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The Amber Spyglass (His Dark Materials #3) Page 90
Author: Philip Pullman

Then he took up the knife. And instantly there came back the words the harpies had thrown at him—taunts about his mother—and he stopped. He put the knife down, trying to clear his mind.

He tried again, with the same result. He could hear them clamoring above, despite the ferocity of the Gallivespians; there were so many of them that two fliers alone could do little to stop them.

Well, this was what it was going to be like. It wasn’t going to get any easier. So Will let his mind relax and become disengaged, and just sat there with the knife held loosely until he was ready again.

This time the knife cut straight into the air—and met rock. He had opened a window in this world into the underground of another. He closed it up and tried again.

And the same thing happened, though he knew it was a different world. He’d opened windows before to find himself above the ground of another world, so he shouldn’t have been surprised to find he was underground for a change, but it was disconcerting.

Next time he felt carefully in the way he’d learned, letting the tip search for the resonance that revealed a world where the ground was in the same place. But the touch was wrong wherever he felt. There was no world anywhere he could open into; everywhere he touched, it was solid rock.

Lyra had sensed that something was wrong, and she jumped up from her close conversation with Roger’s ghost to hurry to Will’s side.

“What is it?” she said quietly.

He told her, and added, “We’re going to have to move somewhere else before I can find a world we can open into. And those harpies aren’t going to let us. Have you told the ghosts what we were planning?”

“No. Only Roger, and I told him to keep it quiet. He’ll do whatever I tell him. Oh, Will, I’m scared, I’m so scared. We might not ever get out. Suppose we get stuck here forever?”

“The knife can cut through rock. If we need to, we’ll just cut a tunnel. It’ll take a long time, and I hope we won’t have to, but we could. Don’t worry.”

“Yeah. You’re right. Course we could.”

But she thought he looked so ill, with his face drawn in pain and with dark rings around his eyes, and his hand was shaking, and his fingers were bleeding again; he looked as sick as she felt. They couldn’t go on much longer without their dæmons. She felt her own ghost quail in her body, and hugged her arms tightly, aching for Pan.

Meanwhile, the ghosts were pressing close, poor things, and the children especially couldn’t leave Lyra alone.

“Please,” said one girl, “you won’t forget us when you go back, will you?”

“No,” said Lyra, “never.”

“You’ll tell them about us?”

“I promise. What’s your name?”

But the poor girl was embarrassed and ashamed: she’d forgotten. She turned away, hiding her face, and a boy said:

“It’s better to forget, I reckon. I’ve forgotten mine. Some en’t been here long, and they still know who they are. There’s some kids been here thousands of years. They’re no older than us, and they’ve forgotten a whole lot. Except the sunshine. No one forgets that. And the wind.”

“Yeah,” said another, “tell us about that!”

And more and more of them clamored for Lyra to tell them about the things they remembered, the sun and the wind and the sky, and the things they’d forgotten, such as how to play; and she turned to Will and whispered, “What should I do, Will?”

“Tell them.”

“I’m scared. After what happened back there—the harpies—”

“Tell them the truth. We’ll keep the harpies off.”

She looked at him doubtfully. In fact, she felt sick with apprehension. She turned back to the ghosts, who were thronging closer and closer.

“Please!” they were whispering. “You’ve just come from the world! Tell us, tell us! Tell us about the world!”

There was a tree not far away—just a dead trunk with its bone white branches thrusting into the chilly gray air—and because Lyra was feeling weak, and because she didn’t think she could walk and talk at the same time, she made for that so as to have somewhere to sit. The crowd of ghosts jostled and shuffled aside to make room.

When she and Will were nearly at the tree, Tialys landed on Will’s hand and indicated that he should bend his head to listen.

“They’re coming back,” he said quietly, “those harpies. More and more of them. Have your knife ready. The Lady and I will hold them off as long as we can, but you might need to fight.”

Without worrying Lyra, Will loosened the knife in its sheath and kept his hand close to it. Tialys took off again, and then Lyra reached the tree and sat down on one of the thick roots.

So many dead figures clustered around, pressing hopefully, wide-eyed, that Will had to make them keep back and leave room; but he let Roger stay close, because he was gazing at Lyra, listening with a passion.

And Lyra began to talk about the world she knew.

She told them the story of how she and Roger had climbed over Jordan College roof and found the rook with the broken leg, and how they had looked after it until it was ready to fly again; and how they had explored the wine cellars, all thick with dust and cobwebs, and drunk some canary, or it might have been Tokay, she couldn’t tell, and how drunk they had been. And Roger’s ghost listened, proud and desperate, nodding and whispering, “Yes, yes! That’s just what happened, that’s true all right!”

Then she told them all about the great battle between the Oxford townies and the clayburners.

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Philip Pullman's Novels
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