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Good For You (Between the Lines #3) Page 68
Author: Tammara Webber

“I’m going out. I won’t be late.”

He nods, looks back to the screen. “Tel Kayla and Aimee hel o.”

For a moment, I don’t correct him, and then I shake myself internal y. There’s no reason to omit the truth of what I’m doing. “Actual y, I’m seeing Reid.”

His eyes snap up and he frowns—not angry, but baffled.

“Reid Alexander?”

I rarely mention Reid to anyone, but when I do, his surname is always tacked on in return, as though he can’t ever just be Reid. He’s something bigger and more sensational than that, not to be described on a first name basis like some guy from school. “He’s the only Reid I know, Dad.”

His head tilts to the side. “Why are you seeing him?” He doesn’t know I saw Reid last weekend, of course. (I let Kayla and Aimee believe I left the club with a stranger, for which they lectured me severely… and then pumped me for details due to the Versace top, Coach flip-flops and opaque-windowed, chauffeur-driven Mercedes.) I scramble for a sensible answer. “I think he’s, uh, investigating charity organizations for possible contributions and wanted my input.” This could be true. “You know how people with money are.”

“Not real y,” he says.

The doorbel rings and Esther takes up her post at the door, barking. “Me neither, I guess.” I laugh nervously as I turn to go, my guilt-ridden brain summoning the stunning house and the uniformed maids and the overpriced flip-flops in my closet and the neatly folded designer clothes stowing away in my Mary Poppins bag.

The last time I saw Reid on my front porch, I hadn’t yet made my third trip to Quito. Deb was about to get engaged.

I was on the cusp of starting col ege. And I thought I’d never see him again after that night.

He’s wearing jeans and a button-down shirt the color of dark plums, the kind I eat with salt—a habit Deb instil ed in me when I was young and mirrored anything she did. His sleeves are rol ed to his elbows, the shirt is pressed but untucked. His dark blue eyes sweep over me once, quickly, moving to Esther, who growls. “Esther,” I admonish her, but not harshly, and not without stroking a hand over the back of her head. We’ve been too close for too long for me to reprimand her protective behavior.

Reid squats down eye-to-eye with Esther and offers the back of his hand. She looks to me for reassurance that he’s not dangerous and I place a hand on his shoulder to prove it. “It’s okay, Esther. He won’t hurt me.” She sniffs his hand lightly and then raises her nose with a sort of haughty air, eyeing him with lingering suspicion as a hazy memory emerges from my subconscious—Reid carrying me up the staircase in his house, whispering something my brain refuses to translate now.

When he glances up, I’m staring at him. I’m sure my puzzled expression is odd; he’s accustomed to wistful expressions directed his way from most women, and irked expressions from me. I turn and grab the Mary Poppins from the coatrack, severing the connection.

“That is one ginormous bag,” he says. “Are we shoplifting? Heading to the Hamptons? Hiding a body?” I elbow him lightly in the side (holy Moses, I forgot he’s solid everywhere) and precede him out the front door after scratching Esther behind the ears and tel ing her I’l be back.

Our lunch-dinner consists of sandwiches from a tiny hole-in-the-wal place where they slice the roast beef thick, toast the hard rol , add whatever you’d like, wrap it in butcher paper, and send you on your way, because there’s no space for tables or standing around. Across the street, we find a semi-secluded park bench and talk about filming in Vancouver and my col ege deferral until we finish eating, and then we strol around an upscale row of shops where a pair of socks would be at the upper limit of my budget.

“Uh-oh,” Reid murmurs. I fol ow his line of sight to a guy hiding not-so-discreetly behind a mailbox, an unmistakable camera lens trained on the two of us. “Just ignore him. They usual y don’t approach if they’re alone.” Taking my elbow, he turns to pretend interest in a store window, pul ing out his phone and cal ing Luis, who picks us up on the next corner two minutes later.

***

It’s Sunday before the photos are posted and speculations begin. There’d been no PDA, nothing that could be misconstrued by a sane person. But I’m learning how tabloids work. Scandal sel s. The hand on my elbow is taken out of context, along with the way I seem to lean close while laughing at something he said while we were eating.

That photographer had been watching us long before we saw him.

It didn’t take long for someone to match the girl spending a Thursday evening with Reid Alexander to the girl from Habitat who fel on top of him in the back yard last summer.

I suppose it was a simple task to get my name at that point and even easier to begin the conjecture about the length and intensity of our hidden romance and/or friends-with-benefits relationship, because of course it must be one of these.

I get cal s and texts from Kayla and Aimee, as wel as various other people I barely know or don’t know at al .

Reporters and photographers are camping out in front of our house and fol owing me anywhere I go.

Reid cal s to apologize, but I wave it off. “I’l live. At least Reid cal s to apologize, but I wave it off. “I’l live. At least there aren’t any photos of me tackling you this time.” He laughs. “In that case, what about doing something this weekend? We could see what’s playing at the revival theatre, if you’re interested. I think they’re showing The Dead. Have you seen it?”

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Tammara Webber's Novels
» Sweet (Contours of the Heart #3)
» Breakable (Contours of the Heart #2)
» Easy (Contours of the Heart #1)
» Here Without You (Between the Lines #4)
» Good For You (Between the Lines #3)
» Where You Are (Between the Lines #2)
» Between the Lines (Between the Lines #1)