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The Amber Spyglass (His Dark Materials #3) Page 91
Author: Philip Pullman

First she described the claybeds, making sure she got in everything she could remember, the wide ocher-colored washing pits, the dragline, the kilns like great brick beehives. She told them about the willow trees along the river’s edge, with their leaves all silvery underneath; and she told how when the sun shone for more than a couple of days, the clay began to split up into great handsome plates, with deep cracks between, and how it felt to squish your fingers into the cracks and slowly lever up a dried plate of mud, trying to keep it as big as you could without breaking it. Underneath it was still wet, ideal for throwing at people.

And she described the smells around the place, the smoke from the kilns, the rotten-leaf-mold smell of the river when the wind was in the southwest, the warm smell of the baking potatoes the clayburners used to eat; and the sound of the water slipping slickly over the sluices and into the washing pits; and the slow, thick suck as you tried to pull your foot out of the ground; and the heavy, wet slap of the gate paddles in the clay-thick water.

As she spoke, playing on all their senses, the ghosts crowded closer, feeding on her words, remembering the time when they had flesh and skin and nerves and senses, and willing her never to stop.

Then she told how the clayburners’ children always made war on the townies, but how they were slow and dull, with clay in their brains, and how the townies were as sharp and quick as sparrows by contrast; and how one day all the townies had swallowed their differences and plotted and planned and attacked the claybeds from three sides, pinning the clayburners’ children back against the river, hurling handfuls and handfuls of heavy, claggy clay at one another, rushing their muddy castle and tearing it down, turning the fortifications into missiles until the air and the ground and the water were all mixed inextricably together, and every child looked exactly the same, mud from scalp to sole, and none of them had had a better day in all their lives.

When she’d finished, she looked at Will, exhausted. Then she had a shock.

As well as the ghosts, silent all around, and her companions, close and living, there was another audience, too: the branches of the tree were clustered with those dark bird forms, their women’s faces gazing down at her, solemn and spellbound.

She stood up in sudden fear, but they didn’t move.

“You,” she said, desperate, “you flew at me before, when I tried to tell you something. What’s stopping you now? Go on, tear at me with your claws and make a ghost out of me!”

“That is the least we shall do,” said the harpy in the center, who was No-Name herself. “Listen to me. Thousands of years ago, when the first ghosts came down here, the Authority gave us the power to see the worst in every one, and we have fed on the worst ever since, till our blood is rank with it and our very hearts are sickened.

“But still, it was all we had to feed on. It was all we had. And now we learn that you are planning to open a way to the upper world and lead all the ghosts out into the air—”

And her harsh voice was drowned by a million whispers, as every ghost who could hear cried out in joy and hope; but all the harpies screamed and beat their wings until the ghosts fell silent again.

“Yes,” cried No-Name, “to lead them out! What will we do now? I shall tell you what we will do: from now on, we shall hold nothing back. We shall hurt and defile and tear and rend every ghost that comes through, and we shall send them mad with fear and remorse and self-hatred. This is a wasteland now; we shall make it a hell!”

Every single harpy shrieked and jeered, and many of them flew up off the tree and straight at the ghosts, making them scatter in terror. Lyra clung to Will’s arm and said, “They’ve given it away now, and we can’t do it. They’ll hate us—they’ll think we betrayed them! We’ve made it worse, not better!”

“Quiet,” said Tialys. “Don’t despair. Call the harpies back and make them listen to us.”

So Will cried out, “Come back! Come back, every one of you! Come back and listen!”

One by one the harpies, their faces eager and hungry and suffused with the lust for misery, turned and flew back to the tree, and the ghosts drifted back as well. The Chevalier left his dragonfly in the care of Salmakia, and his little tense figure, green-clad and dark-haired, leapt to a rock where they could all see him.

“Harpies,” he said, “we can offer you something better than that. Answer my questions truly, and hear what I say, and then judge. When Lyra spoke to you outside the wall, you flew at her. Why did you do that?”

“Lies!” the harpies all cried. “Lies and fantasies!”

“Yet when she spoke just now, you all listened, every one of you, and you kept silent and still. Again, why was that?”

“Because it was true,” said No-Name. “Because she spoke the truth. Because it was nourishing. Because it was feeding us. Because we couldn’t help it. Because it was true. Because we had no idea that there was anything but wickedness. Because it brought us news of the world and the sun and the wind and the rain. Because it was true.”

“Then,” said Tialys, “let’s make a bargain with you. Instead of seeing only the wickedness and cruelty and greed of the ghosts that come down here, from now on you will have the right to ask all the ghosts to tell you the stories of their lives, and they will have to tell the truth about what they’ve seen and touched and heard and loved and known in the world. Every one of these ghosts has a story; every single one that comes down in the future will have true things to tell you about the world. And you’ll have the right to hear them, and they will have to tell you.”

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Philip Pullman's Novels
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