Deb, she sighed heavily. “Be careful, baby girl. Forget comfortable—

wear something with a padlock. And leave the key at home.”

I laughed half-heartedly. No one could see through me like Deb, even from hundreds of miles away. “Yeah. I know.” I could cal Aimee and Kayla, but they would hyperventilate at the thought of Reid Alexander taking me to dinner. They would also insist on performing an emergency head-to-toe makeover, and that is not happening. This is not a date. This is just dinner.

Just. Dinner.

***

I’m staring into my closet again, and predictably, nothing has magical y appeared since I looked two nights ago. I’m obsessing and I know it. I tel myself to choose something already and put it on. He doesn’t care what I wear.

I yank a dress off of a hanger and pul it over my head, and then search through unlabeled shoe boxes for the heeled sandals I wore to graduation. I usual y wear flats with dresses, because if I’m wearing a dress, there’s a 99%

chance I’m at church, and if I’m at church, I’m helping with anything from nursery duty to passing out Sunday service bul etins. Plus heels aren’t the most comfortable footwear ever invented. After my interminable graduation ceremony, I whined to Mom that enduring a few hours in those things gave me newfound sympathy for those unfortunate Chinese girls with the bound feet. She laughed, said, “Welcome to womanhood,” and gave me a foot massage. I haven’t worn them since, which means they’re stil new and are going to pinch the fudge out of my toes.

I move to the mirror and check my reflection.

Unsurprisingly, the plain black sleeveless sheath hasn’t turned me into a hottie, even with the strappy black heels.

The most praise I could give myself is that this is an improvement over my usual grungy construction worker look. I hope.

I stuff my cel , lip gloss, and my license into the tiny designer knockoff wal et-on-a-strap that Aimee and Kayla brought me from their trip to New York last summer. I usual y carry an enormous canvas bag that holds everything from ibuprofen to a smal pack of crayons, and if necessary, a change of clothes. Dad cal s it my Mary Poppins satchel and amuses himself by asking me if I happen to have a hat rack handy. A guy at school once told people I kept a sleeping bag in there, which is idiotic and I can’t fathom why anyone believed him, but a few people actual y did.

I haven’t told Mom and Dad what I’m doing tonight yet.

I’m not sure why I haven’t told them. I’m not afraid they’l forbid me from going—as far as they know, there are no irresponsible deeds in my past, so why would there be any in my future? Not that going to dinner with Reid is irresponsible. Odd, maybe. I look in the mirror one last time before I go downstairs. This is far from the partying outfit some starlet or society girl would wear out, but it’s equal y far from anything I’d typical y wear.

When my heels strike the worn wood floor at the foot of the stairs, Esther trots around the corner and stops feet from me, ears pricked up, head tilted. Great. My outfit confuses my dog. This doesn’t bode wel for my parents’

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Tammara Webber's Novels
» Sweet (Contours of the Heart #3)
» Breakable (Contours of the Heart #2)
» Easy (Contours of the Heart #1)
» Here Without You (Between the Lines #4)
» Good For You (Between the Lines #3)
» Where You Are (Between the Lines #2)
» Between the Lines (Between the Lines #1)