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Night Whispers (Second Opportunities #3) Page 2
Author: Judith McNaught

"Your teacher was being very kind," Sloan said as she picked up the kite string lying on the grass and began winding it into a spool on her fingers. Emma's mother had been another classmate of Sloan's, and as she glanced from Kenny to Emma, Sloan couldn't decide which child was more adorable. She'd gone to school with most of these children's parents, and as she smiled at the circle of small faces, she saw poignant reminders of former classmates in the fascinated faces looking back at her.

Surrounded by the offspring of her classmates and friends, Sloan felt a sharp pang of longing for a child of her own. In the last year, this desire for a little boy or little girl of her own to hold and love and take to school had grown from a wish to a need, and it was gaining strength with alarming speed and force. She wanted a little Emma or a little Kenny of her own to cuddle and love and teach. Unfortunately her desire to surrender her life to a husband had not increased at all. Just the opposite, in fact.

The other children were eyeing Sloan with open awe, but Butch Ingersoll was determined not to be impressed. His father and his grandfather had been high school football stars. At six years old, Butch not only had their stocky build, but had also inherited their square chin and macho swagger. His grandfather was the chief of police and Sloan's boss. He stuck out his chin in a way that forcibly reminded Sloan of Chief Ingersoll. "My grandpa said any cop could have rescued that little kid, just like you did, but the TV guys made a big deal out of it 'cause you're a girl cop."

A week before, Sloan had gone out on a call about a missing toddler and had ended up going down a well to rescue it. The local television stations had picked up the story of the missing child, and then the Florida media had picked up the story of the rescue. Three hours after she climbed down into the well and spent the most terror-filled time of her life, Sloan had emerged a "heroine." Filthy and exhausted, Sloan had been greeted with deafening cheers from Bell Harbor's citizens who'd gathered to pray for the child's safety and with shouts from the reporters who'd gathered to pray for something newsworthy enough to raise their ratings.

After a week, the furor and notoriety was finally beginning to cool down, but not fast enough to suit Sloan. She found the role of media star and local hero not only comically unsuitable but thoroughly disconcerting. On one side of the spectrum, she had to contend with the citizens of Bell Harbor who now regarded her as a heroine, an icon, a role model for women. On the other side, she had to deal with Captain Ingersoll, Butch's fifty-five-year-old male-chauvinist grandfather, who regarded Sloan's unwitting heroics as "deliberate grandstanding" and her presence on his police force as an affront to his dignity, a challenge to his authority, and a burden he was forced to bear until he could find a way to get rid of her.

Sloan's best friend, Sara Gibbon, arrived on the scene just as Sloan finished winding the last bit of kite string into a makeshift spool, which she presented to Kenny with a smile.

"I heard cheering and clapping," Sara said, looking at Sloan and then at the little group of children and then at the kite-falcon with the broken yellow-tipped wing. "What happened to your kite, Kenny?" Sara asked. She smiled at him and he lit up. Sara had that effect on males of all ages. With her shiny, short-cropped auburn hair, sparkling green eyes, and exquisite features, Sara could stop men in their tracks with a single, beckoning glance.

"It got stuck in the tree."

"Yes, but Sloan got it down," Emma interrupted excitedly, pointing a chubby little forefinger toward the top of the tree.

"She climbed right up to the top," Kenny inserted, "and she wasn't scared, 'cause she's brave."

Sloan felt—as a mother-to-be someday—that she needed to correct that impression for the children. "Being brave doesn't mean you're never afraid. Being brave means that, even though you're scared, you still do what you should do. For example," she said, directing a smile to the little group, "you're being brave when you tell the truth even though you're afraid you might get into trouble. That's being really, really brave."

The arrival on the scene of Clarence the Clown with a fistful of giant balloons caused all of the children to turn in unison, and several of them scampered off at once, leaving only Kenny, Emma, and Butch behind. "Thanks for getting my kite down," Kenny said with another of his endearing, gap-toothed smiles.

"You're welcome," Sloan said, fighting down an impossible impulse to snatch him into her arms and hug him close—stained shirt, sticky face, and all. The youthful trio turned and headed away, arguing loudly over the actual degree of Sloan's courage.

"Miss McMullin was right. Sloan is a real-life, honest-to-goodness hero," Emma declared.

"She's really, truly brave," Kenny announced.

Butch Ingersoll felt compelled to qualify and limit the compliment "She's brave for a girl," he declared dismissively, reminding an amused Sloan even more forcibly of Chief Ingersoll.

Oddly, it was shy little Emma who sensed the insult. "Girls are just as brave as boys."

"They are not! She shouldn't even be a policeman. That's a man's job. That's why they call it policeman."

Emma took fierce umbrage at this final insult to her heroine. "My mommy," she announced shrilly, "says Sloan Reynolds should be chief of police!"

"Oh, yeah?" countered Butch Ingersoll. "Well, my grandpa is chief of police, and he says she's a pain in the ass! My grandpa says she should get married and make babies. That's what girls are for!"

Emma opened her mouth to protest but couldn't think how. "I hate you, Butch Ingersoll," she cried instead, and raced off, clutching her doll—a fledgling feminist with tears in her eyes.

"You shouldn't have said that," Kenny warned. "You made her cry."

"Who cares?" Butch said—a fledgling bigot with an attitude, like his grandfather.

"If you're real nice to her tomorrow, she'll prob'ly forget what you said," Kenny decided—a fledgling politician, like his father.

2

When the children were out of hearing, Sloan turned to Sara with a wry smile. "Until just now, I've never been able to decide whether I want to have a little girl or a little boy. Now I'm certain. I definitely want a little girl."

"As if you'll have a choice," Sara joked, familiar with this topic of conversation, which had become increasingly frequent "And while you're trying to decide the sex of your as-yet-unconceived infant, may I suggest you spend a little more time finding a prospective father and husband?"

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Judith McNaught's Novels
» Night Whispers (Second Opportunities #3)
» Almost Heaven (Sequels #3)
» Something Wonderful (Sequels #2)
» Once and Always (Sequels #1)
» Perfect (Second Opportunities #2)
» Paradise (Second Opportunities #1)
» Until You (Westmoreland Saga #3)
» Whitney, My Love (Westmoreland Saga #2)
» A Kingdom of Dreams (Westmoreland Saga #1)